Roar On — Adaboy! Salutes the Detroit Lions on “Uncaged” Single

Vince Modern, Steve Nyquist, Mike Richards, and Joe Balbaugh of Adaboy!. Courtesy photo.

Adaboy! embodies the pride and spirit of the Detroit Lions on “Uncaged.”

The Bay City, Michigan band pays tribute to the team’s resilience and success on its latest rock single.

“Have you ever listened to Dan Campbell, the coach?” said Mike Richards, lead vocalist and guitarist for Adaboy!.

“Have you ever heard him speak about his team and the mentality he wants his football team to have? He doesn’t necessarily speak on mental health, but it’s all the nitty-gritty of what it takes to be focused on your mental health.”

Along with Adaboy! bandmates Joe Balbaugh (vocals, bass), Vince Modern (vocals, guitar), and Steve Nyquist (drums), Richards celebrates that mindset through motivational lyrics and fiery instrumentation on “Uncaged.”

He sings, “Take your place / There’s something going on in here / Grit and glory / We’ve been waiting for all these years / Can’t stop, won’t stop / Come on people, get on your feet / It’s electric in the air / We’re the real America’s team.”

“Dan Campbell is putting all of these analogies out there about what his team is gonna be like,” Richards said. “It felt like he was talking to us because Adaboy! has that mentality of saying, ‘You can’t stop us, and we’re gonna fail. We’ve already made our peace with failing. We’re expecting the fail, but it’s how we’ve made up our mind and how we’re going to respond to the failure.’

“We latched onto his messaging of the Lions, and we’ve adopted it. It just aligns with the mission and messaging of Adaboy!.”

To learn more, I spoke with Richards and Modern about the band’s background and music ahead of a November 21 show at JJ’s Roadhouse in Saginaw.

Continue reading “Roar On — Adaboy! Salutes the Detroit Lions on “Uncaged” Single”

Three of a Kind — Triana Makes Live Debut September 13 at Livonia’s Trinity House Theatre

Triana’s GlenBrooke, Julianne Ankley, and Michelle Chenard. Courtesy photo.

Last fall, three friends decided to create a new project.

Michigan singer-songwriters Julianne Ankley, Michelle Chenard, and GlenBrooke formed the group Triana after doing a songwriter round at Lake Orion’s 20 Front Street.

“It was well-received, and we had so much fun performing together that we decided to turn it into something,” Ankley said. “I suggested the name Triana, which means ‘three rivers.’ Since we are three different women with three different styles, it seemed fitting.”

Nearly a year later, Ankley, Chenard, and GlenBrooke are fusing their country, Americana, blues, and rock influences together for Triana’s rich, harmony-driven sound. The trio will share that sound during a September 13 performance at Trinity House Theatre in Livonia.

“We all come from different musical directions, which seem to blend together,” Ankley said.

To learn more, I did an email interview with Ankley about Triana ahead of the show.

Continue reading “Three of a Kind — Triana Makes Live Debut September 13 at Livonia’s Trinity House Theatre”

Over Time — Tom Alter Contemplates Past Lessons and Future Challenges on “Under the Firmament” Album

Tom Alter explores the passage of time on “Under the Firmament.” Photo – Jay Jylkka

The passage of time weighs heavily on Tom Alter’s mind.

The Fraser, Michigan, singer-songwriter examines lessons from the past while addressing challenges of the present and future on Under the Firmament.

“When I write, I usually write songs about things that are staying in my mind for a while,” said Alter about his latest indie-folk-rock album.

“It can be issues or life events that are sticking with me, and I can’t let go. Time is an aspect of it, and I think it is just living and the common experiences that we all have.”

Alter chronicles those experiences through nine perceptive tracks, which feature contemplative lyrics, haunting guitars, and atmospheric instrumentation.

“At my age, I’m even writing more about time now on the songs I’ve been writing since then,” he said. “I think the theme will continue into my next album and project. I think it’s … trying to grapple with life and how it impacts us as individuals and as a community.”

I spoke with Alter about Under the Firmament and the inspiration behind it.

Continue reading “Over Time — Tom Alter Contemplates Past Lessons and Future Challenges on “Under the Firmament” Album”

Inside Story — Jess Merritt Displays a Bold and Transformative Mindset on “Wild in Me” EP

Jess Merritt sings about self-discovery, growth, and freedom on Wild in Me. Photo – c

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Jess Merritt no longer silences her inner voice.

The Ann Arbor singer-songwriter follows her instincts and unleashes her authentic self on Wild in Me.

“It’s been a big journey,” said Merritt, aka Jess Oberholtzer, about her new folk-rock-soul EP.

