Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP

The DayNites gather at The Blind Pig in Ann Arbor. Photo – Dimitri Kaf

With moonlit melodies, gravitational grooves and rotational rhythms, The DayNites soulfully shine across the metro Detroit stratosphere.

The Detroit-Ypsilanti R&B-rock sextet of Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar), Erich Friebel (drums, percussion) and Rick Coughlin (guitar) share reflective stories about love, growth, freedom and wisdom on their celestial, self-titled debut EP.

“When I was writing, it was just things that I was going through at that time in my life. It wasn’t like one main theme. It was like, ‘This is how I’m feeling, and these are the words that are coming out right now.’ I would say listen to the words and the instruments, feel the music and let it take you somewhere,” said Bell, who’s the band’s primary lyricist.

“We all have a take on everybody’s liking, and we put a little bit of something from everyone into what we do. For the first album, it was just me writing the words. But for the music, it was all the guys working together and putting their own spin on their instruments to see what worked well together.”

Available through the band’s new website, the EP’s five emotive DayNites tales unearth a deeply personal universe filled with contemplation, consideration and transformation. The lush, dreamy opener, “Cherry Blossom,” provides a welcome, cosmic escape into the relatable thoughts, feelings and concerns of a lost soul.

Palpitating drums, intense hand claps, exuberant bass, glistening intergalactic synth and fervid electric guitar reveal the psyche as Bell sings, “But I know I need to come down/Collect myself somehow/Unconnected from the physical being of my perspective/The only thing I could create was hella questions/Answers too far off to see/Searching for something that would make my soul complete.”

“It’s about trying to find ways to escape realities that I didn’t want to face. The song is pretty upbeat, and people love it, but at first it was my least favorite song because of what it made me think of every time I sang it. Once the song was recorded, it had a different feeling to me, and now I love it. I’m no longer in that place so I can listen to the song from a different perspective,” Bell said.

While Bell experiences an existential crisis on “Cherry Blossom,” she quickly shifts to newfound freedom on the Motown-esque, pro-hooky anthem, “Not Tomorrow.” Throbbing bass, banging tambourine, soulful intricate electric guitar, pounding drums and sizzling cymbals celebrate a much-needed mental health day from work.

“When we wrote that song, we were in the studio, and I had to work at 6 a.m. the next day. I was like, ‘Look, I can’t do this. I’ll be right back.’ I went and called my boss, and I was like, ‘Yeah, I won’t be there tomorrow,’ and I came back in and wrote the song,” Bell said.

Continue reading “Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP”

Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single

Au Gres’ Josh Kemp celebrates a new relationship on “Nervous.”

Au Gres instantly creates the proverbial comfort zone.

The Fenton indie pop singer-songwriter quickly throws anxiety, hesitation and doubt aside in his latest warm, dreamy pro-soulmate single, “Nervous,” which dropped Oct. 16.

“The song was inspired by my girlfriend, and I don’t usually set out to write a song. Instead, I mess around with progressions until I get an idea of what I want it to be about, and the song kind of writes itself. But for this one, I just felt so comfortable with her, like right off the bat, and I wanted to write something that felt that way,” said Josh Kemp, aka Au Gres.

“I sat in my room for a long time, and I wrote that bendy hook and everything else around it because it felt perfect to me. It was just me with my laptop in my room. I think I wrote most of it in an afternoon, and then I came back to it quite some time later and added more and more to it.”

With glistening acoustic strums, whimsical electric guitars, vivid bass, pulsating drums and atmospheric synths, “Nervous” serves as the ideal romantic icebreaker that immediately puts apprehensive partners at ease. It’s the melodic, soaring anthem everyone longs to hear on a magical first date.

Throughout the Mac DeMarco-like track, Kemp reveals, “I think I overstayed my welcome/But I think you want me to/Stick around/To bring you coffee or a cigarette/I don’t think we’re done yet/Not for now.”

“It’s a reminder that the reward is worth it so to speak, and I’m talking about long-lasting, real relationships. It’s tough to make yourself vulnerable with people, and sometimes if you want to have that kind of relationship, then you have to be the one to take the plunge and let your walls come down,” said Kemp, who’s inspired by Passion Pit and Phoenix.

