Suburban HiFi brings an infectious, timeless nostalgia to late ‘70s-tinged rock, pop and disco.
The Whitmore Lake power-pop singer-songwriter and multi-instrumentalist eloquently fuses vintage Britpop instrumentation with earworm melodies and introspective lyrics on his latest propulsive album, Superimposition, via Futureman Records.
“At first, when I was thinking about doing it, I thought it would be autobiographical, and I’d do these songs that were about some point in my history. Songs like ‘Vinyl on the Radio’ were things like that, and then I realized it would only mean something to me,” said Greg Addington, aka Suburban HiFi.
“It’s kind of boring from that perspective to say I’m going to do these 11 autobiographical songs. It turned into something different, but there are hints of that on here. It started as a nostalgia trip down amnesia lane.”
At first listen, Suburban HiFi’s Superimposition seamlessly shifts to a memorable mood-lifter that instantly elevates the mind, body and soul. Each irresistible track grooves, sways and lingers alongside relatable tales that explore life choices, changes and aspirations.
“I didn’t want it be … ‘Oh, let’s make this sound like a song from 1978.’ It was more like, ‘Let’s put it in a modern setting.’ If ‘The Space Between Us’ hints at the disco-rock thing that was done around that time, then that’s fine, but let’s try to modernize it,” said Addington, who’s also vocalist-guitarist with The Hangabouts.
“And the song, ‘Here Comes the Blood,’ could have been a Hangabouts song, but the way I chose to do it was to dance it up a little bit. ‘In Her Reverie’ is pretty much all guitar-based pop with a riff that drove the song.”