“Over the past five years or so … I went through a divorce, the pandemic, and coming out. It’s been a real transformative time. I look back, and I’m so grateful that I took those steps because I feel so much closer to my true self now. Even though things are a little bit scary as far as what the future holds, I just feel solid in myself.”

Merritt embraces that bold mindset through an honest and inspirational collection of songs about self-discovery, growth, and freedom. The four tracks on Wild in Me come to life through soulful vocals, cathartic lyrics, and soaring instrumentation.

“I tend to write about things that are closely held and deeply felt,” said Merritt, who previously performed as Jess McCumons.

“I feel happier after I feel something intensely, even if it’s challenging. To me, revisiting and sitting in those feelings, even if they’re not sunshiny all the time, actually does feel very healing, cleansing, and empowering.”

Continue reading “Inside Story — Jess Merritt Displays a Bold and Transformative Mindset on “Wild in Me” EP”

Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single

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Brian Raleigh, left, performs with Garret Bielaniec during a Television City show at Detroit’s Lager House in 2018. Photo – Erick Buchholz

Brian Raleigh reminisces about a special moment in the not-too-distant past.

The Television City frontman reflects on a chance encounter with a woman in the U.P. and relishes that random connection on the band’s latest alt-country-rock single, “Lost in Arkansas.”

“It was a very innocent sort of meeting where we talked, we got to know each other, and we felt a very strong connection. That’s all there was,” said Raleigh, the Detroit band’s vocalist, guitarist, and keyboardist.

Backed by nostalgic electric guitar, pedal steel, and drums, Raleigh sings, “And in the blink of an eye / She was gone as quick as she came / Back to the wind, the Great Lakes / The trees and the rain / And I don’t think I’m ever gonna be the same again / As I was before / But I can remember when.”

“It’s about being lost in that moment,” he said. “It was a few years ago [when I met her] … and we’ve kept in touch a little bit.”

Raleigh wrote the track shortly after that encounter and shared it with his Television City bandmates.

“I might have written the song the day after that occurred or not too long after. And I put it away, and I thought, ‘I don’t even know if this song is any good or not,’” he said.

“And then I brought it out when we were looking for songs to record this next batch, and [guitarist] Garret [Bielaniec] said, ‘That’s the one.’”

Now, Raleigh is celebrating the release of “Lost in Arkansas” with Television City during a September 28 show with Jim Roll, Mike Galbraith, and Courtney Hurley at Ghost Light in Hamtramck, Michigan.

To learn more, I spoke with Raleigh about the band and single ahead of the show.

Continue reading “Random Connections — Detroit’s Television City Celebrates Chance Encounters With Others on “Lost in Arkansas” Single”

Magic Wand – Carolyn Striho Recaptures Stirring Emotions on ‘Blue Ridiculous Love’ Single

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Carolyn Striho features poetic lyrics and heartfelt rock instrumentation on “Blue Ridiculous Love.”

Carolyn Striho cherishes the magical moments in life.

In those fleeting moments, the Detroit singer-songwriter feels grateful and inspired while spending time with others.

However, that magic often dissipates as people move on or pass away, but the love and appreciation from those interactions remain with Striho.

She beautifully shares that sentiment and a longing to recapture it in her new single, “Blue Ridiculous Love,” which features poetic lyrics and heartfelt rock instrumentation.

“I saw this song more as a painting, and with a painting, you’re interpreting it your way,” said Striho, who co-wrote the track with husband-guitarist Scott Dailey. “I’m talking about the ‘green grass of gold dirt,’ and it reminds me of one of the Beatnik poets, and you get these images.”

Surrounded by eager acoustic guitar, electric guitar, and drums, Striho sings, “I had this magic / It’s right on my side / Then everybody took a ride / The evening shadows / The tiny voice in my head / Starts talking louder / It’s an evil eye.”

“It’s a romantic song with an angst about the future and missing people, but it’s also about how falling in love can feel ridiculous,” she said.

”The lyric, ‘Everybody took a ride,’ could mean different things: They just left your life or they could have died. I had this magic, and I thought, ‘Wait, where did everybody go?’ It prompts you to look back and say, ‘Wait a minute, those people are gone.’”

Continue reading “Magic Wand – Carolyn Striho Recaptures Stirring Emotions on ‘Blue Ridiculous Love’ Single”

Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single

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Carolyn Striho and Scott Dailey focus on the journey ahead on their latest single.

For Carolyn Striho, the road of life is full of unexpected twists and turns.

But those challenges don’t prevent the Detroit singer-songwriter from moving forward.

That perseverance fuels some of the inspiration behind her latest blues-rock single, “14 Miles of Bad Road,” with husband/guitarist Scott Dailey.

“If you say you’ve been on 14 miles of bad road, it sounds far. When I wrote it, I was thinking more of being up north with roads all over the place,” Striho said. “When you think about it, it could be anywhere—a city or a town.”

