Recovery Time – Linen Ray’s ‘On the Mend’ Album Brings Comfort and Closure

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Linen Ray’s “On the Mend” reveals a majestic, internal transformation fueled by love, hope and gratitude. Photo – Mike Frieseman/Package design – Stephanie Eatherly

Linen Ray slowly breathes a long-awaited sigh of relief.

The Nashville, Tennessee married folk-rock duo of Rebekah Craft (vocals, acoustic guitar) and Gabriel Craft (drums, backing vocals) releases deeply buried tensions and inner struggles on their latest cathartic album, On the Mend.

“We’re in a full-circle moment now … there’s been some closure and healing in different areas. We’ve never written anything more meaningful to us that’s so close to our hearts,” said Rebekah Craft, who relocated to Music City from Ypsilanti with her husband and children in 2018.

“When we were moving to Nashville, there were so many unknowns, but we knew we had to do it. And, now looking back, we can see that this move has been really good for our family. We got to step away from some of those situations to really look at it and see the whole picture now.”

Inside that new On the Mend picture, Linen Ray finds comfort and rejuvenation after weathering personal stress and pandemic challenges. Each therapeutic track reveals a majestic, internal transformation fueled by hope, love and gratitude.

“We can see more clearly now because we’re all human, and we all make our choices,” said Rebekah Craft. “Now … we have way more grace, compassion and understanding than we had before when we were living through those moments in Michigan.”

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At Home – Ann Arbor’s Pajamas Hosts Headlining Show Friday at The Blind Pig

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Pajamas opens for Karina Rykman at The Parliament Room at Otus Supply in Ferndale. Photo – Austin R. Grinnell

Filled with gratitude and anticipation, Pajamas wants to show their hometown some love.

The Ann Arbor rock-funk jam quartet of Graham Low (drums, vocals), Nick Orr (guitars, vocals), Dan Schuler (bass, vocals) and Owen Kellenberger (keys, vocals) eagerly awaits their first headlining show Friday at The Blind Pig in nearly two years.

“Since we do perform in Ann Arbor pretty regularly, this one is going to be a love letter to our friends and fans, something unique and special. We’ve put a lot of work into making this happen. It’s a chance to celebrate our town, our community and where we are now as a band,” Orr said.

“I think people have a lot to look forward to with this show. We’ve hired a professional lighting engineer to accompany the music with an incredible light show. The Blind Pig is an Ann Arbor institution, and we’ve all been attending and playing shows there for years.”

As part of their show, Pajamas will share The Blind Pig stage with Toledo’s Cactus Jack, a quintet of talented friends quickly gaining traction with live Michigan audiences.

“We met Cactus Jack by putting a show together with them at the Tip Top Deluxe in Grand Rapids. It was our first time playing together, but I think we fit together really well musically,” Orr said.

“They’re really talented players with very good original songs. We got along really well and are happy that they were available to play with us again for this upcoming show. This show will be their Blind Pig debut, so it’s extra cool for that reason.”

Another extra “cool” reason to celebrate Pajamas’ Blind Pig return – new material to preview and experience from their forthcoming second studio album as well as some improvised covers.

“I’m really proud of the music that we’ve written for it, and I think it showcases how far we’ve come and where we’re currently at as a band,” said Orr, who previously released Onesie with the band in 2018. “It feels like we are hitting our songwriting stride, and more importantly, finding our own sound and voice. I think with this second full-length album we just know who we are and what we are about musically.”

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Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP

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ATMIG’s Drew Borowsky, David Jackowicz, Tobias Lipski and Dan Clark build a robust sound on “Avec Muscles.” Photo – Scott Millington

ATMIG strongly flexes a new creative muscle.

The Detroit indie-rock quartet of Tobias Lipski (vocals, guitar), Drew Borowsky (bass), Dan Clark (guitar) and David Jackowicz (drums) demonstrates their musical prowess with a fresh lineup and a new tenacious EP, Avec Muscles, which drops Saturday.

“A lot of that comes from the current crew. Dave can do the things on drums, Dan can do the things on guitar, and Drew can do the things on bass that I like to hear in the music that I listen to and that I sure as heck can’t do myself. We get each other’s vibe, so it can actually happen,” Lipski said.

Throughout Avec Muscles, ATMIG, or After The Money Is Gone, seamlessly builds a robust sonic system from several digestible, multi-genre “proteins,” including shoegaze, indie-folk, ambient, post-punk, dream-pop and indie-rock. Each “protein” evolves into a mighty, cohesive listen.