Eight months ago, Kemp shared bedroom laptop demos of “Nervous” with Jake Rye at Adrian’s Social Recording Company. Rye solidified the track’s final version while Noah de Leon (guitars, keys, synth) and Kemp (guitar, keys, synth) handled the arrangements and invited drummer Brodie Glaza.

“Noah and I had most of the arrangements filled out, but Jake would take a look at certain parts and help fill in the gaps a little bit. He gave things a lift where they needed and dove into those melancholic, indie feels. He was really good at drawing that part out,” Kemp said.

“I think it really grew into what I had in my head, like when I was in my bedroom. And to hear it come alive with real drums because I was just using samples, and even now listening to it and thinking about that experience, like COVID, and how strange it is to be back working on music, but also at the same time it felt very right and very good. It finally felt like a slice of something very nice.”

Last week, Kemp shared another slice of “Nervous” through a new lyric video recorded with Darity’s Linsley Hartenstein. The quirky video shows Kemp enthusiastically performing multiple parts on a flashy, portable ‘80s color TV (akin to Lindsey Buckingham’s 1981 “Trouble” video).

“It’s a little silly, and it’s my first go ever using a green screen,” said Kemp with a laugh. “We wanted to have fun with it.”

Continue reading “Break the Ice – Au Gres Finds Instant Romantic Comfort on New ‘Nervous’ Single”

Leader of the Pack – Michael Snyder-Barker Celebrates Local Lineup on ‘Bark & the Pack’ Live Album

Michael Snyder-Barker, center, poses with his bandmates at Adrian’s Cotton Brewing Company.

Michael Snyder-Barker leads the ultimate live music pack.

The Tecumseh singer-songwriter and drummer joins forces with an all-star local lineup – John Lowe (guitar, vocals), Mike Hintz (bass, vocals), Chris Broski (guitar, vocals), Michael Rozich (guitar, bass, vocals) and David Roof (guitar, keys, vocals) – for a bluesy, rock-infused live album, Bark & the Pack, now available on all streaming platforms.

Recorded live at Adrian’s Cotton Brewing Company in January, Bark & the Pack features 12 timeless classic rock, jam-fueled tracks spanning nearly three decades of Snyder-Barker’s prolific, multi-genre career. He’s assembled a fiery sextet of collaborators from The Mighty Rhythm Bandits, Barker & Broski and other solo projects.

“The lineup was based on my current band, The Mighty Rhythm Bandits, as the core, and David Roof, who played all of the instruments on the studio recordings. Chris Broski and I did a set as the opener in which we performed Barker & Broski’s The Ballad of Billy Bob and Other Generic American Folklore in its entirety. I thought it would be fun to have him play on a majority of the other tracks as well,” Snyder-Barker said.

“‘Godsparrow’ was a song we had written and recorded with the group Soylent Green/Edgar Allen’s Toe in the ‘90s, and I wanted this to be somewhat of a retrospective. I had written and recorded some music with Michael Rozich and wanted to highlight those originals as well.”

Throughout Bark & the Pack, Snyder-Barker spotlights life-changing musical stories about internal growth, personal loss, rowdy adventures, stolen moments, long-lasting friendships, renewal and the fleeting passage of time. For his second live album, Snyder-Barker decided to drop Bark & the Pack after recording a prior CD release party for Bark’s Wagon Tales at Cotton in 2017.

As the live album’s ‘70s hard rock-inspired opening track, “Sea of Sand (He’s a Lost Boy)” features crunchy metal guitars, pounding drums, crashing cymbals and calm bass as Snyder-Barker chronicles a man’s eternal soul-searching journey for self-acceptance.

He reflects, “You see a young boy screamin’/Across the desert plains/Runnin’ for his life/He never found his peace/Jealous men never revealin’/What they hide away/For diamonds and silver.”

“The album has four new tracks with The Mighty Rhythm Bandits – ‘Sea of Sand (He’s a Lost Boy),’ ‘I Lost My Money,’ ‘Bats Riot in the Hen House’ and ‘The Mighty Rhythm Bandit’ – and two other songs written with Michael Rozich, ‘Weak Eyed Willie’ and ‘Soul Sacrifice,” he said.

