Soulful Path – ANA Explores Self-Love, Personal Growth on ‘Fall With Me’ Single

fall w me
ANA shares her deepest emotional reflections and vulnerabilities on “Fall With Me.” Photo – Miles Marie

Filled with sensual, soulful grooves and mellow, jazzy soundscapes, ANA beautifully embarks on a newfound path of self-discovery and intimacy.

Along her transformative journey, the Detroit neo-soul singer-songwriter shares her deepest emotional reflections and vulnerabilities while poignantly embracing personal growth and exhilaration on “Fall With Me.”

“This song is a trifecta of things. A lot of it is about exploring intimacy and being open to that. But self-love was a big one, especially during the pandemic because we have spent so much time being isolated from each other. I feel like a lot of the things we desire become a lot more physical and manifest in a way of self-care while deepening the expectations we have for ourselves and the things that we love to do,” said Ana Gomulka, aka ANA.

Now available on all streaming platforms, “Fall With Me” magically transports listeners to a carefree, breezy spring day that provides instant relief and ample time to recharge. Thoughtful, enduring trumpet, delicate drums, mellifluous bass, fluttering synth and vivid electric guitar provide a mesmerizing escape into ANA’s dreamy world.

Gomulka beautifully sings, “Cause when you show up at my place/And ring my bell/I’ve been feelin’ for ya/You know very well/But if this is too much for you, yeah/We can just kick it like we used to.”

“I decided to put this song out first because I’ve been working on a lot of music that’s going to be coming out in 2021. I also wanted to make this a love song to my audience and the people who have supported me throughout the whole time I’ve been making music,” said Gomulka, who also fronts the jazz-fusion group Honey Monsoon.

“I’ve been writing songs since I was 13 years old, and this is the first time I’ve ever officially put out a single myself as a solo artist. I wanted to make this single to invite people to follow me into the joy of what I’ll be sharing. I’ve always been a really sensual, vulnerable person, and I think a lot of authenticity lies there.”

Fall With Me” also serves as ANA’s first new material since releasing Honey Monsoon’s 2019 enchanting album, Opal Soul. She invited an all-star team of collaborators to join her on the track, including Haruki Hakoyama (bass, trumpet), Sasha Kashperko (guitar), Todd Watts (drums) and Barry Chambliss (keys), and meld captivating R&B grooves with jazzy, hip-hop beats.

“This song was actually something that just came to me. I had studio time booked already for different songs, but this song was the newest and the freshest one. I had just laid down the guitar part first for the demo,” said Gomulka, who recorded the track at Fundamental Sound Co.

“I did the instrumental, and then the vocals came while the lyrics came afterward. I just reflected and manifested in feeling what I really wanted people to get out of this song. I’ve also been making a lot of electronic music, but I thought it was important to have actual instrumentation on it. I think that comes with the realness of my music, and it’s a reflection of my musical spirit.”

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On Course – Madelyn Grant Finds Motown-Inspired ‘Purpose’ on Debut EP

Madelyn Grant’s “Purpose” EP explores the challenges of reaching self-actualization during a personal transformation. Artwork – Sebi White and Quinn Faylor

Madelyn Grant elegantly charts a new creative course.

The Detroit neo-soul singer-songwriter opted for a classic Motown-inspired sound on her debut EP, Purpose, after forging an initial electronic, trip-hop pathway.

“I love the sound of Emancipator and FKJ, but after touring and performing with them, I realized I wanted to capture more of that Amy Winehouse-Sade vibe. At that moment with electronic music, I wanted to go more in an organic direction of being live with everyone in the studio, and I think these songs lend themselves to that,” Grant said.

“I’ve got this combination of songs, and they sound like Motown, Al Green, Bill Withers and Stevie Wonder. They don’t sound like sound like trip-hop, FKJ or Emancipator. The people who helped arrange these songs with me were U-M jazz school alumni, and they added some jazz influences in there.”

Grant beautifully jazzes up her nostalgic, soulful project across five introspective, fervent tracks. Out today via all streaming platforms, Purpose delves beneath the surface and explores the challenges of reaching self-actualization during a personal transformation.

“After listening back to these songs and realizing this intense process I went through creating this EP, I had this image of a butterfly that kept coming into my mind. When moths and butterflies go through this transformation and reach their final stage, they have to go through this intense cycle. It’s not always pretty, but in the end you’re left with something that’s worth waiting and being patient for,” she said.

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Pain Relief – Au Gres Finds Comfort on New ‘At Home in the Dark’ Single

Josh Kemp embraces uncertainty on his latest Au Gres single, “At Home in the Dark.” Photo – Kris Herrmann

For Au Gres, not every problem requires an immediate solution.

