After Hours Radio Reunites with Original Vocalist Calum Galt for Saturday’s Club Above Show

Greg Hughes and Nate Erickson perform with Calum Galt, center, during the early days of After Hours Radio.

For Calum Galt, Ann Arbor represents a bittersweet homecoming.

The former After Hours Radio vocalist will reunite with his old bandmates for Saturday’s show at Club Above. It will be his first appearance with the Ypsilanti progressive groove-heavy indie rock trio of Greg Hughes (bass), Nate Erickson (vocals, guitar) and Mark Dunne (drums) in nearly three years.

“It was actually Greg’s idea to have a reunion show. He reached out to me when he found out I was returning home for the first time in years to see if I was interested, and I agreed right away,” said Galt, who moved from Ann Arbor to Japan in 2014. “I’m really looking forward to having the opportunity to play with the band again after so long, and I hope we can recreate some of the same energy our shows had back then.”

Calum Galt

Along with Hughes and Erickson, Galt honed his musicianship while attending open mic nights at the University of Michigan’s Nakamura and Luther Buchele co-ops. Together, they formed After Hours Radio and became synonymous with Ann Arbor’s burgeoning underground, do-it-yourself (DIY) music community.

“Forming the band was equal parts exciting and nerve-wracking – I had never really written or performed my own music, which I think is an inherently intimate and scary thing to do,” said Galt, who’s inspired by of Montreal, The Strokes and Radiohead. “I was lucky to be surrounded by supportive friends and be involved in the co-op community, which has always been a fertile environment for budding musicians.”

As After Hours Radio, they recorded their self-titled, six-track debut EP in 2015 before Galt moved to Japan. Four years later, Galt is ready to revisit the EP with his old bandmates through an older, wiser and fresher perspective.

“There are a lot of memories tied up in those songs so revisiting them has been an interesting experience,” said Galt, who graduated from U-M with a bachelor’s degree in East Asian languages and cultures. “I’ve changed a lot in the intervening time so it’s strange to hear those songs, which really encapsulate the weird head-space I was in at the time.”

Continue reading “After Hours Radio Reunites with Original Vocalist Calum Galt for Saturday’s Club Above Show”

Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today

The Sneeks have released their fun-filled “Sneekin’ Out the Back Door” EP today.

For The Sneeks, opportunity knocks with a new five-song EP.

The East Lansing alt rock quartet has delivered their latest release, “Sneekin’ Out the Back Door,” today via streaming services as a fun, breezy follow-up to their eight-track 2017 debut album, “Sneek Attack.”

Through “Sneekin’ Out the Back Door,” Niko Matsamakis (vocals, guitar), Kevin Neumann (vocals, bass), Alex Olivero (vocals, guitar) and Houston Smith (drums) create a laid-back summer sound filled with shimmery Mac DeMarco-inspired guitars and wrapped in personal tales of fleeting relationships.

It’s the musical alter ego to “Sneek Attack,” which follows a “rad rock and troll” sound born out of the band’s Michigan State University (MSU) party days and garage punk rock shows with Twin Peaks at The Loft in Lansing.

“The different approach for ‘Sneekin’ Out the Back Door’ is definitely the songwriting and recording style,” Matsamakis said. “We recorded it in my house upstairs in four different rooms at the same time, and we tracked it all together. Houston was in one bedroom, I was in another, Kevin was in the other bedroom and Alex was in the bathroom.”

Neumann and Olivero also contributed tracks to the “Sneekin’ Out the Back Door” while Matsamakis wrote the material for “Sneek Attack” – his personal journey through post-breakup single life.

“We used some different effects on our guitars that we don’t normally use, and some of those ‘Sneek Attack’ sounds are harder in general, but ‘Sneekin’ Out the Back Door’ is definitely a softer sound,” Matsamakis said. “I wrote a few of the songs, showed them to Kevin, and Kevin put his touch on them, and then vice versa. I would say Kevin’s songs are definitely the softer ones.”

Continue reading “Knock, Knock – The Sneeks Drop New ‘Sneekin’ Out the Back Door’ EP Today”