Continue reading “Leader of the Pack – Michael Snyder-Barker Celebrates Local Lineup on ‘Bark & the Pack’ Live Album”

Out of the Vault – Steve Taylor Revives Unreleased Tracks for New ‘Beside Myself’ Album

Steve Taylor celebrates unreleased tracks and B-sides on his new solo album, “Beside Myself.”

For Steve Taylor, creative inspiration inadvertently starts with a full hard drive.

The Lake Orion Americana roots singer-songwriter surprisingly ran out of storage space on his digital audio workstation while polishing tracks this summer for his latest solo album, Beside Myself.

“I’ve had this thing for 10-15 years, and I got an error message that said, ‘Hey, You’re running out of space, and you’ve now exceeded the limit of this hard drive.’ I said, ‘Oh man, I’ve got to start deleting songs off here,’ and I put out a solo album in 2005 that I recorded in a similar fashion called And So On, and I thought, ‘I can delete tracks that have already been mastered and released,’” Taylor said.

“But I had all these other tracks on there, like ‘Do You Remember’ and some of the other ones that wound up on Beside Myself. I was like, ‘Well, I guess I should just finish these off, or I should just add something to these.’ We weren’t able to do anything; I wasn’t playing any shows. We weren’t getting together as a band, and every gig was cancelled. I felt like I needed that outlet just to kind of stay creative.”

As a quarantine-fueled creative project, Beside Myself features 10 poignant, acoustic tracks and B-sides focused on long-term love, delayed goals, deer-car crashes, childhood memories, peaceful lullabies and other classic life experiences. In a sense, it’s a closely cherished sonic scrapbook of Taylor’s musical evolution as an influential singer-songwriter, multi-instrumentalist and frontman of The Steve Taylor Three.

“These songs were forgotten; they were songs that I had written for my wife or my neighbors. ‘Sleep & Dream’ was a lullaby I had written for my kids when they were little, and I used to sing it to them before they went to bed. And none of them had I ever intended to release. Some of them just started as demos so I could give them to people, and we could learn to play them live,” said Taylor, who recorded the project in a home studio located under his basement stairs.

“Some of them were already done, like ‘Do You Remember.’ I had recorded that and given it to my wife for our anniversary, but I hadn’t done anything else with it. I started looking to see how many of these were actually done and how many needed more instrumentation. I started counting them up and found there was a group of 10 that I could use.”

Continue reading “Out of the Vault – Steve Taylor Revives Unreleased Tracks for New ‘Beside Myself’ Album”

Jazzy Impressions – Blank Tape Tax Reinvigorates Minor Threat’s Punky ‘Filler’

Blank Tape Tax reinterprets Minor Threat’s “Filler” as a timeless, feverish tribute to modal jazz.

Blank Tape Tax eloquently unearths the jazzy side of hardcore punk.

The Detroit experimental sextet of Ben Yost (drums, vocals), Emily Parrish (vocals), Michael King (upright bass), William Marshall Bennett (piano), Mark Royzenblat (guitar) and Isaac Burgess (guitar) beautifully reinterprets Minor Threat’s “Filler” as a timeless, feverish tribute to modal jazz.

“I was practicing a lot of up-tempo swing and double-time swing, and I was listening to a lot of John Coltrane. The way I was going about practicing involved listening to a song in my mind. I’d hum along to the song, ‘Impressions,’ by Coltrane, and I would play and imagine the song, and every now and then, I would hum ‘Filler’ by Minor Threat. That’s how it started,” Yost said.

That coincidental fusion sparked the melodic, glistening frenzy of Blank Tape Tax’s refreshing rendition of “Filler,” out today via all streaming platforms. Frantic upright bass, thunderous drums, crashing cymbals, sleek piano and swirling electric guitars seamlessly blend two divergent genres into a magnetic, holistic sound.

Backed by lush, intelligent instrumentation throughout “Filler,” Parrish soulfully sings, “Your brain is clay/What’s going on? You picked up a bible/And now you’re gone/You call it religion/You’re full of shit/Filler.”

