‘Who You Gonna Call?’ – Ray Parker Jr. Premieres New Documentary at Detroit’s Redford Theatre

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Ray Parker Jr.’s new “Who You Gonna Call?” documentary chronicles his longtime career as an influential artist, songwriter and guitarist.

Ray Parker Jr. found his groove way before 1984’s mega-smash, “Ghostbusters.”

The R&B-pop vocalist, songwriter and guitarist strummed his way into Motown studios and onto live stages recording and performing with Smokey Robinson, Marvin Gaye, Stevie Wonder and other legends in the late 1960s as a teenager.

A Detroit native and guitar prodigy, Parker brought a signature rhythmic groove to his session work that quickly captured the attention of arrangers, songwriters, artists and musicians.

“For me, I was just trying to play the guitar the best I could to get everybody to like it. Now, in hindsight, it’s becoming, ‘Oh, he was doing great rhythm guitar.’ But at the time, I didn’t really think of it like that. I was just trying to play a guitar part or something that would work on the record,” he said.

Parker revisits his five-plus decades in music through a compelling new 90-minute documentary, “Who You Gonna Call? A Portrait of Ray Parker Jr.,” which premiered Thursday night at Detroit’s Redford Theatre as part of the Freep Film Festival.

Directed by Fran Strine (“Hired Gun”), the documentary “traces Parker’s path from the segregated streets of Detroit in the 1960s to the top of the charts and the Hollywood Walk of Fame, offering a candid look at a complicated artist whose musical legacy is overdue for wider appreciation.”

“That’s what this film is about. I mean, ‘Ghostbusters’ came out, and it was such a huge hit. It just overshadowed everything; people didn’t even know I played the guitar or where I came from,” said Parker, who attended the documentary’s premiere with Strine. (Another screening without Parker will be shown Sunday at Emagine Birmingham 8.)

“They were like, ‘Where did he come from? He was born under a broccoli patch, and he just appeared one day.’ This film actually takes you back and says, ‘There was a lot more going on before that. It didn’t just sprout out of nowhere.’”

Continue reading ‘Who You Gonna Call?’ – Ray Parker Jr. Premieres New Documentary at Detroit’s Redford Theatre

Endless Love – George Montrelle Celebrates Gratitude, Commitment on ‘Paradise’

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George Montrelle shares his gratifying journey of true love and commitment on “Paradise.” Photo – Steve Selvaggio (c) 2020

George Montrelle elegantly celebrates a life filled with love, beauty and tranquility.

The Ferndale rock-soul singer-songwriter and guitarist shares that personal mindset on his latest electrifying single, “Paradise,” as a romantic, grateful ode to his longtime partner.

“I’ve had that song more since the beginning of my relationship with my partner, and I wanted to validate how much I appreciate his love for me. This was one of the songs I felt strongest about early on, and I’ve been showing it to people for a while now,” said George Wilson, aka George Montrelle.

Montrelle beautifully chronicles his gratifying “Paradise” journey of true love and commitment as propulsive drums, crashing cymbals, fiery electric guitars and galvanic bass surround him.

He reveals, “Here for you till the end/Amaranthine love my friend/The very heart on which you can depend/Here for you for the rest our lives without a stress/Baby, forever, we will love no less.”

“I’ve tried to record this song a handful of times, and I finally just said, ‘I just need to get this done.’ I decided not to overanalyze it, but I also gave it my best,” said Wilson, who recorded and produced the track in his home studio.

For Montrelle, “Paradise” not only acknowledges the growth of his relationship, but also the evolution of the track from the stage to the studio. In 2018, he started performing a live version of “Paradise” with a full band before audiences at the Detroit Institute of Music Education (DIME).

“I didn’t have a steady band all the time, so when I wanted to put this song out, I was either gonna hire a drummer and record all the guitars myself, which I did. Or I was gonna track the drums using the sequencer in Ableton, and that’s what’s on the release,” Wilson said.

“I tried to embody what might feel good on stage, and I tried different arrangements. I also developed the verses so it felt progressively fluent throughout the whole song and understood how the drums and guitars needed to work while the vocals sat through everything.”