“For Avec Muscles, I think we still have variety, but overall, it’s a heavier album. It’s not just hard rock, it’s not just shoegaze, and it’s not just folk. It’s just us trying to put forth what the band and I do best,” said Lipski, who formed the band in 2006.

A follow-up to 2019’s Wishes album, Avec Muscles also pays tribute to Majesty Crush, a highly regarded Detroit dream-pop/shoegaze quartet that formed in 1990. The band featured the late David Stroughter (vocals), Hobey Echlin (bass), Michael Segal (guitar) and Odell Nails (drums) as part of a regal lineup that released their final EP, Sans Muscles, before splitting in 1995.

“It’s supposed to be the reverse of the Majesty Crush EP, Sans Muscles, because ‘Muscles’ was Hobey’s nickname. That was the last EP they did knowing Hobey was leaving the band,” said Lipski, whose new EP, Avec Muscles, means “With Muscle.” (“Avec” is French for “With.”)

“The whole concept is that I’m a huge Majesty Crush fan, and maybe Hobey will play with us. And if he’s going to play with us, then why don’t we name the song and EP after him? Who knows? Maybe he’ll come out to the show and play some Majesty Crush songs with us.”

Continue reading “Going Strong – ATMIG Demonstrates Musical Prowess, Honors Majesty Crush on ‘Avec Muscles’ EP”

A Deeper Understanding – Lilly MacPhee Digs Beneath the Surface on ‘Between the Lines’ EP

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Lilly MacPhee uncovers hidden thoughts about time, loss and love on “Between the Lines.” Photo – Jackie Pappas

Lilly MacPhee continually searches for a deeper understanding in life.

The metro Detroit indie folk singer-songwriter explores the true meaning of everyday words and actions on her new contemplative EP, Between the Lines.

“When I named the EP and thought about the overall theme of all the songs, I wanted people to really think about something before they say it. I believe in the notion of ‘say what you mean and mean what you say,’” MacPhee said.

“My whole goal with songwriting, and especially with the lyrics on this EP, is to always be authentic and raw. I also want to write lyrics universal enough to where everyone can interpret their own meaning.”

While reading Between the Lines, MacPhee digs beneath the surface and uncovers hidden thoughts about the passage of time, the loss of a loved one, the value of simple pleasures, and the need for lifelong connection.

Each haunting track also reminds listeners to learn from the past and find a sense of gratitude in the present, even as life’s troubles and uncertainties continue to build.

“Even through all the loss and the grief that I’ve experienced and others have experienced during these crazy times, I’m always trying to find the bright light,” MacPhee said.

“And for me, that’s through songwriting and the idea of trying to find the bright light in the darkness and finding the positivity when it might be hard to see.”

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Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP

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Dani Darling transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes on “The Future.”

Drenched in psychedelic sensibilities, space-age rhythms and funky prog-jazz fusions, Dani Darling vividly constructs an insightful time machine that revisits past reflections and welcomes future possibilities.

The Ann Arbor chanteuse-guitarist instantly transports listeners to a boundless cosmic frontier filled with vintage-neo soundscapes and never-ending stories on The Future EP, which dropped June 25.

“The kind of energy we need is that kind of New Year’s Eve vibe, like having a fresh start, feeling adventurous and wanting to see what’s out there. When it comes to these current times, I think it’s about being hopeful for the future and the energy that people have when they’re anticipating it and feeling positive about it,” said Danielle Davis, aka Dani Darling.

“That’s why New Year’s Eve is my favorite holiday; that whole energy is unmatched when everyone is hoping for something greater and looking forward to letting go of what’s in the past.”

Darling initially envisioned The Future during a winter solstice 2020 recording session at Ypsilanti’s Grove Studios. At the time, she recorded the album’s astral, improvisational jam, “The Age,” and embraced the hypnotic, psychedelic sound that emerged.

“After we all finished playing it, we stopped and looked at each other and said, ‘Whoa that was exactly it.’ Then we were like, ‘Let’s do it again,’ and the New Year’s Eve session was the one heard around the whole project. It was a seven-hour lock-in, and most of it came out of that,” said Davis about her third release and follow-up to 2020’s mystical Mage EP.

“I was also thinking about the next phase of Dani Darling coming from a very lo-fi, toned-down sound where I’m pretty limited with my resources to suddenly having this ability to bring my friends and people I really respect in musically. That really changed the game.”

Continue reading “Time Machine – Dani Darling Unites Past with ‘The Future’ on Latest Psychedelic EP”