Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album

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The Wild Honey Collective features storied lyrics, timeless acoustic instrumentation and rootsy sensibilities on “Volume 2.” Photo – Michael Boyes

The Wild Honey Collective deeply explores countryside tales of the past and present on Volume 2.

The Lansing-Grand Rapids, Michigan Americana-folk quintet of Tommy McCord (vocals, acoustic guitar), Danielle Gyger (vocals, fiddle, acoustic guitar), Timmy Rodriguez (vocals, electric and upright bass), Dan O’Brien (vocals, electric and upright bass) and Adam Aymor (pedal steel) ventures through life’s peaks and valleys on their latest anecdotal album.

“One of the big differences between [2021’s] Volume 1 and Volume 2 is that on Volume 2 all of the original written songs were brand new when we did them,” said McCord, who also produced and released the album via GTG Records.

“That’s very much reflected in the material because that’s what was going on in our lives; some of us were getting married, and Timmy and Dan both had kids in 2020. It wasn’t on purpose, but that very much is true.”

Alongside Volume 2’s storied lyrics and bucolic setting, The Wild Honey Collective beautifully weaves timeless acoustic instrumentation with rootsy sensibilities. It’s a refreshing listen while spending time with family and friends at a lakeside cabin or trekking through hilly, sprawling landscapes.

“By Volume 2, we were a gigging band when we made the album, and I think that really shows,” McCord said. “It feels more like a band than a studio project. We’re just kind of driving forward with that now.”

The band also drives Volume 2 forward with invigorating renditions of traditional folk songs and unreleased tracks by other songwriters, including Mark Vella’s “Ode to Thor,” “Dark Hollow,” Buck Owens’ “There Goes My Love,” “Rocky Mountain Belle,” “Katie Cruel” and the Irish instrumental “Red Haired Boy.”

“When you play in punk bands, the idea of recording cover songs is very taboo unless if you’re making fun of it or something. But in the world of traditional and folk music, that’s kind of part of it … interpreting other people’s songs and the Great American Songbook,” said McCord, who also plays in Drinking Mercury and The Plurals.

“That’s something I’ve learned more as I’ve played is this idea of respecting and learning from other songwriters … it’s really important. It’s less about my ego and more about what are good songs.”

Continue reading Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album

Change Agent – Fernando Silverio Solis Chronicles Personal Growth on ‘When the Good Starts to Fade’ EP

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Fernando Silverio Solis processes past relationships on “When the Good Starts to Fade.”

Fernando Silverio Solis instinctively understands the rate of change.

The Flint indie-folk singer-songwriter and guitarist aptly evolves and shifts with changing relationships on his latest introspective EP, When the Good Starts to Fade.

“With this group of songs, there are definitely some huge life changes taking place. You’re arriving at a different point whether it’s literally or figuratively and are unsure where to go from there,” Solis said.

“There’s a big theme around friendships … you have to acknowledge that sometimes you outgrow people or maybe they outgrow you.”

Those keen observations thoughtfully address past connections and anticipate future ones across three astute tracks. For Solis, When the Good Starts to Fade acknowledges the nuances and notions that slowly arise as one chapter ends and another begins.

“A lot of times I compartmentalize these ideas, thoughts and processes into a time when I can finally let it out,” he said. “After the songs are written, it’s almost therapy in a way … you don’t always know that you feel or think a certain way about something until you are given that space to say it freely.”

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