Instead, the Fenton indie pop singer-songwriter finds instant relief in uncertainty on his latest introspective, self-comfort single, “At Home in the Dark,” which dropped Feb. 26 via all streaming platforms.

“I hope this song might encourage others to be more present with each other during hard times, though not necessarily in the physical sense, pandemic and all. I wrote it specifically about someone dealing with depression, but I think it applies to much more than that,” said Josh Kemp, aka Au Gres.

“These moments don’t always call for ‘solutions.’ Sometimes the best thing to do for someone is just let them know you’re available to talk and reassure them that they aren’t ‘broken.’”

Au Gres beautifully provides a sense of solace as ascending, sheeny synths, thoughtful electric guitar, delicate drums and soft bass surround listeners while they’re feeling “At Home in the Dark.” Kemp reveals, “I wanna be there when it rains/I wanna know you on your bad days, baby/I wanna be there when you start/To think the wrong things in the right time frame.”

“So much of this track is inspired by my experience with depression (i.e., the dark). I’ve had moments in my life where I really needed someone to help me feel less alone. I’ve also been the one to do that for others,” said Kemp, who’s inspired by Passion Pit, Phoenix and The Smashing Pumpkins.

“The thing about depression is that it’s usually episodic, and when you’re in it, you usually don’t want or need to hear solutions. Sometimes the best thing to do for someone is just sit with them while they’re in it. Bringing over a cheap bottle of wine often helps, too.”

Continue reading “Pain Relief – Au Gres Finds Comfort on New ‘At Home in the Dark’ Single”

The Darkness and The Light – Mike Ward Balances Past, Future on Contemplative New Album

Mike Ward uncovers the delicate midpoint between two opposing forces in time and emotion on “The Darkness and The Light.” Photo – Mark Stevens of Blue H2O

Mike Ward eloquently strikes a balance between the past and the future.

The Detroit Americana singer-songwriter thoughtfully uncovers the delicate midpoint between two opposing forces in time and emotion on his reflective third album, The Darkness and The Light.

“I think it has a lot to do with my age; I got started in this late. I think it comes from a lot of experience and examination of that. I come from a really big family; we’ve had some losses and struggles over the last 10 years. These songs were all written well before the pandemic, but they tee up the emotions that people have,” Ward said.

“Since my dad passed and my mom died almost 10 years before that, I’ve been on that path of examining life as it is, life as it was and life after I go. I archived about 10,000 slides and photographs from my dad’s collection because he was an amateur photographer, and you can’t do that without diving into the faces, the eyes, the smiles and the tears. All those stories ruminate around, and I think for me as a writer I’ve realized that’s the way things have to happen for me.”

Ward’s initial ruminations unfold into 10 insightful tales about wisdom, gratitude, reality and altruism throughout The Darkness and The Light. As a majestic successor to 2018’s We Wonder, each Darkness and Light track sashays from shadows of struggle to flashes of hope as listeners travel from one experience to the next.

“I’m not trying to sugarcoat anything, and I’m not trying to be Pollyanna. Even when I sing ‘Our Turn to Shine,’ it’s done in a way that suggests taking it upon yourself. When one of us shines, we can all shine, and bringing a little light to the world is a good thing even as messed up as it is. That’s what I hope people will get from it. I’ve been told by a number of people who’ve listened to it that it’s calming and gives them a sense of relaxation,” Ward said.

Continue reading “The Darkness and The Light – Mike Ward Balances Past, Future on Contemplative New Album”

Bring to Life – Jeff Socia Provides Thoughtful ‘Release’ on New Debut Album

Jeff Socia performs live in northern Michigan. Photo courtesy of Jeff Socia

Four years ago, Jeff Socia decided to reenter the Michigan music scene.

The Traverse City Americana singer-songwriter created a home studio, started playing live shows and honed his songwriting chops.  Socia continued to build his momentum until last March when COVID-19 hit and instantly shuttered the live music world.

“I started booking some stuff on my own, and then last year happened. It’s probably a story you’ve heard a lot from other people – the lockdown was the time they were going to record and release something. I decided to go along with that story and take it one step further,” he said.

Nine months later, Socia dropped his thoughtful, melodic full-length debut album, Release, via all streaming platforms. The fervent 10-track project whips listeners down cozy, winding alt country roads filled with life-changing tales of love, growth, gratitude and risk.

“Everyone needs a release a right now, and this one happened to be mine. Hopefully, when someone listens to it, this can be their release. It’s been cool for me to hear from people who listen to my songs from elsewhere,” Socia said.

