En Route – Daring Detour Returns to Live Music Thursday at Ypsi Alehouse

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Daring Detour’s Kathi Dvorin and DeVeaux Gauger perform at a house show. Photo – Richard Greene

For Daring Detour, the new year arrives at a long-awaited destination.

The Ann Arbor acoustic Americana duo of Kathi Dvorin (vocals) and DeVeaux Gauger (guitar) marks the return of their intimate live music performances after a pandemic-induced hiatus.

“We decided to put Daring Detour on hold early in the pandemic. Part of that was due to closing venues, and part was our general emotional state with all the upheaval going on at the time,” Gauger said.

“We tried writing virtually and that didn’t work out, so we agreed not to force the creative process and would pick it up when we both felt comfortable.”

With comfort now on their side, Daring Detour will share their emotive originals and covers Thursday at Ypsi Alehouse in Ypsilanti. It will be their second live show since December.

“Playing at the Ypsi Alehouse was a wonderful experience. We had quite a few friends show up despite it being on a weekday evening and lingering COVID concerns,” Gauger said. “All the rehearsal time and mentally being on the same page showed as the music flowed, and we told some stories in between songs.”

During their two-hour set, Daring Detour will perform poignant renditions of Mary Chapin Carpenter’s “Almost Home” and “I Feel Lucky.” They’ll also share an unnamed Taylor Swift cover.

“We draw cover material from decades of artists, much of it out of our generation. We wanted to expand our repertoire to include some more upbeat songs and have some fun in between the more introspective tunes,” said Gauger, who’s inspired by Harry Chapin, James Taylor and Jim Croce.

“It’s highly possible that Ted Badgerow, Alehouse owner and brewer, will make an appearance. I played there solo the week before Halloween, and Ted joined me for a couple of songs playing flute, harmonica and some backing vocals.”

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July ‘Stratton Playlist’ Spotlight – Melanie Pierce Uncovers ‘Illusions’ of Misunderstood Life Moments

Melanie Pierce reflects inward on her latest single, “Illusions.” Artwork – Jenya Po

Melanie Pierce magically travels to the other side of the mirror.

The Ann Arbor pop-rock singer-songwriter ventures beyond the looking glass and reflects on misunderstood life moments in “Illusions,” a spellbinding glimpse into vivid realizations and intense ruminations.

“I was in this relationship for a long time and had felt misunderstood on so many levels throughout that period of time. And not just by that person, but also by my family because they were not super on-board with music. I also lost some friends in a short amount of time due to music and that relationship,” Pierce said.

“I was really reflecting on that time, and I remember exactly what I was doing when that song came out of me. The first line that actually came out was, ‘Painted words on paper-thin walls,’ and I was watching this TV show, and I paused it and went to the piano. That song was written in like 40 minutes, and it was written very easily and clearly, like I knew in me what I wanted to say and what I wanted to get out.”

Featured as part of this month’s “The Stratton Playlist,” “Illusions” blends somber synths, sorrowful piano, shimming electric guitars, soaring electronic drums and throaty bass into a hypnotic, sonic head-trip.

Akin to Vanessa Carlton, Pierce’s soulful vocals implode her romantic mirage as she ponders, “I thought I’d figured it out/Wide-eyed, I mapped it out/But you say I’m too difficult/Honey I know, honey I know/I try to pull back/Quiet the noise inside my head/But you say it’s too difficult/Honey I know, honey I know/I’ll never let this go.”

Pierce recorded “Illusions” earlier this year with producer Jake Rye at Adrian’s Social Recording Company. He helped Pierce crystallize the track’s vision and added majestic arrangements to quickly transform it in the studio.

“We would go back and forth like, ‘What do you hear for this part?’ and he had a good direction of where the production was headed. He came up with an awesome, meaty bassline, and I can’t really say enough positive things about him,” said Pierce, who learned about Rye through his collaborations with Michigander.

