A Cut Above – Detroit’s Allye Gaietto Hosts Saturday Freight Yard Show, Brings Smart Jazzy Pop to Motor City

Allye Gaietto by Patty Rooney/Rooney and Company

For Allye Gaietto, the Dequindre Cut Freight Yard serves as the quintessential outdoor music venue for burgeoning artists.

The Detroit jazz pop singer-songwriter decided to host Saturday’s live show at the freight yard after biking through the former Grand Trunk Railroad line.

“Having a car-free greenway in Detroit is great. It’s fun to see so many people out walking, running, biking and just hanging out on any given weeknight,” Gaietto said. “When I saw the post asking for musicians to play at the Freight Yard, it felt perfect. Detroiters never have enough summer, so the chance to play outside on a Saturday afternoon is a no-brainer, and with the BUILD Market, food trucks, beer and games, it looked too fun to pass up.”

Gaietto will play her first freight yard show Saturday from 1 p.m. to 4 p.m., and perform her newest song, “Normal Stuff” as well as tracks from her 2016 debut EP, “Some Kind of Heaven,” a few covers and some deep tracks for her headlining set.

Neo-soul singer-songwriter White Bee, also known as Shannon Barnes, and pop singer-songwriter Ally Evenson will join Gaietto to round out the freight yard show.

Earlier this month, White Bee released a new video for her single, “Beat State,” while Evenson’s latest single, “All My Days and Nights,” is featured on the Detroit Institute of Music Education (DIME) Sessions Vol. 4 album, which drops today.

“I’m excited to have White Bee in the lineup for her vocal talents, guitar chops and songwriting skills. I feel lucky that she was able to hop on the bill at the last minute and bring her talents to the show,” Gaietto said.

“Ally is a student at DIME, where I work. I’ve heard her play a few times for student shows and other events, and kept thinking that she needed more attention from the Detroit music scene at large. I think all three of the songwriters on this show make music that is interesting and often challenges the listener to go a little deeper, while still being accessible ‘smart pop.’”

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