Perfect Match – Jake LeMond, Juliane Bednarz Combine Songwriting Powers for Hickey Eyes ‘Nosey’ Single

Hickey Eyes - NOSEY resized
Hickey Eyes’ Jake LeMond and Juliane Bednarz sparkle on their latest single, “Nosey.” Photo – Alayna Currey

Jake LeMond and Juliane Bednarz serve as an emerging, magical songwriting team.

The Hickey Eyes indie rock duo and real-life couple meld enchanting, lush harmonies with infectious, glistening pop soundscapes on their latest single, “Nosey.”

“‘Nosey’ started off as just a chorus I came up with. That same night I was on the phone with Juliane joking about how she’s nosey, and we thought it would be funny to use that as an idea for another Hickey Eyes song,” said LeMond, who’s based in Detroit.

“I sang her a melody of how I thought the verses should go, and she sent me the whole first verse. I thought her words were perfect, so all I had to do was write a second verse.”

Throughout “Nosey,” breezy, sleek Mellotron seamlessly fuses with ascending, vibrant acoustic strums, tranquil slide guitar, steady drums and mellow bass to overcome potential relationship challenges.

LeMond sings, “Electric start/I head for the airport/Every goodbye seems to be cut short/Wish we could talk/Dead on the weekends/Against the clock/Gone off the deep end.”

“Collaborating with Jules on this one was fun because I would just send her voice memos of my progress throughout the night while I was writing, and she sent a verse, so it all came pretty fast since the chorus was already written,” he said.

“We share music ideas with each other as they come to us, and being that we’re so close, we’re not afraid to share honest opinions. Jules is new to songwriting, so she is still figuring out her style.”

LeMond and Bednarz also expanded their Hickey Eyes “Nosey” collaboration to include Ian Ruhala (slide guitar, Mellotron), Chris Koo (vocal editing), Ben Fisher (drum editing), Jake Rye (mixing) and Mike Cervantes (mastering).

“I spent a good chunk of time demoing out this one in my bedroom while learning how to use Logic. It started out much slower and sounded pretty sad to be honest. Jules wasn’t all that crazy about that version, so I tried to give it more energy to balance out the somewhat sad lyrics,” LeMond said.

“I (also) tracked slide guitar and Mellotron at my friend Ian Ruhala’s house. Ben Fisher who mixed ‘Spoon Me’ helped edit drums. Chris Koo, who I’ve had the opportunity to write with a lot for this year for his project Yueku, edited vocals, and he’s definitely inspired me to put out more music recently with how consistent he’s been with his releases.”

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