Adam Kennedy unexpectedly became a globetrotter during the pandemic.
The Newcastle upon Tyne, U.K. music photojournalist ventured to Finland, the U.S., Australia, Russia, Israel, Italy, Japan and other far-flung locations to shoot established and emerging artists – all from the comfort of his own home.
In fact, Kennedy’s international photographic jaunts have occurred online as part of a successful virtual photo shoot project he launched in April 2020. To date, he’s conducted more than 570 virtual photo shoots with rock, metal, jazz and blues artists over Facebook, Zoom, Skype, WhatsApp, FaceTime and other online platforms.
“It’s just to create a feel of coming together online and being in the moment. After an hour, you usually have something cool. Every session has been completely different, and every artist brings something different to the table,” he said.
“Every environment is different because I’m not working in a studio. I’m predominantly working out of someone’s home, or a person takes me out on location. I’ve been in Los Angeles on the strip, in Sochi overlooking the Black Sea, in Jerusalem at a park and in Victoria near the Great Ocean Road.”
Desmond Jones elegantly casts twangy lunar magic throughout West Virginia’s sprawling Appalachian Mountains.
The Grand Rapids rock-funk-jazz quintet of John Nowak (drums, vocals), Isaac Berkowitz (guitar, vocals), Chris Bota (guitar, vocals), Taylor Watson (bass) and George Falk (sax, vocals) takes a refreshing vintage country detour on their latest jamboree-filled, celestial single, “Pink Moon.”
“The song is actually named after a music festival that used to be held in West Virginia called ‘The Pink Moon Music Festival.’ The festival was named after the lunar phenomenon we call The Pink Moon, which is a unique yearly full moon that occurred last week,” Bota said.
“I guess you could say it’s a love song I wrote to the moon. It’s meant to be sung while I’m hanging out in the Appalachian Mountains on the outskirts of a small West Virginia mountain town dancing to some wonderful live music under the moon and the stars.”
As a timeless, torchy ode to our favorite pastel-tinged satellite, “Pink Moon” awakens the youthful, nocturnal spirit as swift drums, rich pedal steel, propulsive bass, soulful sax, jubilant mandolin and vigorous violin gallop into a bright summer night.
Bota nostalgically sings, “Once a year, my dear, I’ll spend a night with you/Lookin’ at sunlight through your view/Whistlin’ a tune until the sun’s had enough of you/As you drift into the sky.”
“I wrote the song very late at night five years ago after the second Pink Moon Music Festival that we played and attended. I touched it up over a week or two of playing and singing it solo on my acoustic guitar. We recorded the drums, bass, two guitars and saxophone live at our manager Kevin McKay’s studio in the fall of 2019 three years later,” Bota said.
“The vocals, pedal steel and instrument solos were recorded at everyone’s own homes during the winter of 2020-2021. We have one guest on this track who happens to be one of our favorite Michigan musicians, Don Julin. We had the pleasure to play with Don during two of our sets at the Cowpie Music Festival in 2019, and he agreed to lend his musical talents on this album.”
Backed by timeless grooves, majestic electric guitars and funky beats, Nick Behnan effortlessly embarks on an enchanting instrumental journey.
The Detroit singer-songwriter and multi-instrumentalist beautifully glides from one hypnotic genre-filled world to the next on his latest 10-track, funkified R&B-rock odyssey, Magic Trip.
Initially written and recorded for sync licensing opportunities, each fluid, spellbinding track showcases Behnan’s versatility, prolificacy and creativity as an evolving songwriter and producer.
“I’ve never released an instrumental album before that shows my love for all genres. My main focus was to pick songs that were groovy, funky and somewhat up-tempo, but I try to write and produce the same way that I listen to music as a fan,” Behnan said.
“I never just listen to one kind of music all night. It will roll from Gregory Isaacs to The Congos to The Bee Gees to Prince to Wilco to Radiohead to Kendrick Lamar to Beck and many others all in one night. The trick was picking the songs because I have so many; I could easily put out five albums right now.”
