Remember the Time — The Brothers Harrington Return With “Experience the Music of 1971” Show in Canton

Amy Petty and Jason Briggs perform as part of “Experience the Music of 1971” at the Canton Village Theater in 2025. Courtesy photo.

The Brothers Harrington are musical time travelers.

The Ann Arbor, Michigan, musicians and siblings are building a metaphorical portal to 1971, a year that featured era-defining music from iconic artists like Led Zeppelin, The Who, Carole King, Marvin Gaye, and David Bowie.

That portal is in the form of a live revue-style show called Experience the Music of 1971. After debuting at the Canton Village Theater last fall, the show is back for a two-night run—October 1-2—at the same venue.

“It will be a completely organic performance, and that’s in the spirit of the music,” said Billy Harrington, a drummer who’s co-producing the show with his younger brother, guitarist Michael Harrington.

“We’re doing it the way that people did in the early ‘70s, given the tech that we have. It’s live instruments and live music in a room, and hopefully, we’re connecting with the audience and reminding them, or introducing them to this music.”

The Brothers Harrington developed the concept for the show after discussing a shared love of songs and albums from that transformative year with friend Mark Jay, owner-engineer of Immersifi Recording Services in Ann Arbor, and a sponsor of Experience the Music of 1971. (Immersifi Recording Services specializes in live recording, audio preservation and restoration, and noise and vibration consultancy services.)

“It kept coming up, and Mark was one of the inspirations to push it into the show world,” said Billy Harrington, who’s also performed and toured nationally with different tribute shows.

Last year’s inaugural show sold out and featured a roster of Michigan musicians performing songs like “Stairway to Heaven,” “What’s Going On,” “Roundabout,” and “Baba O’Riley.”

“It’s a lot of really challenging music, and it’s on our shoulders [again] to perform and do it right,” said Michael Harrington. “I think it will be fun, but it will be a lot of hard work and really rewarding.”

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Back in Time — “Experience the Music of 1971” Show Pays Tribute to Songs From a Definitive Year

In high school, Billy Harrington started compiling iTunes playlists of his favorite music.

Those playlists included music recorded at Motown and Stax Records as well as songs and albums released in 1971.

“I became someone who was really interested in the liner notes, and I was making my own custom columns of [music] being done in [different] studios,” said Harrington, a drummer-producer based in Ann Arbor, Michigan.

“I also had playlists based on different years, and I kept noticing all of these great records that were happening in 1971. [That year] kept popping up, and it wasn’t just albums that I knew were famous and popular, but they happened to be my favorite albums. They were my cherished recordings, and they all kept coming out in 1971.”

Years later, Harrington and his brother, guitarist Michael Harrington, met Mark Jay, owner-engineer of Ann Arbor-based Immerisfi Recording Services. They would often discuss music while hanging out at the bar, and many of those conversations led to a love of music from the 1970s.

“We’re air-drumming to all of these songs, and it became a laughable inside joke,” said Harrington, who’s produced several artists and performed and toured nationally with different tribute shows. “We’d say ‘This is ’71 again.’ It kept coming up, and Mark was one of the inspirations to push it into the show world.”

What resulted is “Experience the Music of 1971,” a revue-style show that takes place October 11 at the Canton Village Theater and pays tribute to music recorded and released that year. 

It’s a time when Carole King, James Taylor, Led Zeppelin, The Who, Marvin Gaye, David Bowie, and others released era-defining music.

“We had done a James Taylor show, and we had done a Beatles-themed show,” said Harrington, who’s co-producing Experience the Music of 1971 with Michael Harrington and working with Jay as one of the show’s sponsors.

“Both of those shows were at the Canton Village Theater, and we thought, ‘Maybe it’s time to do something new.’ And 1971 was highly requested by Mark, and I thought, ‘There’s so much great music that I want to play on stage with people.’”

I recently spoke to Billy Harrington, Michael Harrington, and Mark Jay about the show ahead of its debut at the Canton Village Theater.

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Lighten the Load — J. Michael & The Heavy Burden Provides a Cathartic and Emotional Outlet on “Where We Belong” Album

Shannon Lee, Andrew Pfeiffer, Hilary Finchum-Sung, Jeff Brach, Christopher Georges, David Roof, and former bassist Jamie Sass. Not pictured: current bassist Kevin Howard. Courtesy photo.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Despite the band’s name, J. Michael & The Heavy Burden wants to lighten the emotional load for people.

The Ann Arbor-Metro Detroit band provides a cathartic outlet for processing feelings—ranging from hope to heartbreak to euphoria—on its latest album.

“A lot of the music that I write, it all comes from a very emotional place,” said Jeff “J. Michael” Brach, frontman for the Americana-jam rock band, about Where We Belong.

“When I’m at my peak creatively and writing a lot of music, which I’m actually doing more of right now, it’s when I’m going through difficult things.”

Brach examines a spectrum of emotions while rediscovering his purpose—both personally and vicariously—across eight tracks.

“Universally, the music that I love, you can identify with it, even if you’re interpreting it differently,” he said. “We all come from our perspectives, but you can universally tap into certain things that are being said.”

Brach’s relatable songwriting comes to life alongside the spirited instrumentation of The Heavy Burden, which includes lead guitarist Andrew Pfeiffer, drummer Christopher Georges, vocalist Shannon Lee, keyboardist David Roof, vocalist-violinist Hilary Finchum-Sung, and bassist Kevin Howard.

“Once I started listening and focusing on the lyrics, I [don’t] think of us as the heavy burden, but that’s the funny joke part of it,” Georges said.

“A lot of the songs have heavy, emotional tones sometimes, even though they’re light in their presentation and fun and groovy. There’s also this behind-the-scenes bit of toil and heartbreak, and that story-work in there. It’s delivered nicely and sweetly almost to the ear.”

I recently spoke to the band about its album ahead of an August 1 headlining set at the River Rhythm Music & Arts Festival in Manchester.

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