Snapshot in Time – Pia Revisits Past Friendships on ‘Old Days’

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Pia gets nostalgic on her new single, “Old Days.” Photo – AC Backus Photo

Pia thoughtfully shares a personal snapshot in time.

The Detroit indie rock singer-songwriter reminisces about a past friendship and recalls vivid moments of connection on her nostalgic new single, “Old Days.”

“It’s the singular event of a friendship not really ending, but dissipating and changing the way that it used to look. It’s a shorter realization of like, ‘Oh wow, this person that I used to either talk to every day or had this certain relationship with, it’s now different,’” she said.

Throughout “Old Days,” Pia wonders what her friend drinks for breakfast and whether they remember summertime highway jaunts or stolen firewood adventures.

Alongside those inquiries, an emotive swell of wistful electric guitar, quavering bass, thumping drums, shiny cymbals and jingly tambourine seamlessly transport Pia to the past.

She sings, “It makes me sad something changed in your eyes/Ask how you’re doing seems like a big disguise/December’s long and we both know/That the sun is coming and it’s melting the snow.”

“When I reached the end of writing ‘Old Days,’ it helped that I similarly was realizing, ‘Oh friendships and relationships end, but not always for the worst, and that time is still special,’” Pia said.

Pia penned her sentimental track in May and recorded it with a talented team of collaborators, including producer John Katona of JK (Not Kidding Studios), Minihorse’s Ben Collins (lead guitar), Tom Mihalis (lead guitar), Stoop Lee’s Ade Olaniran (drums) and Matt Jones (bass).

“I recorded the demo and basis of the whole song with Ben Collins and myself on guitar and vocals and Ade of Stoop Lee on drums. Then, I sat on the song for a little because I got busy with residency, and then ended up finishing it up at John Katona’s,” said Pia, who’s also a pharmacist.

To accompany the release of “Old Days,” Pia dropped a thoughtful new lyric video, which features her roaming around Belle Isle.

“I asked my 16-year-old sister to videotape me doing random stuff on my friend Matt’s camcorder. She was like, ‘Oh, I get to use a camcorder?’ And I was like, ‘Yeah, try it out.’ She followed me around, and I used that footage in the video,” she said.

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Suburban Stories – Matthew Milia Revisits Metro Detroit Memories on ‘Keego Harbor’

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Matthew Milia’s “Keego Harbor” captures a beautiful legacy of life unchanged in the metro Detroit suburbs. Photo – John Hanson

For Matthew Milia, Keego Harbor represents a nostalgic, metro Detroit road trip from youth to adulthood and back again.

The Detroit indie folk singer-songwriter and Frontier Ruckus frontman eloquently drifts through deep childhood recollections, gritty suburban landmarks and dichotomous neighborhood adventures on his well-crafted second solo album.

“This has been a lifelong obsession, especially with the suburban world. It’s inspired by the fact that the suburban experience is not monolithic. It’s all these mingling beautiful dualities and contradictions of the human experience that live in this space,” said Milia, who grew up in Keego Harbor.

“I’m juxtaposing Pontiac and Bloomfield Hills because those places are contiguous, and they couldn’t be more different. That’s a hard thing for people that don’t live in this area to understand. My endless personal quest is to give as much vivid description and detail of these contradictions that I’ve experienced.”

Throughout Keego Harbor, Milia intricately constructs snapshots of mundane Michigan experiences – junk mail, rotten mulch and phone chargers – and static places – party stores, drive-thru lanes and nail salons – across 10 introspective tracks to capture a beautiful legacy of life unchanged.

“I think this record is a bit more about generational inheritance. My parents met in Keego Harbor at a place called the Back Seat Saloon that’s no longer there, and the first placed they lived together was in a little loft above a house. The age I am now is when they were doing all that. It’s a bit of time travel while seeing myself as my parents and all the things that entails,” he said.

While much of Keego Harbor remains in the rear-view mirror of the mind’s eye, another portion welcomes the uncertain future with outstretched arms. It’s a matter of looking toward the past to better understand who you’ve become and where you’re headed, whether that’s in a city or a suburb.

“I’m also thinking on another level about my experience in the music industry. It’s such a weird commerce to toil in, and my life since 2006 has been writing these songs and making these records with my friends and putting them out into the world and seeing where they take me,” Milia said.

“I think that a major trope of this record is the recalibration of one’s dreams and expectations. And knowing that immense beauty and surprise can be hiding there. Once you recalibrate what you think you wanted or were working toward, you might just find something even more rewarding.”

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