Continue reading “Endless Love – George Montrelle Celebrates Gratitude, Commitment on ‘Paradise’”

Begin Again – Kenyatta Rashon Starts New Chapter with ‘The Art of Keeping It Real’

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Kenyatta Rashon reflects on her transition as an emerging artist and expectant mother on “The Art of Keeping It Real.” Photo – Chris Hollis

Kenyatta Rashon delightfully turns the page to a new life chapter.

The Ypsilanti R&B vocalist and Amplify fellow welcomes a new era of artistic growth, emotional strength and inner enlightenment on her latest album, The Art of Keeping It Real, out now via all streaming platforms.

“I didn’t come up with the title until afterward. The word that stuck out to me was ‘honesty.’ A lot of it has to do with emotional passages whether it’s friendships, relationships or fun; it’s everything that’s deep in your spirit,” Rashon said.

“When I got the chance to work with the fellowship, Rod (Wallace) and I spoke, and he was like, ‘Well, what would you like to do?’ And I was like, ‘I want to put it all out,’ but I explained to him that it’s very hard for me because I get writer’s block. He said, ‘I want you to write everything down,’ so I began to write everything down.”

That journaling process allowed Rashon to deeply reflect on her transition as an emerging artist and expectant mother. She spent five months crafting the seven authentic, insightful stories that would become The Art of Keeping It Real. (The project also features her 2020 single, “Ymmfb.”)

“I found out I was pregnant, and I went through all the emotions you can imagine from being pregnant. By the time it all came together, I’m like, ‘This is a story; this is something interesting that someone can relate to on many levels,’” said Rashon, who’s inspired by Amy Winehouse, Beyoncé, Erykah Badu, Aretha Franklin and Mary J. Blige.

“I wanted to go with these songs and focus on transparency and honesty, so I decided to go with The Art of Keeping It Real. Everything I’m summing up is art, and the art I’m projecting is keeping it real.”

Continue reading “Begin Again – Kenyatta Rashon Starts New Chapter with ‘The Art of Keeping It Real’”

Brand Name – Sam Watson Honors Neisha Neshae in Celebratory Video

Sam Watson eloquently pays tribute to Neisha Neshae in a laudatory new video.

The Ann Arbor R&B artist-engineer-producer honors the emerging Detroit R&B trap songstress in a four-minute, MTV Cribs-style video for her namesake track. Neshae co-stars in the video with Watson and Ypsilanti hip-hop artist Young’n Destined.

“Having Neisha in the video was dope; I appreciate her coming through. In fact, I speak for everyone who was there at the video shoot. We all appreciated and loved her for being there. I’m not sure how she found out exactly,” said Watson, who’s racked up over 25,000 views on the video.

“We were promoting the upcoming shoot so I assumed someone tagged her and kept sharing the post. Her presence brought more life and more energy to the video. Everyone was bringing their best to the table, but Neisha brought some more light to this bright environment.”

Filmed by Xerox Visuals, the “Neisha Neshae” video features Watson, Young’n Destined and a bunch of friends celebrating together at a lively house party. Watson and Young’n Destined each serenade Neshae as the party’s guest of honor at an Airbnb in St. Clair Shores.

“MTV Cribs was always a great show so I figured why not bring that back to life in the video. Recruiting everyone was pretty easy. Everyone who had heard the song did tell me that they wanted to be part of the video if it ever came up,” Watson said.

“We contacted all of our friends and told them to come and bring their friends, too. Everything fell into place. We’re all about good vibes so everyone knew what to bring to the table; besides everyone was good people.”

Continue reading “Brand Name – Sam Watson Honors Neisha Neshae in Celebratory Video”

Moment of Truth – London Beck Unearths Deep Vulnerabilities on ‘The Black Satin Sessions’

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London Beck confronts dark emotional terrain on “The Black Satin Sessions.” Photo – E. (Liz) Keller

London Beck beautifully reveals the earnestness and empowerment of being vulnerable.

The Ann Arbor R&B vocalist-instrumentalist-producer and Amplify fellow openly shares a personal, emotive journey of defeating inner demons and embracing newfound strength on their latest album, The Black Satin Sessions.

“This project really showed me that it’s OK to be vulnerable and ask for help. It’s OK to use the resources that are available to you if you feel like you’re giving it your all and nothing’s really working. Even though there’s this outspoken, loud and formidable essence of London, I want people to understand there’s a softer, more thoughtful side of me,” Beck said.

