Category: Concerts

Everyday Monsters – Fangs and Twang Shares the Horrors and Delights of Michigan and Out-of-State Creatures on Latest Album

fangs-and-twang
Fangs and Twang’s Joe Bertoletti, Billy LaLonde, and Andy Benes uncover a new group of beasts on You Monster. Photo courtesy of Fangs and Twang

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

After years of writing about monsters, Fangs and Twang didn’t expect to find them in human form.

The country-rock trio of Billy LaLonde (drums, vocals), Andy Benes (guitar, vocals), and Joe Bertoletti (bass, vocals) discovered some people started spreading monstrous misinformation at the height of the pandemic.

In response, Benes channeled that disbelief and frustration into the Ypsilanti, Michigan band’s opening track, “You Monster,” from its fourth album of the same name.

Alongside explosive electric guitar, organ, and fiddle, he sings, “It’s hard to be you and me / When we can’t tell what’s true / It seems to me that we can’t agree / Even that the sky is blue.”

“That song came to me … and it was done in 20 minutes,” Benes said. “All of the lyrics and all of the music just came out, and that was what was on my mind. [It’s about] not having a common set of facts or a common language that we’re speaking anymore as people and how horrible that is.”

The title track also lays the groundwork thematically for the horrors and delights Fangs and Twang uncovers on You Monster.

Continue reading “Everyday Monsters – Fangs and Twang Shares the Horrors and Delights of Michigan and Out-of-State Creatures on Latest Album” →

The Advocate — Michigan Fingerstyle Guitar Society Supports Local and Global Musicians Through Spring Concert Series

kyran-daniel
Kyran Daniel headlines several upcoming live shows in partnership with the Michigan Fingerstyle Guitar Society.

As longtime musicians, Ron Stavale and Yeman Al-Rawi strongly advocate for fingerstyle guitarists in Michigan and beyond.

The Michigan Fingerstyle Guitar Society (MFGS) members celebrate the skill and artistry of contemporary acoustic guitarists by showcasing their talent and technique through live shows and workshops.

“When you see an artist, it’s not gimmicky like somebody with a drum and a bell on their head doing all these things,” said Stavale, who’s played fingerstyle guitar since his 20s.

“They’re orchestrating compositions on a guitar by filling in all the things that maybe Yeman and I or another person would try and do. They do it in such a way that really draws me in.”

Stavale and Al-Rawi hope to draw fingerstyle guitar enthusiasts to several upcoming MFGS live shows and workshops that feature Australian headliner Kyran Daniel along with Michigan openers David Day and Nicholas Martin over five days:

Continue reading “The Advocate — Michigan Fingerstyle Guitar Society Supports Local and Global Musicians Through Spring Concert Series” →

Heal Up – Lucas Powell Overcomes Heartbreak and Finds Closure on ‘Lose You on My Own’ Single

lucas-powell-2024
Lucas Powell finds renewal and clarity on his new single, “Lose You on My Own.” Photo courtesy of Lucas Powell

Three years ago, Lucas Powell embarked on a pathway to self-healing.

The Royal Oak, Michigan singer-songwriter and multi-instrumentalist found closure from a past relationship after writing a new song about it.

“I often write to tell stories about myself and my experience and to process my feelings. This one was a song I wrote to say all the things I couldn’t say directly to a former partner,” Powell said.

“Going through heartbreak without explanation leads to a lot of self-gaslighting and blame and was one of the loneliest periods of my life.”

What resulted is Powell’s cathartic new single, “Lose You on My Own,” which openly explores that heartbreak and disbelief alongside emotive indie-rock instrumentation.

Backed by intrepid electric guitar, synth, bass, and drums, Powell sings, “Now, I’m pulling at the steering wheel / And I’m not sure how I’m supposed to feel / Looking in the rearview mirror because forever didn’t last / Asking, “How can this be real?”

“I hope people who hear this song will be given words for what they feel and know they aren’t alone in their experiences,” he said. “Three years later, I couldn’t be more thankful in every way for the changes I’ve endured via the specific hardship mentioned in this song.”

Continue reading “Heal Up – Lucas Powell Overcomes Heartbreak and Finds Closure on ‘Lose You on My Own’ Single” →

The Voice Within – Mike Green Follows His Instincts on ‘Listening for the Bell’ Album

mike-green-2a
Mike Green sings about life choices and lessons on Listening for the Bell. Photo courtesy of Mike Green

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Mike Green listened to his inner voice but wasn’t sure where it would take him.