While Magic Trip eloquently blends Behnan’s eclectic, refreshing influences, it instantly soars into a laid-back, welcoming sonic adventure on the jam-tastic, improvisational title track. Shimmery, wah-wah electric guitars, majestic bass, whirring synths and soft drums recreate the sound and feel of a sunny, breezy spring day in the mind’s eye.
“Several of the songs were made mostly with TV and film licensing in mind while others were started a few years ago. Some songs like, “Magic Trip” and “Inner City Funk” are brand new. Overall, I hope people feel good when they listen to it and enjoy grooving and rocking out to the music,” he said.
Eck’s Men will magnetize a virtual audience in the livestream universe tonight.
The New York City power pop-abilly quintet of Drew Eckmann (vocals), Rick Norman (guitar, backing vocals), Roger Astudillo (bass, backing vocals), Tom Wise (sax) and Dennis Vallone (drums, backing vocals) will perform a supercharged 80-minute livestream set at The Bowery Electric.
“There will be 20 songs, seven of which are on Who Knew?!?!?, 12 newer songs and one cover. There are probably songs that we’ve never played and two or three that we’ve played only once. The rest we’ve played a few times,” Eckmann said.
“Though it’s not the first New York City club we’ve played, Bowery Electric has a great vibe because it’s run by musicians. The audiences are ‘music smart,’ so we have to be on our A-game when we play there. It was at Bowery Electric that Jesse Malin and Joseph Arthur told me separately that I should start writing songs. The club has supported us from the start.”
Eck’s Men also will spotlight Wise and join forces with rootsy singer-songwriter Kelley Swindall to invigorate fans throughout their electrifying set.
“Since a bunch of songs are on the newer side, everyone will be trying to put the songs in a place where they’re just second nature. Tom will be playing the sax. He adds a drive to the fast songs and an underlying echo to the melody in the slower songs,” Eckmann said.
“Kelley was introduced to me by Jesse Malin about five years ago, and we’ve been friends ever since. Kelley’s going to join me on a duet I’ve written called ‘Just Don’t Know It Yet.’”
Thursday’s livestream show also will allow Eck’s Men to reintroduce their timeless 12-track, rockabilly-infused debut album, Who Knew?!?!?. Released in August via 2WIN DISC Records, the album shimmies, sways and bops through powerfully succinct tales about love lost and found against a soulful, energetic backdrop.
“A lot of the songs, even though they were completed at the time, they’re still kind of new to us. Now when we do a livestream, we can say we’re gonna play some new songs and old favorites. We have a loyal core audience of people who come to see us, so it’s encouraging and refreshing that we have people we can count on,” Eckmann said.
Carolyn Striho beautifully relives her poignant written words in a refreshing fashion.
The Detroit rock singer-songwriter personally narrates a new compelling audiobook version of Detroit (Maiden Energy), her 2019 intimate, eloquent collection of song lyrics and poetry.
Now available via Google Play, iTunes, Apple Books, Nook, Scribd and Audible, Striho’s latest release commemorates the one-year anniversary of Detroit (Maiden Energy)’s print version from Aquarius Press/AUXmedia. It features Striho reciting 28 selections from her expansive 50-piece “street princess” collection in a compact 41-minute audiobook.
“I recorded them with me reading over two days in the summer at the home studio while Scott (Dailey) engineered. I sang a couple of lines on some of the songs. It was very different to hear myself reading the poems. It was not that different from a song, in some respect, when I sing in the studio,” Striho said.
“But I felt more self-conscious as they were ‘naked’ and not being talked to or sang with music behind them. As I love hearing and watching poets read, I know it could turn out really well. We had thought about doing music behind it with some guitar and piano, but it felt really organic and natural to just read.”
With moonlit melodies, gravitational grooves and rotational rhythms, The DayNites soulfully shine across the metro Detroit stratosphere.
