Days of Future Past – Major Murphy Reaches Personal Crossroads on New ‘Access’ Album

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Major Murphy’s Jacki Warren, Brian Voortman, Chad Houseman and Jacob Bullard revisit personal struggles and explore newfound intrinsic possibilities on “Access.” Photo – New Archive

With Access, Major Murphy beautifully arrives at the emotive intersection of past and future.

The Grand Rapids indie rock quartet of Jacob Bullard (vocals, guitar), Jacki Warren (bass, vocals), Brian Voortman (drums) and Chad Houseman (guitar, keys, percussion) seamlessly navigates undiscovered internal roads filled with uncertainty, contemplation and growth on their boundless sophomore album.

“You have to go rock bottom to be able to adequately move forward. At times, it can be a little dark, scary or intense, but ultimately if you don’t face some of those things, then you’ll be missing the point. Anxiety and stress are definitely fused into the record, but it’s for the purpose of being able to identify things and put them to rest,” Bullard said.

Major Murphy deeply revisits personal struggles and explores newfound intrinsic possibilities across nine introspective, cinematic and experimental tracks on Access, which arrived April 2 via Winspear on all streaming platforms.

Each thoughtful, captivating track weaves a reflective, relatable tale about arriving at an unexpected crossroads and grappling with the amount of control one has in life. Layered with choose-your-own-adventure insights, Access prompts listeners to decide the direction of their next fateful turn.

“I was going through a lot of big changes, and I started writing songs in 2017. Part of the optimism is saying even when everything around you shifts and you don’t really recognize it, the old way of being doesn’t need to hold precedent. You have the find the strength within yourself to accept the new reality and adapt,” Bullard said.

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The Decemberists, Death Cab for Cutie Deliver Memorable Travelers’ Rest Day 1

Colin Meloy plays with The Decemberists during the first night of Travelers’ Rest.

Travelers’ Rest may be the best festival for any indie music rock fan – period.

First off, it’s an artist-curated event with The Decemberists at the helm. Who knows how to select a festival lineup better than the artists themselves? No one, I say.

Next, it’s the perfect overall length and amount of music. With two days and start and end times of 3:30 p.m. and 11:15 p.m. each day, respectively, you get to see nine acts and not have to stay up all night. At times, the three- and four-day festivals are fun, but a bit long in the tooth on hot summer days.

As a bonus, you also get to see ALL the acts if you want. No overlapping artists and schedule conflicts. A music festival goer’s dream!

Thirdly, the festival location and size. Missoula, Mont., is idyllic with its big blue sky and majestic mountains in the distance, yet remote enough to not draw overwhelming crowds compared to festivals in large cities, such as Chicago, New York City, Los Angeles and Detroit. The Big Sky Brewing Company Amphitheater has the right-size feel for an outdoor venue that holds up to 5,000 people.

Finally, who wouldn’t want to spend two musically, fun-filled days with The Decemberists and their friends? For me, it’s a bounty of exquisite musicianship and artistry.

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Travelers’ Rest — The Decemberists Host 2-Day Music Festival in Missoula, Mont.

Colin Meloy performs with The Decemberists during the “Your Girl/Your Ghost” tour at Ann Arbor’s Hill Auditorium in May. My friend Rachel provides cowbell support.

Nine years ago, I put in a copy of “The Hazards of Love” by The Decemberists in my Volkswagen Beetle’s five-disc CD changer and raised an eyebrow.

It wasn’t quite what I expected.

After listening to the entire album, I looked over at Brian and shook my head.

He replied to me, “This isn’t our style.”

At that time, we weren’t focused on rock operas and concept albums. We were the curmudgeons of pop, classic rock and power metal.

The Decemberists’ 2009 rock opera album pushed us out of our comfort zones musically, courtesy of my brother Steve. He included the album in a care package of music to hear before attending Bonnaroo and Lollapalooza.

The album’s storyline centers on a woman named Margaret who falls in love with a forest dweller named William. Throughout the album, William’s mother and a villain named the Rake bring conflict to the story.

Back then, “Hazards” was one of the first concept albums I had ever heard. While I didn’t appreciate it at the time, I sure do today.

I greatly appreciate the album and The Decemberists because they’re part of a special group of artists and music that inspired my initial love of concertgoing, vinyl and CD collecting, musical festival-ing (I know, it’s not a real word) and blogging.

Continue reading “Travelers’ Rest — The Decemberists Host 2-Day Music Festival in Missoula, Mont.”