“In that vulnerability, it’s OK to move toward a path of healing, and it’s OK to heal with people who have your best interests at heart. I can still encourage people and open doors for them while making space for me to have my needs met.”

Beck openly chronicles confronting dark emotional terrain while uncovering an enlightened path of self-redemption across 13 passionate, metamorphic tracks on The Black Satin Sessions. Each multi-genre track shifts, shimmies and soars over introspective lyrics, exquisite instrumentation and fiery vocals.

With Beck at the helm, listeners seamlessly absorb enchanting sonic snippets of R&B, electro pop, dance, Motown, rock, classical and folk rolled into a refreshing auditory experience.

“I had initially intended to put out two smaller EPs, one that was rock, acoustic-focused and one that had the electro vibes that people typically know me for. As we were working through this project and with the Amplify fellows, I was really thinking about my journey, and it all came together in the most beautiful, unexpected way,” said Beck, who’s also a classically trained violist.

“I decided to write and make music that’s on my heart and my mind. Once I had finished all of the music, and I listened to it, I was like ‘Wow, this really tells my story.’”

Continue reading “Moment of Truth – London Beck Unearths Deep Vulnerabilities on ‘The Black Satin Sessions’”

Funky Vibes – Grove Studios Hosts Saturday Livestream Show with Sabbatical Bob & The DayNites

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Sabbatical Bob will share groovy jazz-funk fusion during Saturday’s Grove Sessions livestream show. Photo – Kyla McGrath & Mural – Joanna Farben

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The DayNites will bring blues, neo-soul and psychedelic rock to Saturday’s livestream show. Photo courtesy of The DayNites

Two local bands will funkify the livestream universe from Grove Studios Saturday.

Sabbatical Bob and The DayNites will share soulful grooves throughout their energetic, danceable sets for Grove Sessions from the Ypsilanti rehearsal and recording space’s newly renovated Deluxe Studio.

“Sabbatical Bob comes from more of a jazz-funk fusion realm with some killer jazz-trained musicianship. The DayNites speak more of a blues, neo-soul and psychedelic language to get their vibe across. Regardless, we imagine our virtual audience will be bobbin’ their heads and shakin’ it a bit at home,” said Erich Friebel, Grove Studios co-founder/director of community engagement and drummer for The DayNites.

As Grove Studios’ second in-studio livestream performance, viewers will experience a jam-tastic show filled with bouncy wah-wah guitars, hypnotic bass, pulsating drums, upbeat horns and shiny keys.

Sabbatical Bob’s Ben Green (trumpet, vocals), Ian Eylanbekov (guitar), Ben Wood (bass) and David Ward (drums, vocals) will perform tracks from their dynamic, rhythmic 2019 debut EP, Sabbatical Bob: Live and in Person. (Keyboardist Jordan Anderson won’t be able to join the band for the show.)

“We plan on doing what we always do, bringing the exciting loud funk. We are playing some oldies from the EP, a cover or two, and some music that is soon to be released on our next record, On the Run,” Ward said. “We have never been able to share the stage with The DayNites, but they are friends, and we’ve all got to hear them play before.”

In December, Sabbatical Bob released a colorful, inspiring video for “Alright,” their peppy, spirited instrumental that defeats corporate drudgery with enthusiastic, bouncy funk. Created by Filmic Productions, it’s a much-needed cure from being trapped inside lifeless, institutional walls.

“‘Alright’ was super fun because we had a team work up the idea and present it to us. The people at Filmic are really dope and had it all ready to go. We kinda got to be super stars – even the idea for the video was intuited by the team just by listening to the music. They ran it by us once, and we were sold,” Ward said.

In tandem with Sabbatical Bob, The DayNites will bring moonlit melodies, gravitational grooves and rotational rhythms to a virtual audience. Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar) and Friebel (drums) will share tracks from their R&B-rock flavored self-titled debut EP, which dropped in October.

“We’ll be playing the entire self-titled EP along with some of our own renditions of classic soul and R&B jams. We’ll also be debuting a new original written with Ryan Greene, the keyboardist from Violet Sol, who became an official DayNite last July,” Friebel said.

Viewers can purchase $10 tickets for Saturday’s livestream show via Grove Studios’ website and Facebook page. Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, in March 2020. The sessions spotlight a range of emerging and established artists in Washtenaw County and metro Detroit.