“I’ve gotten feedback from people in Ireland and other places. What we do here touches other people, and it’s their release. You never know what you’re going to put out there and how it’s going to affect someone. That’s why I called it Release.”

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Present Tense – Meredith Shock Starts Anew on ‘Maybe This Isn’t Home’ Single

Meredith Shock recalls vivid memories of her hometown on “Maybe This Isn’t Home.” Artwork – Savannah Harden

Meredith Shock prefers to live in the present.

The Nashville country-pop singer-songwriter candidly reflects on outgrowing her hometown, cherishing childhood memories and finding a renewed sense of purpose on “Maybe This Isn’t Home,” a poignant, cinematic ode to new beginnings, now available on all streaming platforms.

“I went home for a long weekend for a wedding, and one of my best friends was getting married. I remember staying in my parents’ home, and I was in my shared bedroom with my sister. Everything had changed, and I was like, ‘I feel like a stranger,’ and I felt like I was a guest visiting. Nothing felt like it was mine anymore; I had to live out of my suitcase in my own bedroom,” said Shock about that memorable trip home in August 2019.

“I love my family, and I love that town, but I was missing Nashville. I felt like I was missing out on things that were happening in Nashville. I had made new friends and had new experiences here in a new environment where I now call home. I’ve created a space here that feels a lot more like home.”

Throughout “Maybe This Isn’t Home,” Shock elegantly strolls down memory lane as submerged alternating synths, shiny twirling electric guitars, intermittent electronic drums, glistening keys and calm bass recall vivid loving memories of growing up outside Washington, D.C.

She nostalgically sings, “There’s this painting in the closet that my sister did/In the bedroom that we shared since we were kids/Down the street I still remember where I had my first kiss/Holding hands under the pillows in my basement/And I walked to school until I learned how to drive/I was cheering on a team under those Friday night lights/I swear those times were golden and I can’t forget/But it’s time for me to move on and start again.”

“For me, it’s creating new memories here. When I’m singing ‘Maybe This Isn’t Home,’ all my memories have to do with that town I grew up in. Two or three of my brothers played on the football team, and I always went to the football games to support them,” Shock said.

“Those are the memories that are so my hometown; whereas here in Nashville I’ve never been to a high school football game. It’s like creating a different memory completely and having those special moments that make you feel like home. It didn’t start to feel like Nashville was home until I was here for almost two years.”

Shock started working on her latest track a year ago with Nashville producers James Robertson and Jay Tooke. Together, they spent several months recording “Maybe This Isn’t Home” and finalized it before the start of spring quarantine.

“It was really cool to work with them in the studio while they were trying to think of the best way to produce it. Normally, I just write my songs with me and my guitar, so it’s cool to hear a full track. They did a good job at making it feel nostalgic, and it doesn’t have a slow super sad song kind of vibe. You can bop your head to it,” she said.

Continue reading “Present Tense – Meredith Shock Starts Anew on ‘Maybe This Isn’t Home’ Single”

Giving Voice – Carolyn Striho Relives ‘Detroit (Maiden Energy)’ Words through New Audiobook

Carolyn Striho personally narrates her new audiobook for “Detroit (Maiden Energy).” Photo – Jacx Art

Carolyn Striho beautifully relives her poignant written words in a refreshing fashion.

The Detroit rock singer-songwriter personally narrates a new compelling audiobook version of Detroit (Maiden Energy), her 2019 intimate, eloquent collection of song lyrics and poetry.

Now available via Google Play, iTunes, Apple Books, Nook, Scribd and Audible, Striho’s latest release commemorates the one-year anniversary of Detroit (Maiden Energy)s print version from Aquarius Press/AUXmedia. It features Striho reciting 28 selections from her expansive 50-piece “street princess” collection in a compact 41-minute audiobook.

“I recorded them with me reading over two days in the summer at the home studio while Scott (Dailey) engineered. I sang a couple of lines on some of the songs. It was very different to hear myself reading the poems. It was not that different from a song, in some respect, when I sing in the studio,” Striho said.

“But I felt more self-conscious as they were ‘naked’ and not being talked to or sang with music behind them. As I love hearing and watching poets read, I know it could turn out really well. We had thought about doing music behind it with some guitar and piano, but it felt really organic and natural to just read.”

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Heart to Heart – Lily Milo Explores Uncharted Emotional Territories on ‘Stars Go Out’ EP

Lily Milo shares a personal journey of self-discovery on “Stars Go Out.” Photo – Jennifer Metsker

Lily Milo delicately reveals the hidden sides of her heart.

The Ann Arbor indie folk singer-songwriter shares an intimate, poetic journey of self-discovery while navigating between life’s light and dark emotions on Stars Go Out.