“I think there are similarities between certain types of hardcore, like 7 Seconds, Minor Threat and Better Than a Thousand, and modal jazz, like Coltrane and Wayne Shorter, especially in up-tempo stuff. The pulse is really similar between the D-beat and up-tempo swing,” Yost said.

“I had written a piano score for it, and I gave it to William, and he read it down. If I write a song, then I’ll bring it to the band, and I’ll just say, ‘This is kind of how it goes.’ And then they’ll kind of just do their own thing, and whatever they come up with is awesome. I’m totally happy with it, and there’s not a whole lot of talking back and forth, like ‘Oh, you should do this,’ or ‘No, you should change that.’ Everyone already knows what to do, and it just falls into place. I’ve never had that in other bands.”

Along with his bandmates, Yost recorded “Filler,” originally a 1984 track written and recorded by Minor Threat, during a live performance for the Hazel Park-based podcast, “Broadcast from Cow Haus,” in March. While the podcast episode’s release has been pushed back, Tom Skill and Joshua Young, co-hosts of “Broadcast from Cow Haus” and members of Detroit ska band CbJ, encouraged Blank Tape Tax to put out the track.

“We did four songs, and there’s a video of all of it. They do their show in season blocks, and they are two episodes short of a season right now. They need to wait to get those two new episodes filmed before they can put everything out,” said Yost, whose band name comes from a levy that was placed on purchasing blank tapes.

Continue reading “Jazzy Impressions – Blank Tape Tax Reinvigorates Minor Threat’s Punky ‘Filler’”

Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album

Bourgeoisie Paper Jam infuses timeless, addictive funk across 15 rhythmic tracks on “Sugar Fit.”

Bourgeoisie Paper Jam delectably satisfies longtime funky cravings.

The Belleville soulful funk duo of Bruce Henderson (bass, guitar, vocals) and Victoria “Vox” Henderson (vocals) sprinkles delicious basslines, tasty grooves and flavorful harmonies throughout their new album, Sugar Fit, now available via Bandcamp.

“We just took all the things that we thought were centered on funk and put them together because we were seeing a gap. People say funk is dead, and we don’t believe that. We just believe they haven’t heard something new,” said Victoria Henderson, who serves as the duo’s primary lyricist.

“Whenever we would join those funk groups, they would put old songs in there, and we were tired of hearing the same songs over and over. We can take all our different funk songs, put them together, and for somebody who likes that older funk, they might actually like this. That’s a different approach for us.”

Throughout Sugar Fit, Bourgeoisie Paper infuses timeless, addictive funk across 15 rhythmic tracks about authenticity, self-actualization, balance, lifelong love, and political and social unrest. The husband-and-wife duo eloquently adds refreshing layers of R&B, soul, disco and rock to their solid foundation of funk on their 11th release, which was written and recorded last year in their home studio.

The album’s infectious title track blends bright, bouncy electric guitars with thumping bass, buzzy and dancey synths and honeyed harmonies for five jam-filled minutes. Together, the Hendersons reveal in Prince-like fashion, “Wanting to lose/This weight that’s holding me down/Shaking this blues/And repping my space now/It takes a challenge/For me to roar into action/But I’m just not that savage/Soooo prone to distraction.”

“The idea behind the title is that we’re all kind of having a little bit of a fit in this pandemic. We’re locked in and wearing masks and then not wearing masks and then there’s the civil unrest. We’re all having some kind of fit,” said Victoria Henderson.

Continue reading “Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album”

Sounds of Autumn – Local Artists Perform Weekend Sets at Canterbury Village’s Open Air Markets

The Keynote Sisters perform at Canterbury’s Village Open Air Markets. Photo – Mark Reitenga

Strong flavors of folk, country and rock will fill the autumn air at Lake Orion’s Canterbury Village this weekend.

Those aromatic sounds will come from a talented roster of metro Detroit singer-songwriters performing intimate outdoor acoustic sets at Open Air Markets Saturday and Sunday.