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Long-Distance Winner – Meredith Shock Goes Beyond ‘Trial Run’ in Latest Single, Video

Meredith Shock performs in Nashville. Photo by Skylar Stierwalt

Meredith Shock elegantly tests the waters in love and life.

The Nashville country-pop singer-songwriter beautifully plunges into her latest single and live acoustic video for “Trial Run,” a heartfelt ode to long-distance relationships.

“‘Trial Run’ was a song that I wrote about a girl I’m still dating. I’m in Nashville, and she ended up being here just for the summer, and I ended up really liking her. I was like, ‘Crap, what are we gonna do because I want to keep talking to you and seeing where this goes,’” Shock said.

“One of my best friends was like, ‘Why don’t you give it a trial run or something?’ I was like, ‘Yeah, we should,’ and we started calling it a trial run, and then that just sparked the idea for the song.”

“Trial Run” single artwork by Autumn DiScala

Shock’s fervent single wraps bright intermittent synths, climbing electric guitars, clicking finger snaps and vibrant acoustic guitars into a soaring cinematic sound as she sings, “Oh, I know you’re in another state/Maybe the miles and space will give you time to think about what you need/You can give me all the excuses/I know you got your reasons/But if you’re asking me, here’s what I think.”

Initially, Shock wrote “Trial Run” as highly personal track meant solely for her partner’s ears. It started out as a raw voice memo on her phone and later morphed into mesmerizing studio and acoustic versions.

“I played it for her, and she really, really liked it. I wanted to show her how I felt, and it was directed toward her. It’s not a story, it’s really just about her. People can tell I’m singing about a specific person and not just about any experience. I’m singing to someone, which is another big thing, too,” she said.

Shock released the studio version of “Trial Run” in February and dropped a live acoustic video version for her third single today. Filmed at Nashville’s Beyond The Loops studio in December, the video features Shock performing a poignant stripped-down version of “Trial Run” with an acoustic guitar.

“When I sing live, I think there’s always a little bit more feeling rather than like a recorded produced version. I think it’s cool to see the difference between how I wrote the song with just me and my guitar versus how the song eventually played out and how it was produced,” she said.

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Bullish Pop – Tauri Grabs Musical Experimentation by the Horns on ‘Time 2 Kill’

Los Angeles’ Tauri delivers an experimental fusion of indie pop and R&B on her latest single, “Time 2 Kill.”

With deep synths, quirky lyrics and funky basslines, Tauri hits an indie pop bullseye on her latest single, “Time 2 Kill.”

The 3.5-minute single eloquently weaves accessible elements of indie pop and R&B with avant-garde electronic rock to forge a growing experimental sound emanating from the West Coast.

It’s akin to combining the mainstream appeal of Lorde with the progressive, industrial sounds of Muse and Nine Inch Nails. Throughout “Time to 2 Kill,” Tauri creates a forward-thinking track devoid of pretense.

“We weren’t afraid to get really weird with this one, and a lot of people are responding really well to it,” said Nicole Orlowski, aka Tauri, who co-wrote the track with Alex Monasterio and Liz Gavillet. “This only encourages us to be super weird.”

Weirdness does run rampant on “Time 2 Kill,” but in a refreshingly lyrical way. The track opens with catchy lyrics – “Pen names/Switch blades/Turn real fast/But you’re driving in the slow lane” – and even references an “Easy Bake Oven.”

“It was kind of nightmare to put together actually because we were trying to put it out a lot faster than it ended up happening. We all sat down and spitballed it, and it came from this loose concept of a love story about a trust fund kid,” Monasterio said. “The idea behind the ‘Easy Bake Oven’ lyric relates to somebody trying to get something without actually doing the proper grownup work for it.”

“Time 2 Kill” also features vocals inspired by Bikini Kill and a heavy industrial synth section, which cleverly anchors the two indie pop sections on both sides.

“For such a period of time, we thought the song wasn’t going to function based on how our previous singles had done,” Monasterio said. “They have their moments definitely, but they’re much more contained. They have their tangents, but they don’t necessarily say ‘fuck it’ quite as much.”

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