“This is the first thing that I’ve ever put out. I’ve wanted to work on music for a really long time. A couple of years ago, I just sat down and said, ‘All right, if you’re gonna do it, then you’re gonna make some music,’ and it’s been awesome,” said Milo, who released the project in September.

Throughout her raw, authentic debut EP, Milo beautifully explores uncharted territories of the soul across six poignant, reflective tracks that uncover internal strength and wisdom. Each Stars Go Out song provides an intense, heartfelt outpouring of emotion from past thoughts, experiences and relationships.

“Most of them are personal. ‘Sandcastles’ is about a friend who passed away. The other ones are feelings that I’ve had and worked through, and part of the reason why it seems like a strange moody mix from the heart is because it’s all very much from the heart,” Milo said.

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Fired Up – Adam Masterson Ignites Timeless Rootsy Sound on ‘Delayed Fuse’ EP

Adam Masterson blends elements of rock, soul, gospel, folk and country on his latest EP, “Delayed Fuse.” Photo – Robert Ascroft

Adam Masterson beautifully ignites a fiery, sonic explosion of emotion and experience.

The New York City roots-rock singer-songwriter solders timeless, electrifying elements of early rock, soul, gospel, folk and country into his latest high-voltage, five-track EP, Delayed Fuse.

“Every song is like a gift so I’m very grateful when I finish a song. I’ve never really thought about what I want other people to take away. How we form a connection with a song is our own unique experience, and I try not to second guess that,” said Masterson, who’s originally from West London.

“But it’s been a pleasure to write the songs, and if there are people out there who will take these tunes to heart, then that will make me very happy.”

Masterson instantly jolts listeners with combustible tales of misfortune, parenthood, isolation, grit and regret against a sizzling, cinematic backdrop of spirited rootsy instrumentation. A fateful partnership with producer James Hallawell kindled a new, multi-genre musical flame for writing and recording Delayed Fuse in London.

“It was great finding James Hallawell because I felt he understood me and where I was coming from. Who you are as an artist is something you can never really explain because it’s something that has to be felt rather than explained. You need to find someone who’s equally as passionate in their love of music that they know instinctively the feeling you’re looking to create,” Masterson said.

“James has also toured the U.S. extensively working in the studio with a real hero of mine, Willie Mitchell, the great Memphis soul producer who produced Al Green and Syl Johnson, two of my all-time favorite vocalists, for his Hi record label. I know why Willie liked working with James because he has great feeling for soul organ, early rock ‘n’ roll, American country and the English hymnal style. All these styles feed into what inspires me as a musician, singer and writer.”

Continue reading “Fired Up – Adam Masterson Ignites Timeless Rootsy Sound on ‘Delayed Fuse’ EP”

Tale from the Crypt – Melanie Pierce Buries Painful Past on ‘Your Grave’

Melanie Pierce entombs her past on “Your Grave.”

With an eye on the present, Melanie Pierce wants to leave the past dead and buried.

The Ann Arbor pop-rock singer-songwriter beautifully entombs former relationships, painful experiences and destructive thoughts into a secret crypt on “Your Grave,” a heartfelt, courageous anthem about moving forward.

“It was several situations that were not ideal and that happened at the same time. When the song was originally written, I had a lot of rage because it felt like so much was going wrong,” said Pierce, who released the track Oct. 30 via all streaming platforms.

“My mindset when I was younger was more angsty and negatively focused, and I was in a band at the time, and they were breaking up and a relationship was failing. It felt like too much at the time, and this song was born out of it.” 

Throughout “Your Grave,” murky, alternating synths ping-pong between yesterday and today while pulsating drums, calm bass and intermittent piano ultimately lower Pierce’s past six feet underground.

She bravely sings, “Turn left because I ran out of rights/Done pretending to be so nice/So formal like we’re supposed to/Keepin’ tabs on people livin’ my dream/I’m livin’ with the ghost you left for me/Remember when you said this was just a dream/And that’s all it will ever be/I’ve been pickin’ up the pieces slowly.”

“It’s taking the next step and acknowledging things aren’t going your way and have ended. I’m literally speaking through the lyrics that I’m throwing this in a grave, moving on and seeing the other side of the bad situation and stepping into a positive, new beginning,” Pierce said.

“I think everybody has the ability to change in all aspects of life, and I feel like I’ve shifted toward a much healthier perspective. Being able to cope with change also comes with time as you grow and learn more about yourself and the world around you. I was put on this planet to make music, write songs and perform. I’ve really stepped into the artist that I’ve always wanted to become and learned how to navigate this musical journey.”

Continue reading “Tale from the Crypt – Melanie Pierce Buries Painful Past on ‘Your Grave’”