The folk singer-songwriter, guitarist, and booking agent ruminated for years about how to share his life experiences.

“I always thought as a younger adult that I wanted to write a book of my personal philosophy, but I never had anything to say,” said Green, who resides in Ann Arbor, Michigan. “Then when I started writing these songs [during the pandemic] … and all these things I’ve always thought about, they just sort of came out in poetic ways.”

What resulted were 12 insightful tales for his debut album, Listening for the Bell, which explores the ups and downs of following your instincts.

“There’s a bunch of those songs that were written that way, and I just trusted it,” said Green, who started as a touring musician in 1978. “And then what I realized early on—after studying all of this—is that I had been in songwriting school for nearly 40 years.”

That schooling came from representing artists like Utah Phillips, Carrie Newcomer, Jesse Winchester, and John McCutcheon as a booking agent and listening to singer-songwriters like Greg Brown, Kenny White, Chris Smither, and Stephen Fearing.

“Chris Smither, probably more than anybody, is the gold standard to me on how you marry lyrics and words and have them come out … to be that way,” said Green, who started as a booking agent in 1986 and opened his own agency in 2004. “There’s no other way you can say it, and if you don’t say it just the right way, it doesn’t fit.”

Continue reading “The Voice Within – Mike Green Follows His Instincts on ‘Listening for the Bell’ Album” →

Breakneck Speed – Mark Jewett Follows Life’s Hectic Pace on New ‘Too Fast’ Single Featuring The Accidentals

Mark Jewett brings caffeinated instrumentation, pithy lyrics and a frenzied mindset to "Too Fast," which features Sav Madigan and Katie Larson of The Accidentals. Photo - David Donher
Mark Jewett brings caffeinated instrumentation, concise lyrics and a frenzied mindset to “Too Fast,” which features Sav Madigan and Katie Larson of The Accidentals. Photo – David Donher

These days, Mark Jewett moves at warp speed.

The Plymouth, Michigan singer-songwriter maintains a frantic daily pace on his turbocharged new single, “Too Fast.”

“It was more of a general feeling of being closed in and trapped and things just coming at me faster than I could deal with them,” said Jewett about folk-pop track, which features a collaboration with Sav Madigan and Katie Larson of The Accidentals.

“One day I just took a break at my desk and I picked up my guitar and I started doing this chunking rhythm like you hear at the beginning of the song. I was drinking coffee and I thought, ‘I need some energy,’ and the line just popped into my head.”

That initial opening lyric was “I’ve got a thousand watts of black coffee / Pumpin’ through my veins,” but Jewett upped the ante to “Two thousand watts of black coffee” instead.

“Kyle Rasche caught me between shows up at Nor-East’r last year when I was in the merch barn. He said, ‘Man, that’s a great line,’ and he thought I had said something about ‘8,000 watts,’ but it was originally, ‘I’ve got a thousand watts,’” said Jewett, who started writing the track last spring. “I thought maybe there was too much there, so starting it with 2,000 [watts] just punctuates it right at the beginning.”

Continue reading “Breakneck Speed – Mark Jewett Follows Life’s Hectic Pace on New ‘Too Fast’ Single Featuring The Accidentals” →

The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album

evan-haywood
Evan Haywood features a compelling juxtaposition of sound and genre on his latest live album, “Canterbury Tales.” Photo – Doug Coombe

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Evan Haywood remembers his first live solo show at Canterbury House in 2014.

The producer, musician, songwriter, rapper, visual artist, filmmaker, and digital archivist recalled feeling nervous about sharing vulnerable folk songs and playing a nylon-string guitar at the Ann Arbor venue.

“It was such a jarring experience almost to go from performing in sweaty clubs and bars where everybody’s dancing … and having a good time to this very stark, acoustic performance where I’m baring my soul,” said Haywood, a University of Michigan alumnus who had previously performed live with the local hip-hop group Tree City.

“I feel like that performance was some sort of watershed moment for me because I had to prove to myself that I could do it. I had never done a performance like that with just an acoustic guitar and myself.”

Fortunately, Haywood’s intimate performance was recorded on cassette by Fred Thomas and initially released on limited-edition tape through Thomas’ Life Like label in 2015. Today, part of that performance now appears on Haywood’s latest live album, Canterbury Tales.