Determined to reach their next destination, she sings alongside propulsive electric guitar, bass, organ, and drums, “I wish all the world could see you and me again / I wish all the world could feel like a friend again / I wish all the world could be like a kid again / I wish all the world … / I tried, my friend / You lied again / I tried again / You lied …”

“Scott came up with the lyrics, ‘I tried, my friend / You lied again,’ and it makes sense, meaning, ‘You thought there was a rosy picture of life, and when you’re young, everything seems so good,’” said Striho, who shares counterpoint vocals with Dailey on the track’s chorus.

“You also might think someone’s going to swoop in and make everything better if life’s not going well. That doesn’t always happen, though.”

Continue reading “Life is a Highway – Carolyn Striho and Scott Dailey Overcome Obstacles in Their Path on ‘14 Miles of Bad Road’ Single”

Virtual Airwaves – Brian Maloney Features Michigan Artists and Music on The Sonic Coast

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Brian Maloney runs The Sonic Coast, an online radio station that plays Americana, roots and rock music by national and local artists. Photo courtesy of Brian Maloney

In 2014, Brian Maloney instantly reconnected with his hometown and its musical legacy.

The Sonic Coast founder and chief music curator visited the Motor City to attend a Crain’s Detroit Homecoming and started pondering his next life chapter.

“I was in downtown Detroit for a couple of days with the event, and everywhere I looked, I was reminded of what a remarkable place this city and state are in the music industry,” said Maloney, who spent 40 years working in radio and now resides in Raleigh, North Carolina.

“The following ‘revelation’ about what to do in retirement happened in February of 2020 when I brought The Gasoline Gypsies down to North Carolina for a couple of shows and a media tour.”

The band sold out two shows 700 miles from Port Huron, Michigan and reminded Maloney about the draw of Michigan-made music.

“It became clear I was going to focus everything I had learned over the past 40 years on my two favorite things: Michigan and local music,” Maloney said. “So when I retired, The Sonic Coast was born.”

Today, Maloney oversees the burgeoning online radio station, which plays Americana, rock, folk, country, roots, soul and funk from national and Michigan artists.

“I saw a tremendous opportunity in the state to play local artists (abundant!) on a meaningful platform to give them exposure next to national acts that were getting limited exposure in Michigan. Unfortunately, traditional commercial radio doesn’t invest in/support local artists much anymore,” he said.

“It’s honestly more important than ever for a band to get played and promoted on a platform. Spotify, Pandora and others are simply a database of music for consumers. Sonic Coast plays, promotes and interacts with the artists.”

To learn more about The Sonic Coast, I chatted with Maloney about becoming a DJ, working in radio, taking leadership roles with several stations, growing his new online radio platform, celebrating Michigan artists and music, adding curators and supporting live music.

Continue reading “Virtual Airwaves – Brian Maloney Features Michigan Artists and Music on The Sonic Coast”

The Detroit Sound – New Live Roots Music Series Debuts Jan. 27 at Aretha’s Jazz Café

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A new live music series aims to showcase the musical “roots” of Detroit.

Known as The Detroit Sound, the quarterly roots music concert series debuts Jan. 27 at Aretha’s Jazz Café with singer-songwriters Jennifer Westwood, Jimmie Bones, John Bardy and Tino Gross.

“There are so many people here that I know who make music, and they never do shows together, and they’re from different parts of the city. We have fantastic music here as good as any other music city, and we need to champion that,” said Westwood, who curates The Detroit Sound with WhistlePig Music Group producer-engineer-mixer Bunky Hunt.

“It’s like, ‘Well, what is the Detroit sound?’ Some people just think it’s garage rock, some people just think it’s Motown, but really what’s happening right now? It’s a lot of things, and it doesn’t necessarily need to be one thing, but for our intents and purposes, it’s going to be more roots-based.”

To amplify those roots sounds, Westwood and Hunt selected a lineup artists and musicians who advocate Detroit’s independent rock, country and blues music scene. They also assembled the all-star Motown-Shoals house band of guitarist Dylan Dunbar, bassist Chuck Bartels, drummer David Below and keyboardist Bones.

“They’re all uniquely Detroit, and these are people who are carving their own path. They’re not listening to the people who run the tech media giants … they’re sticking to their art. These guys all fall in that category,” Hunt said.

“We’ve also got this great house band. These are guys that both play in Jennifer [Westwood’s] band and support me in the studio as well. I kinda use them as my wrecking crew. It’s gonna truly be a Detroit experience, and that’s what we’re gunning for.”

Continue reading “The Detroit Sound – New Live Roots Music Series Debuts Jan. 27 at Aretha’s Jazz Café”