Show details:

Grove Sessions livestream with Sabbatical Bob & The DayNites

7 p.m. | Saturday, April 3

Tickets: $10

Saturday’s Virtual Amplify Kickback Show to Feature Kenyatta Rashon

Kenyatta Rashon will perform Saturday during the Amplify Kickback livestream show. Photo – Kyla McGrath

The Amplify Project and Ypsilanti R&B vocalist and Amplify fellow Kenyatta Rashon will host a virtual fundraising show Saturday to benefit Do You See What I See, a local organization that supports female mentorship and empowerment.

Known as Amplify Kickback, the show is part of a concert and panel discussion series aimed at supporting Washtenaw County community organizations. Amplify Fellowship artists will be featured while local organizations will receive a portion of the show’s proceeds from the ticketed livestream event. 

Sponsored by Leon Speakers and Grove Studios, The Amplify Fellowship supports and funds musicians’ creative efforts in exchange for volunteering with local nonprofits and agencies. It’s part of the overall Amplify Project, which supports community engagement and artistic expression in Washtenaw County.

“Bringing artists and organization representatives together in this way just makes sense. We’re hoping to show our audience the incredible journey of both the fellows and the communities they serve. Along the way, we hope to establish the Leon Loft as a community space, and we are extremely grateful for the sponsorship and support we have already received,” said Maia Evans, Amplify Project co-founder.

With Evans at the helm, The Leon Loft at Leon Speakers, On-Air Elements, Grove Studios and the Ann Arbor Summer Festival will produce the events. Grove Studios and Leon Speakers have been working together over the past year to share virtual content throughout the COVID-19 pandemic.

Amplify fellows Dani Darling and London Beck will perform as part of the Amplify Kickback show series in April and May. For more information, visit The Amplify Fellowship website.

Show details:

Amplify Kickback Series: Kenyatta Rashon

7 p.m. to 9 p.m. | Saturday, March 20

Tickets: $15-$75

Fantastic Voyage – Nick Behnan Embarks on Instrumental ‘Magic Trip’ Album Odyssey

Nick Behnan glides from one genre-filled world to the next on his latest instrumental album, “Magic Trip.”

Backed by timeless grooves, majestic electric guitars and funky beats, Nick Behnan effortlessly embarks on an enchanting instrumental journey.

The Detroit singer-songwriter and multi-instrumentalist beautifully glides from one hypnotic genre-filled world to the next on his latest 10-track, funkified R&B-rock odyssey, Magic Trip.  

Initially written and recorded for sync licensing opportunities, each fluid, spellbinding track showcases Behnan’s versatility, prolificacy and creativity as an evolving songwriter and producer.

“I’ve never released an instrumental album before that shows my love for all genres. My main focus was to pick songs that were groovy, funky and somewhat up-tempo, but I try to write and produce the same way that I listen to music as a fan,” Behnan said.

“I never just listen to one kind of music all night. It will roll from Gregory Isaacs to The Congos to The Bee Gees to Prince to Wilco to Radiohead to Kendrick Lamar to Beck and many others all in one night. The trick was picking the songs because I have so many; I could easily put out five albums right now.”

While Magic Trip eloquently blends Behnan’s eclectic, refreshing influences, it instantly soars into a laid-back, welcoming sonic adventure on the jam-tastic, improvisational title track. Shimmery, wah-wah electric guitars, majestic bass, whirring synths and soft drums recreate the sound and feel of a sunny, breezy spring day in the mind’s eye.

“Several of the songs were made mostly with TV and film licensing in mind while others were started a few years ago. Some songs like, “Magic Trip” and “Inner City Funk” are brand new. Overall, I hope people feel good when they listen to it and enjoy grooving and rocking out to the music,” he said.

Continue reading “Fantastic Voyage – Nick Behnan Embarks on Instrumental ‘Magic Trip’ Album Odyssey”

Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP

The DayNites gather at The Blind Pig in Ann Arbor. Photo – Dimitri Kaf

With moonlit melodies, gravitational grooves and rotational rhythms, The DayNites soulfully shine across the metro Detroit stratosphere.

The Detroit-Ypsilanti R&B-rock sextet of Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar), Erich Friebel (drums, percussion) and Rick Coughlin (guitar) share reflective stories about love, growth, freedom and wisdom on their celestial, self-titled debut EP.