The Detroit-Ypsilanti R&B-rock sextet of Kristianna Bell (vocals), Ryan Greene (keys, piano), Tim Blackman (bass), Shaun Maazza (guitar), Erich Friebel (drums, percussion) and Rick Coughlin (guitar) share reflective stories about love, growth, freedom and wisdom on their celestial, self-titled debut EP.
“When I was writing, it was just things that I was going through at that time in my life. It wasn’t like one main theme. It was like, ‘This is how I’m feeling, and these are the words that are coming out right now.’ I would say listen to the words and the instruments, feel the music and let it take you somewhere,” said Bell, who’s the band’s primary lyricist.
“We all have a take on everybody’s liking, and we put a little bit of something from everyone into what we do. For the first album, it was just me writing the words. But for the music, it was all the guys working together and putting their own spin on their instruments to see what worked well together.”
Available through the band’s new website, the EP’s five emotive DayNites tales unearth a deeply personal universe filled with contemplation, consideration and transformation. The lush, dreamy opener, “Cherry Blossom,” provides a welcome, cosmic escape into the relatable thoughts, feelings and concerns of a lost soul.
Palpitating drums, intense hand claps, exuberant bass, glistening intergalactic synth and fervid electric guitar reveal the psyche as Bell sings, “But I know I need to come down/Collect myself somehow/Unconnected from the physical being of my perspective/The only thing I could create was hella questions/Answers too far off to see/Searching for something that would make my soul complete.”
“It’s about trying to find ways to escape realities that I didn’t want to face. The song is pretty upbeat, and people love it, but at first it was my least favorite song because of what it made me think of every time I sang it. Once the song was recorded, it had a different feeling to me, and now I love it. I’m no longer in that place so I can listen to the song from a different perspective,” Bell said.
While Bell experiences an existential crisis on “Cherry Blossom,” she quickly shifts to newfound freedom on the Motown-esque, pro-hooky anthem, “Not Tomorrow.” Throbbing bass, banging tambourine, soulful intricate electric guitar, pounding drums and sizzling cymbals celebrate a much-needed mental health day from work.
“When we wrote that song, we were in the studio, and I had to work at 6 a.m. the next day. I was like, ‘Look, I can’t do this. I’ll be right back.’ I went and called my boss, and I was like, ‘Yeah, I won’t be there tomorrow,’ and I came back in and wrote the song,” Bell said.
While the world turns to chaos outside, it’s time to search for solace inside.
Throw work, school and virtual commitments aside for some long overdue relaxation. With headphones in hand, adjust the volume and press play to start a new musical journey into uncharted local and regional waters.
The latest edition of The Stratton Playlist serves as a refreshing sonic escape from politics, pandemics and people. Visit country-filled skies, fuzzy lo-fi jams, jazzy hip-hop points, psych rock bangers, vibrant piano pop anthems and other new terrain.
The Belleville soulful funk duo of Bruce Henderson (bass, guitar, vocals) and Victoria “Vox” Henderson (vocals) sprinkles delicious basslines, tasty grooves and flavorful harmonies throughout their new album, Sugar Fit, now available via Bandcamp.
“We just took all the things that we thought were centered on funk and put them together because we were seeing a gap. People say funk is dead, and we don’t believe that. We just believe they haven’t heard something new,” said Victoria Henderson, who serves as the duo’s primary lyricist.
“Whenever we would join those funk groups, they would put old songs in there, and we were tired of hearing the same songs over and over. We can take all our different funk songs, put them together, and for somebody who likes that older funk, they might actually like this. That’s a different approach for us.”
Throughout Sugar Fit, Bourgeoisie Paper infuses timeless, addictive funk across 15 rhythmic tracks about authenticity, self-actualization, balance, lifelong love, and political and social unrest. The husband-and-wife duo eloquently adds refreshing layers of R&B, soul, disco and rock to their solid foundation of funk on their 11th release, which was written and recorded last year in their home studio.
