For Audra Kubat, life brings a series of dualities that challenge and change the soul.
Those dualities inspire her to create magical sonic epiphanies that instantly resonate with listeners on “The Sliver & the Salve,” a spectacular 10-track odyssey that drops Friday and looks inward and outward at the self, society and the cosmos.
“I feel like this album for me was recognizing that there were these dualities and sort of contradictions, these internal and external things going on. I wanted then to connect that also with the way we treat each other, treat ourselves and treat the earth,” said Kubat, a Detroit indie folk singer-songwriter.
“Those three ideas, the way we treat ourselves, the way we treat each other and the way we treat the land are what really define us. Our impact is limited, expounded or accentuated by our ability to be fully ourselves, to be gracious to others and to take care of the land.”
Throughout “The Sliver & the Salve,” Kubat brilliantly addresses relatable themes of inner strength, personal freedom and growth, tumultuous relationships, emotional upheavals and environmental stewardship.
Selections from ‘The Sliver & the Salve’
As a follow-up to 2016’s acoustically-minded “Mended Vessel,” Kubat’s latest album via Whistle Pig Records showcases a carefully crafted batch of songs that evoke deep reflections against a backdrop of elegant instrumentation.
Each song highlights the challenges of everyday life experiences and the difficult choices people make to progress. The gorgeous opening track, “Some Comfort,” depicts the courageous mindset of a woman who escapes an abusive relationship and ponders a new life ahead.
The Royal Oak indie folk singer-songwriter will share her highly personal, reflective songs with an intimate Ann Arbor crowd at Crazy Wisdom Bookstore and Tearoom.
“This one’s just going to be on my own. I want to give myself some time and space to focus on my own work,” said Rivard, who will perform two 45-minute acoustic sets. “I am working on some new songs that I will be performing, and I will be doing some covers. It will mostly be original music, but the covers will be my interpretation of the songs.”
Throughout her mesmerizing sets, Rivard will showcase raw emotional vocals with a heartfelt wall of acoustic sound. Her relatable sonic tales of love, travel and growth will resonate with crowds of all ages and musical interests.
“There’s the spiritual element of letting go and letting music flow through you. The best music that I’ve created is what just comes out of me,” Rivard said. “I’m not trying to manipulate it, I’m not trying to do anything – it just comes. I’m committed to it, and I’m going to keep on going because there’s so much to learn from it.”
Rivard spent the last three and half years honing her guitar chops after studying with Detroit singer-songwriter Joel Palmer. She later added guitar to her repertoire after playing drums, piano, banjo and autoharp while growing up in Royal Oak with several musical siblings. That instrumental prowess also led to a deep musical appreciation for Simon & Garfunkel, Gillian Welch, Lauren Hill and Scott Joplin.
“I discovered when I was younger the soundtrack for the movie, ‘Amelie,’ by Yann Tiersen,” she said. “It’s instrumental stuff that’s kind of playful and whimsical, so I think that played a part in the kind of music that I play.”
The Plymouth singer-songwriter, aka Matt Sauter, combines his down-to-earth indie folk rock roots with lush new alt-rock growth on his latest single, “Back to Normal,” which drops today.
Akin to Kings of Leon and Mumford and Sons, Sauter’s catchy 4.5-minute single features his signature raspy vocals backed by brightly-toned guitars and pulsating drum beats. “Back to Normal’s” clever lyrics include an infectious play on words ranging from “cooking dishes” to “growing lawns” to “breaking fences” to “painting songs.”
“It’s a concept song, first it was kind of like a joke, I was writing it and trying to sing everything backwards,” said Sauter, who wrote the track while attending the Detroit Institute of Music Education (DIME). “The chord progressions are churchy and powerful, and once we got a full band with it, it became this super, big and powerful song, and we’ve been playing it live for a year now, and it’s one of our fan favorites.”
That live fan favorite also features the talents of Dan Sauter (bass), Jon Staten (drums) and Jimmy Showers (guitar), who now serve as official band members for Adventures with Vultures. He also worked with Jake Rye of Social Recording Company in Adrian to produce and mix the track.
“We go in there with Jake, we plug in, and we play our shit loud,” said Sauter, who originally started as a hip-hop artist and honed his drumming skills while growing up in Plymouth. “We’re going for an early 2000s indie alt rock sound with these new songs.”
Originally, Adventures with Vultures started as an emerging indie folk solo act for Sauter, who released his brilliant, introspective four-song debut EP, “Junction,” in 2017 through Original 1265 Recordings, an independent label owned by CND America, DIME’s parent company.
Sauter expanded the project into a full band after playing a growing roster of live dates in Michigan and going on his first national headlining tour last year. He’s also transitioned from being part of Original 1265 Recordings to becoming an independent, do-it-yourself (DIY) artist.