This weekend’s lineup will feature James Wailin, Sean Blackman, Al Carmichael, Tom Butwin, Johnny Rhodes and Jon Rice, said Mark Reitenga, a Royal Oak folk rock singer-songwriter who curates live music for Open Air Markets.

“This is a pure energy boost because many of the musicians have been laying low since March and many of the patrons as well. It’s like two happy colliding forces,” he said.

“The music is the tonal center of the market in that the musicians keep the spirit happy as market goers walk around the vast campus looking for goodies, donuts, cider, clothing and specialty items. The musicians play in the outside dining area to folks on picnic benches and also walking by.”

Outdoor market and live music aficionados can expect masked, socially-distanced crowds at Canterbury Village through Oct. 4. The markets also will showcase the work of local artists, crafters, cooks and jewelers and spotlight a different theme for vendors spaced throughout the village.

“They have been fantastic for the pretty strong socially-distanced crowds and also for the safe-distance and mask-wearing aspect. The musical acts have been superb – with many selling their original CDs and making great tip money from the family-oriented crowd accompanied by dogs,” Reitenga said.

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In Full Flow – Rob Crozier Jazz Ensemble Captures Improvisational Spirit on New Live Album

The Rob Crozier Jazz Ensemble Live album features tracks recorded over four nights at the Dirty Dog Jazz Cafe.

With lush instrumentation and fearless improvisation, the Rob Crozier Jazz Ensemble instantly captivates live audiences at intimate metro Detroit jazz hot spots.

The Ann Arbor jazz quartet melds spellbinding pieces of modern swing, funky soul and atmospheric world music right before an enthralled Dirty Dog Jazz Café crowd.

“That’s the heart of it and what I want people to experience at my shows. I want them to have a sense of knowing this is being created right now, and that they’re a part of it,” said Crozier, who plays bass, didgeridoo and thumb piano.

Crozier and bandmates Rafael Statin (sax, bass clarinet), Keaton Royer (piano, keys) and Rob Avsharian (drums) beautifully capture that magical live essence on their latest album, Rob Crozier Jazz Ensemble Live, which is now available on all streaming platforms.

Recorded live Feb. 6-9, 2019 at the Dirty Dog Jazz Café in Grosse Pointe Farms, the album features four jazzy Crozier classics combined with two new transformative tracks, “Leafar” and “Surrender.”

“I try to let the tracks develop with the band organically live and not over-direct it so they end up sounding fresher. When Rafael would start going off on something, the band could just follow and not have a particular set of instructions. It just really drew on the band’s ability to be spontaneous and organized in the moment,” Crozier said.

“You hear that in the little hookups rhythmically and the stuff the band does together. It’s just listening, which is what I always encourage in my group. It’s the heart of jazz. You’re playing what you’re playing, and you’re listening to make sure that you’re connecting and communicating with the rest of the band.”

Continue reading “In Full Flow – Rob Crozier Jazz Ensemble Captures Improvisational Spirit on New Live Album”

Fall Fusion – Chirp Leads Stellar Equinox Party Lineup at Grove Studios Saturday

Chirp’s Jay Frydenlund and Sam Naples groove at Danfest in August. Photo – Mark Samano

Filled with progtastic, funkified fusion, Chirp will bring upbeat, dancy grooves to celebrate autumn’s upcoming arrival Saturday at Ypsilanti’s Grove Studios.

The Ann Arbor prog-funk-jazz jam quartet will headline the Ypsi rehearsal and recording space’s annual fall-themed Equinox Party before intimate in-person studio and virtual livestream audiences.

“Ypsi audiences are always some of our favorites to play for, so we are extremely excited to play our first show at Grove Studios. It has a great music/arts scene, and my favorite part of playing for Ypsi audiences is all the creative folks we get to bump shoulders with at our shows there,” said Jay Frydenlund, Chirp’s vocalist and guitarist.

Frydenlund and his Chirp bandmates Brian Long (bass), Sam Naples (guitar) and Gastón Reggio (drums) will share the Grove Studios stage with some of the area’s most talented musical acts, including Violet Sol, Edison Hollow, Las Drogas, Fernando Silverio Solis, Jackamo, the Steve Somers Band, Ki5 Loops, Diont’e Visible and DJ Nitro.

