For Rin Tarsy, life is filled with beautiful contradictions and imperfections.
The Grand Rapids folk singer-songwriter and guitarist embraces authenticity, yet re-examines her purpose on the aptly titled album, Paradox.
“For a while, people would ask, ‘What’s the theme of Paradox?’ And for a while, I didn’t know. Finally, it dawned on me one time when I was listening through all the tracks – it’s about self-trust and self-discovery,” said Tarsy, who grew up in Portland and started singing in church.
“I hope all these songs make sense together, and I really like them, but I wasn’t sure if they did. It’s comforting and scary at the same time. Are these thoughts ever gonna go away? Am I always gonna be questioning everything? Maybe I will.”
Tarsy’s lingering questions slowly spark an emotional and spiritual quest of self-discovery on Paradox that spans several years. Each poetic track celebrates intuition and explores emotion.
“The first songs I wrote for this album – ‘Stay,’ ‘Dear Heart’ and ‘Suitcase’ – were in the summer of 2016 after I got back from Africa. It was the first time I had examined who I was when I took away all of the pursuits that I had and the things I had wanted to go after,” said Tarsy, who visited Tanzania, Zambia and Namibia.
“At the time, I had asked myself, ‘Who am I if those things don’t go exactly the way I want? Or if my idealisms of what they could be don’t match up with the reality of what they actually are?’”
The Hamtramck indie folk sibling duo of Alison Wiercioch and Tessa Wiercioch seamlessly constructs a resilient emotional framework comprised of growth, wisdom and reflection on their poignant debut single, “Foundations.”
“We both hope this song helps people to find closure. No matter what, if you keep trying, and you keep working at something, you don’t have to give up just because of the foundation being cracked,” said Tessa Wiercioch, who formed Jackamo with Alison in 2019.
Together, Jackamo instantly seals delicate “Foundations” cracks as sorrowful acoustic strums, thumping drums, pensive strings, tearful electric guitar, thoughtful bass and heavenly First Aid Kit-esque harmonies solidify the soul.
Alison Wiercioch reveals, “I’ve been trying lately/Caught up on the other side/And I’ve been crying lately/Trying to do what they think is right/And I’ve been crying, I’ve been crying/But it’s the fire that makes the ore/And I’ve been dying, I’ve been dying/But I’m tired and I’m sore.”
“I hope all of our songs bring comfort and that people feel something through our music. It’s a huge thing that we always keep in mind when we’re writing and putting music out,” said Alison Wiercioch, who’s the elder sibling by three years.
The Wiercioch sisters invited a team of metro Detroit musical architects to design and shape “Foundations” at Royal Oak’s Rustbelt Studios in 2019. Sammy Boller (guitar), Jimmy Showers (guitar), Steve Lehane (bass) and Steve Stetson (drums) created an emotive, folky infrastructure while Maurice “Pirahnahead” Herd (string arrangements), Sarah Cleveland (cello), John Madison (viola) and Joe Deller (violin) added cinematic soundscapes.
“When we had material to record, we thought about who we wanted to work with, and Steve Lehane immediately popped into our heads. We went out to coffee with Steve, and he was this ray of light. Steve was beaming with creativity, and he wanted to see us play our songs. He wanted to bring his friend Sammy along and said they both wanted to work with us,” said Alison Wiercioch.
With Lehane and Boller at the production helm, Jackamo recorded five initial tracks at Rustbelt Studios to lay the groundwork for the duo’s timeless, all-weather sound. They continued to write additional material and perform live throughout the Motor City until COVID-19 shuttered music venues last March.
“Something Ali and I have both realized about these songs is that they haven’t aged a bit. We’re hoping that comes across to others as well. It’s been two years, but we still love them the same. We want to make sure that our music is timeless because we like artists from every decade, and we hope our music won’t have an expiration date,” said Tessa Wiercioch.