As a DIY artist, Sauter recently launched a GoFundMe campaign to help support releasing new music as well as an upcoming tour. To date, he’s raised nearly $2,000, thanks to his burgeoning fan base, and sponsoring additional casino bus and golf outing fundraisers.
“Being a DIY artist is more community-based, and it feels more organic,” he said. “With the support of our fans, we’re going to release a new single every three months for the next year.”
As a next step, the band will release a new video soon for “Back to Normal” and return to the studio in April to record their next single.
Adventures with Vultures also will perform a series of upcoming live shows, including April 13 at The Blind Pig in Ann Arbor with LVRS and Jackamo, April 26 at New Way Bar as part of Ferndale Spring Fever and May 24 at Mac’s Bar in Lansing with Joshua Powell.
“We’re going to keep course, we’re going to do our thing, but we want to be part of SXSW’s Michigan House next year,” Sauter said. “We’re going to keep the name growing, and people keep telling us to come back down to Nashville and Milwaukee. Every year, more and more keeps happening, and as long as we stay on our path, we’ll be pretty fucking happy.”
A Plymouth-based Americana quartet will harvest their homegrown rootsy sound Friday night in Farmington.
Known as Cold Tone Harvest, the band will join Ypsilanti indie folk singer-songwriter Chris DuPont as part of the intimate “Friday Night Live” concert series at the Farmington Civic Theater, 33332 Grand River Ave. in Farmington, at 8 p.m. Friday.
“We’re excited to be in a new venue with new people,” said Brian Williams, Cold Tone Harvest’s drummer and banjo player. “We just hope to keep spreading the word, get a nice little turnout and have a great night together.”
Cold Tone Harvest will perform a headlining set with raw emotional tracks from their latest album, introduce some highly anticipated new tunes and covers and bring DuPont on stage to round out the night. The band also will join DuPont for part of his opening set to add a fresh take on his past, present and future music.
“Chris is going to join us on a bunch of our tunes, and then we’re going to support him when he joins us for a couple of his tunes and maybe mix in a little surprise here or there,” said Williams, who originally hails from Plymouth.
With their rich country-infused melodies, rhythms and instrumentations, Cold Tone Harvest’s Andrew Sigworth (vocals, acoustic guitar), Ozzie Andrews (acoustic bass, bass guitar, bass banjo), Anthony Pace (electric guitar, lap steel, dobro) and Williams will perform thoughtful, heartfelt tunes that poetically chronicle adversity and creatively demonstrate the inner strength to overcome it.
Whiskey songs, personal reflections and heartache anthems summarize Cold Tone Harvest’s magical 2018 debut album, “After You,” which sonically captures the feel of watching a piercing crimson sunset on a crisp autumn evening while freshly fallen leaves crunch beneath one’s feet.
Formed in 2008, Cold Tone Harvest originally featured soft-spoken singer-songwriter Sigworth in partnership with Williams. Together, the pair advocated for a sonic landscape built around Sigworth’s voice as a centerpiece against a percussive backdrop.
He will open for critically-acclaimed folk singer-songwriter Seth Glier and play tracks from his 2017 self-titled debut EP. Andrew Harness will join Ohly on guitar and piano while Megan McKay will provide vocals.
“We’re going to do some new songs, some old songs, and we’re going to do a cover as well,” said Ohly, who originally hails from Rochester and currently attends the University of Hawai‘i at Hilo. “It’s going to be pretty moving, so I’m really looking forward to it. A little bit of everything.”
Ohly released his heartfelt six-song self-titled debut EP last October and included an emotionally-charged, introspective package of musical tales focused on relationships, loss and growth.
“There’s a lot of songs about my family on there. I wanted to do more of an acoustic folk sound, but unfortunately, I didn’t have a whole band,” he said. “It was a cool start, and I’m glad some people like it. I’m excited for the next stuff I put out there.”
Ohly penned the EP’s tracks on an acoustic guitar in his Jackson College dorm room and teamed up with producer John Katona to add drums and beats. He’s especially proud of “Home” and “Thursday Night.”
“‘Home’ is probably my favorite because that’s had the most success. I feel like it turned out the way that I pictured it the most,” said Ohly, who’s influenced by his older musical brothers as well as The Head and the Heart, The Avett Brothers, Bob Dylan and Simon & Garfunkel.
“‘Thursday Night’ is the other one that I like a lot because it’s probably the most unique, and based off other music blogs I’ve spoken to, they agree with me. That’s actually the producer’s favorite song.”
Ohly is writing new material and getting ready to graduate this spring with a bachelor’s degree in business administration. He also plans to play some local shows with his Hilo-based band and will eventually return to metro Detroit to record his next project.
“I think I’ll have a single out this spring. I really want to make sure that the next EP or album that I release is kind of the way I want it rather than the previous EP, where I had to play the drums and throw a lot of stuff together over a year,” he said. “For the next EP or album, I’d really like to have a band that knows each part, so they can go into the studio and record in a couple of days because we’ve already practiced and played shows previously.”