The Equinox Party will feature seven hours of live music across three mini concerts in a small, socially distanced gathering as well as livestream sets from each artist. Attendees can purchase limited in-studio VIP tickets for afternoon, evening and night shows as well as tickets for individual artist livestream performances to watch at home.

“The Equinox Party is our annual anniversary celebration and largest event of the year where we showcase a diverse collection of artists, many of whom we’ve worked with or met throughout the year,” said Erich Friebel, Grove Studios co-founder and director of community engagement.

“We’ve decided to really blow it up with the Equinox Party this year. We’ll be hosting three, two-and-a-half-hour shows with three to four artists each and an hour of transition in between shows to cycle the artists and audiences in and out to follow the 25-person gathering rule Ypsi is currently under.”

Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, in March. The sessions spotlight a range of emerging and established artists and musicians in Washtenaw County and metro Detroit.

“We’re already six months into our third year on Railroad Street in Ypsilanti, which is super dope considering we’re still weathering the effects of a global pandemic and a previous three-month shutdown,” Friebel said.

“That reality, along with social distancing and gathering restrictions, encouraged us to rethink how we support the music community by moving our events to a virtual format and becoming a burgeoning media production company. We also activated our outdoor courtyard stage in May with audio and video production, which has evolved into a high-tech livestream performance format with small in-studio audiences.”

Continue reading “Fall Fusion – Chirp Leads Stellar Equinox Party Lineup at Grove Studios Saturday”

Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album

Monte Pride stitches personal, transcendent moments on “Even in Absence. Artwork – Shaina Mahler

For Monte Pride, Michigan’s placid sights, sounds and scents invigorate and soothe the soul.

The Lansing folk singer-songwriter and fingerstyle guitarist beautifully encapsulates the state’s sonic sense of tranquility on his latest album, Even in Absence. With magical, pastoral references to the Grand River, Lake Superior, Pictured Rocks and other Great Lakes gems, Pride paints a seasonal, insightful canvas filled with introspective themes of loss, resilience, growth and change.

“I grew up spending a lot of time outdoors, and I’m still big into camping, fly-fishing, hiking and all that. Northern Michigan has always been a really special place for me, so it just kind of naturally makes its way in. Whether I know it or not, I process these experiences in nature and in different parts of Michigan. I think they just all kind of fall into place, and they relate to each other somehow,” he said.

Pride intricately stitches personal, transcendental moments through 10 serene Even in Absence tracks, including the calming title track. Twirling acoustic strums, glistening piano, peaceful violin and Pride’s warm vocals soothe listeners as they quietly reflect on a still September night, “Even in the ebb/The flow of going I pine/I strive to mend the losing/To know we won’t/Be parting then/Even in the changing/The fraying thread/In the almost lost/A sentiment sought/A golden friend.”

As Pride’s latest single and album title, “Even in Absence” establishes a timeless, acoustic-centered sonic quality that instantly appeals to folk music aficionados across all generations. Think hints of Simon & Garfunkel, The Tallest Man on Earth and Nick Drake fused with special musical seasonings from a Michigan-made singer-songwriter.

“When I wrote the songs and recorded them, I was only listening to old Simon & Garfunkel, Joni Mitchell and Nick Drake albums. I think their songwriting style and instrumentation came through in Even in Absence because I had been listening to them so much during that time,” Pride said.

Pride magically captures his vintage folk aesthetic through a contemplative, poignant “Even in Absence” video directed by Shaina Mahler, who also created the album’s artwork. The thoughtful video reflects Pride’s delicate performance as crystal sea-inspired ornaments and hand-held mirrors depict a quiet, dreamy world beyond the looking glass.

“She has an incredible, amazing eye and style. One day we were sitting outside in our backyard, and she decided to start taking some photos, and I just sang along to the song. She brought so much to the video and the album artwork and embroidered all of the writing on the album cover. It was really special that we were able to collaborate on both of those things,” he said.

Continue reading “Songs of Serenity – Monte Pride Creates Tranquil Escape on New ‘Even in Absence’ Album”