“When I was writing, it was just things that I was going through at that time in my life. It wasn’t like one main theme. It was like, ‘This is how I’m feeling, and these are the words that are coming out right now.’ I would say listen to the words and the instruments, feel the music and let it take you somewhere,” said Bell, who’s the band’s primary lyricist.

“We all have a take on everybody’s liking, and we put a little bit of something from everyone into what we do. For the first album, it was just me writing the words. But for the music, it was all the guys working together and putting their own spin on their instruments to see what worked well together.”

Available through the band’s new website, the EP’s five emotive DayNites tales unearth a deeply personal universe filled with contemplation, consideration and transformation. The lush, dreamy opener, “Cherry Blossom,” provides a welcome, cosmic escape into the relatable thoughts, feelings and concerns of a lost soul.

Palpitating drums, intense hand claps, exuberant bass, glistening intergalactic synth and fervid electric guitar reveal the psyche as Bell sings, “But I know I need to come down/Collect myself somehow/Unconnected from the physical being of my perspective/The only thing I could create was hella questions/Answers too far off to see/Searching for something that would make my soul complete.”

“It’s about trying to find ways to escape realities that I didn’t want to face. The song is pretty upbeat, and people love it, but at first it was my least favorite song because of what it made me think of every time I sang it. Once the song was recorded, it had a different feeling to me, and now I love it. I’m no longer in that place so I can listen to the song from a different perspective,” Bell said.

While Bell experiences an existential crisis on “Cherry Blossom,” she quickly shifts to newfound freedom on the Motown-esque, pro-hooky anthem, “Not Tomorrow.” Throbbing bass, banging tambourine, soulful intricate electric guitar, pounding drums and sizzling cymbals celebrate a much-needed mental health day from work.

“When we wrote that song, we were in the studio, and I had to work at 6 a.m. the next day. I was like, ‘Look, I can’t do this. I’ll be right back.’ I went and called my boss, and I was like, ‘Yeah, I won’t be there tomorrow,’ and I came back in and wrote the song,” Bell said.

Continue reading “Celestial Grooves – The DayNites Radiate Soulful Rhythms on New Self-Titled EP”

Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album

Bourgeoisie Paper Jam infuses timeless, addictive funk across 15 rhythmic tracks on “Sugar Fit.”

Bourgeoisie Paper Jam delectably satisfies longtime funky cravings.

The Belleville soulful funk duo of Bruce Henderson (bass, guitar, vocals) and Victoria “Vox” Henderson (vocals) sprinkles delicious basslines, tasty grooves and flavorful harmonies throughout their new album, Sugar Fit, now available via Bandcamp.

“We just took all the things that we thought were centered on funk and put them together because we were seeing a gap. People say funk is dead, and we don’t believe that. We just believe they haven’t heard something new,” said Victoria Henderson, who serves as the duo’s primary lyricist.

“Whenever we would join those funk groups, they would put old songs in there, and we were tired of hearing the same songs over and over. We can take all our different funk songs, put them together, and for somebody who likes that older funk, they might actually like this. That’s a different approach for us.”

Throughout Sugar Fit, Bourgeoisie Paper infuses timeless, addictive funk across 15 rhythmic tracks about authenticity, self-actualization, balance, lifelong love, and political and social unrest. The husband-and-wife duo eloquently adds refreshing layers of R&B, soul, disco and rock to their solid foundation of funk on their 11th release, which was written and recorded last year in their home studio.

The album’s infectious title track blends bright, bouncy electric guitars with thumping bass, buzzy and dancey synths and honeyed harmonies for five jam-filled minutes. Together, the Hendersons reveal in Prince-like fashion, “Wanting to lose/This weight that’s holding me down/Shaking this blues/And repping my space now/It takes a challenge/For me to roar into action/But I’m just not that savage/Soooo prone to distraction.”

“The idea behind the title is that we’re all kind of having a little bit of a fit in this pandemic. We’re locked in and wearing masks and then not wearing masks and then there’s the civil unrest. We’re all having some kind of fit,” said Victoria Henderson.

Continue reading “Delectable Funk – Bourgeoisie Paper Jam Shares Savory Grooves on New ‘Sugar Fit’ Album”