The album’s infectious title track blends bright, bouncy electric guitars with thumping bass, buzzy and dancey synths and honeyed harmonies for five jam-filled minutes. Together, the Hendersons reveal in Prince-like fashion, “Wanting to lose/This weight that’s holding me down/Shaking this blues/And repping my space now/It takes a challenge/For me to roar into action/But I’m just not that savage/Soooo prone to distraction.”
“The idea behind the title is that we’re all kind of having a little bit of a fit in this pandemic. We’re locked in and wearing masks and then not wearing masks and then there’s the civil unrest. We’re all having some kind of fit,” said Victoria Henderson.
Strong flavors of folk, country and rock will fill the autumn air at Lake Orion’s Canterbury Village this weekend.
Those aromatic sounds will come from a talented roster of metro Detroit singer-songwriters performing intimate outdoor acoustic sets at Open Air Markets Saturday and Sunday.
This weekend’s lineup will feature James Wailin, Sean Blackman, Al Carmichael, Tom Butwin, Johnny Rhodes and Jon Rice, said Mark Reitenga, a Royal Oak folk rock singer-songwriter who curates live music for Open Air Markets.
“This is a pure energy boost because many of the musicians have been laying low since March and many of the patrons as well. It’s like two happy colliding forces,” he said.
“The music is the tonal center of the market in that the musicians keep the spirit happy as market goers walk around the vast campus looking for goodies, donuts, cider, clothing and specialty items. The musicians play in the outside dining area to folks on picnic benches and also walking by.”
Outdoor market and live music aficionados can expect masked, socially-distanced crowds at Canterbury Village through Oct. 4. The markets also will showcase the work of local artists, crafters, cooks and jewelers and spotlight a different theme for vendors spaced throughout the village.
“They have been fantastic for the pretty strong socially-distanced crowds and also for the safe-distance and mask-wearing aspect. The musical acts have been superb – with many selling their original CDs and making great tip money from the family-oriented crowd accompanied by dogs,” Reitenga said.
Filled with progtastic, funkified fusion, Chirp will bring upbeat, dancy grooves to celebrate autumn’s upcoming arrival Saturday at Ypsilanti’s Grove Studios.
The Ann Arbor prog-funk-jazz jam quartet will headline the Ypsi rehearsal and recording space’s annual fall-themed Equinox Party before intimate in-person studio and virtual livestream audiences.
“Ypsi audiences are always some of our favorites to play for, so we are extremely excited to play our first show at Grove Studios. It has a great music/arts scene, and my favorite part of playing for Ypsi audiences is all the creative folks we get to bump shoulders with at our shows there,” said Jay Frydenlund, Chirp’s vocalist and guitarist.
“The Equinox Party is our annual anniversary celebration and largest event of the year where we showcase a diverse collection of artists, many of whom we’ve worked with or met throughout the year,” said Erich Friebel, Grove Studios co-founder and director of community engagement.
“We’ve decided to really blow it up with the Equinox Party this year. We’ll be hosting three, two-and-a-half-hour shows with three to four artists each and an hour of transition in between shows to cycle the artists and audiences in and out to follow the 25-person gathering rule Ypsi is currently under.”
Grove Studios has flourished in the virtual music space since launching Grove Sessions, a regular livestream performance and interview series, in March. The sessions spotlight a range of emerging and established artists and musicians in Washtenaw County and metro Detroit.
“We’re already six months into our third year on Railroad Street in Ypsilanti, which is super dope considering we’re still weathering the effects of a global pandemic and a previous three-month shutdown,” Friebel said.
“That reality, along with social distancing and gathering restrictions, encouraged us to rethink how we support the music community by moving our events to a virtual format and becoming a burgeoning media production company. We also activated our outdoor courtyard stage in May with audio and video production, which has evolved into a high-tech livestream performance format with small in-studio audiences.”