‘Still Creatures’ – Desmond Jones Gets Philosophical on Funky New Single from Upcoming ‘Hello, Helou’ Album

Desmond Jones has released “Still Creatures,” a funky new single from their upcoming “Hello, Helou” album.

With their infectious new single, “Still Creatures,” Desmond Jones keeps the bigger picture of life in perspective.

The Grand Rapids funk-rock-jazz fusion quintet abandons daily trivial nonsense to live a more purposeful existence.

“When I wrote that song, that feeling was weighing heavy on me. There is so much that goes on every day in our lives, some of it important, and some of it only seems important,” said Isaac Berkowitz, Desmond Jones guitarist, drummer and vocalist.

“There’s a lot of trivial nonsense that we let get in the way of living happy and meaningful lives. When that nonsense piles up on us, it can be hard to see through it to what really matters. Some people like to look at the stars and feel small as a way to get perspective, and in the same sense, I think remembering the idea that we are all animals, or that we are all ‘still creatures’ on this planet just trying to survive, can give us that same perspective and peace of mind.”

Together, Berkowitz and his Desmond Jones bandmates – Chris Bota (guitar, vocals), George Falk (saxophone, vocals), John Loria (guitar, vocals) and John Nowak (drums, guitar, vocals) – beautifully capture this personal philosophy in lighthearted, funkified way.

Still Creatures single artwork

On “Still Creatures,” a fun, groovy wah-wah guitar riff opens the four-minute track and mimics the sound of a chicken while jazzy alto and baritone sax solos and rhythmic bass and drums bring a smooth, melodic feel.

“Even though it’s a new release, it’s something we’ve been working on for over a year in our live shows, and we’ve had it recorded for a while,” said Nowak, who formed Desmond Jones with his bandmates in 2012 at Michigan State University. “When we first started playing that song and Isaac showed it to us, we actually were just calling it, ‘Chicken Fingies,’ for a long time. At some point, Isaac said, ‘Actually, it’s called Still Creatures.’”

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Float On – Honey Monsoon Release Atmospheric New Single ‘Cloud’ from Forthcoming ‘Opal Soul’ Album

Honey Monsoon has released a new single, “Cloud,” from their forthcoming album, “Opal Soul,” due out March 22.

With a vibrant new single and lineup, Honey Monsoon is floating in a new musical stratosphere.

Earlier this week, the metro Detroit jazz-fusion quintet dropped their latest single, “Cloud,” a five-and-a-half-minute peaceful sonic journey filled with funky guitars, bright synths, gentle cymbal crashes and slow grooves.

“It’s a dynamic love song about being in an amazing state, realizing that you’re there, being present and preserving that,” said Ana Gomulka, Honey Monsoon’s vocalist, guitarist and keyboardist. “It’s a complex song where I put myself in a character role and follow a floaty, vibey path that’s immediate and accessible.”

That uplifting musical path soars to the sky-high auditory intersection of jazz, disco, rock, funk, soul and R&B – think Stevie Wonder, Nile Rodgers, George Benson, Sade and Toro y Moi combining their signature styles into an atmospheric sound.

Honey Monsoon will release a new video soon for “Cloud” that features footage from some of their local favorite spots in Detroit, including the Fisher Building and the Renaissance Center. Additional footage was shot at a local church in Ypsilanti.

Cloud single artwork

“Cloud” is the first single from Honey Monsoon’s forthcoming album, “Opal Soul,” a follow-up to their 2017 jazzy, soulful debut, “Rose Gold,” due out March 22. It also features a fresh lineup with new members Sam Naples (guitar, vocals) and Binho “Alex” Manenti (bass, keys) along with Taylor Greenshields (drums), Leo Willer (paintbrushes) and Gomulka.

“We’ve been in the studio collaborating with so many incredible people in the area on horns, keys, strings and vibraphone,” said Gomulka, who started writing songs for “Opal Soul” in September. “We’ve been in the trenches putting together this eclectic production for ‘Opal Soul.’”

Produced, engineered and mixed by Greenshields and Naples at Fundamental Sound Co., “Opal Soul” will feature eight tracks and include former member Andrea Holther-Cruz on two to three songs written with the previous band’s lineup.

“Opal Soul” also will feature a more diverse sound that draws influences from pop, rock, Latin, funk, Afrobeat and world music. For “Rose Gold,” Honey Monsoon intertwined jazzy, soulful sonic textures against a rock-infused backdrop with bright vocals and saxophone solos.

“‘Opal Soul’ is based on a concept of reflection, and I was inspired by that while writing for this album,” Gomulka said. “It highlights the reflection and soulfulness that we put into the creative process.”

Honey Monsoon will celebrate the album’s release with a special show March 22 at The Loving Touch in Ferndale with Kesswa, White Bee and Sara Marie Barron.

“We’re excited to share our new organic sound, feel out the space and celebrate the moment with everyone,” Naples said.

Show Details:

Honey Monsoon “Opal Soul” Release Party with special guests Kesswa, White Bee and Sara Marie Barron

Friday, March 22

The Loving Touch, 22634 Woodward Ave. in Ferndale

Doors: 7 p.m.

Tickets: $10

Third Flight – Chirp Nests with Stormy Chromer, Biomassive for New Year’s Eve Show at The Blind Pig

Brian Long, Jay Frydenlund, Ken Ball and John Gorine of Chirp

This is the second installment of a three-part series profiling Michigan bands for a New Year’s Eve show at The Blind Pig in Ann Arbor.

Chirp fans will flock to The Blind Pig Monday night for a top-flight New Year’s Eve show with Stormy Chromer and Biomassive.

The Ann Arbor progressive rock, funk and jazz fusion quartet will share new tunes and covers as they close out 2018.

https://strattonsetlist.files.wordpress.com/2018/12/Stormy-Chromer-NYE.png”> New Year’s Eve show poster[/captio
“We’re definitely going to try to change it up from the norm. I think for a lot of people coming out that night it will be new. We always like to bust out new covers for special events and holidays, so you can definitely expect some of that,” said Jay Frydenlund, Chirp guitarist and vocalist.

“I think there will be some fun interaction amongst the bands and sit-ins. It will be different from your normal Chirp/Stormy Chromer/Biomassive show.”

This is the third year Chirp has teamed up with Stormy Chromer, a homegrown progressive jam band, for a New Year’s Eve show in Tree Town. It’s the second consecutive year for the event at The Blind Pig, 208 S. First St.

“Stormy Chromer brought us into the fold. We just wanted to go down in the hometown because the last couple of years have been so fun,” Frydenlund said. “Stormy Chromer has always been one of our favorite groups to play and collaborate with. We’re happy they invited us back to do it again.”

While Chirp and Stormy Chromer have a long history of playing together, it’s the first time Chirp will share the stage with Biomassive, an electronic rock band from Traverse City. Biomassive will blend the organic feel of real-time music with deep, intelligent beats of their ground-shaking, sub-bass mechanics.

“I’ve heard good things about Biomassive,” said Frydenlund, who grew up in Ann Arbor and started playing guitar in college. “I’ve listened to their stuff online, so I’m definitely excited.”

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