“I spent the past 10 years or so honing them and working on the mixes and cleaning up some of the noise and things like that to get them to the point they’re at now,” Haywood said.

“When you’re dealing with tape, you have fewer options, so you really have to work in a detailed way to be able to massage those recordings and get the good stuff out and take some of the noise down. That’s something I’ve been tinkering with—those Canterbury House recordings—and I feel like now my tinkering is done.”

Continue reading “The Archivist’s Tale – Evan Haywood Digs Through His Past to Help Define His Musical Future on New Live Album” →

The Amplify Project and Spin Inc. Bring the Detroit Electronic Music Conference to Washtenaw Community College on March 2

demc-2
Detroit Electronic Music Conference promotional poster detail

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

After the Detroit Electronic Music Conference was put on hold last year due to a lack of venue, Rod Wallace and Ron “DJ Jungle” Johnson decided to bring the music production and DJ education event to Washtenaw County.

The heads of music nonprofits the Amplify Project and Spin Inc. will co-host the Detroit Electronic Music Conference (or “D Mack”) on March 2 at Washtenaw Community College’s Morris Lawrence Building.

“I first met DJ Jungle, who’s the executive director of Spin Inc., at a meeting with Grove [Studios], and they were looking for some opportunities to partner. Spin Inc. came and participated in our TAP IN event in 2023 and we talked about how we could collaborate,” said Wallace. about the free conference, which takes place March 2 and last occurred at the now-defunct Detroit Institute of Music Education in 2022.

“We had a conversation about his interest in bringing back the ‘D Mack,’ and I said, ‘Well, listen, we have a great partner in WCC … and [we can] tie it in with the arts management coursework that we’re teaching.’”

As part of D Mack’s preparations, the Amplify Project and Spin Inc. have enlisted WCC arts management students to help run the conference since their capstone class is built around event creation, collaboration, and execution.

Continue reading “The Amplify Project and Spin Inc. Bring the Detroit Electronic Music Conference to Washtenaw Community College on March 2” →

Fantasy World – Harry Dean and The Dusty Boys Explores Fictional Romance on ‘Gone By Dawn’ Single

harry-dean
Tyler Mazurek, Harry Dean and Lee Vanderkolk of Harry Dean and The Dusty Boys step into a fantasy world on “Gone by Dawn.” Photo courtesy of Harry Dean and The Dusty Boys

Harry Dean doesn’t consider himself a fantasy writer.

The lead vocalist-guitarist for Harry Dean and The Dusty Boys assumed a fictional persona while penning the country-rock trio’s latest single, “Gone By Dawn.”

“For the longest time, I was writing only from my own experiences,” said Dean, who’s based in Grand Rapids, Michigan with guitarist Lee Vanderkolk and drummer Tyler Mazurek.

“One of my favorite writers, Zach Bryan, has multiple songs where he is making up stories about fictional characters, and I thought that was an awesome concept.”

With a concept in mind for “Gone by Dawn,” Dean landed on a man out west who meets a mysterious woman one night. They share a passionate night at a hotel before going their separate ways the next day.

“I never had that one passionate night,” he said. “I have been with my wife since we were juniors in high school and we got married in June of 2023.”

Harry Dean and The Dusty Boys instantly brings that passionate night to life in “Gone by Dawn” through fearless electric guitar, enthusiastic acoustic guitar, driving bass and thumping drums.

Dean sings, “She might look good in my shirt / And I knew this wouldn’t work / But oh it felt so right / That mysterious girl / She might have stolen my world / Even if only for one night.”

“It was a lot of fun for me to step out of my comfort zone and write a story that was pure fantasy to me,” he said. “We are really proud of how this story came along.”

I recently spoke to Dean about his background, the formation of Harry Dean and The Dusty Boys, the band’s 2023 EP and latest single, upcoming live shows and future plans.

Continue reading “Fantasy World – Harry Dean and The Dusty Boys Explores Fictional Romance on ‘Gone By Dawn’ Single” →

Clear and Present – Darrin James Looks at Marriage, Family and Loss on ‘See Right Through’

darrin-james-1
Darrin James explores a gamut of emotions on “See Right Through.” Photo – Doug Coombe

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

When it comes to writing about love and loss, Darrin James believes in being crystal clear.

The Ann Arbor, Michigan singer-songwriter and producer shares honest and vulnerable stories about marriage, family, death, and uncertainty on his latest album, See Right Through.

“A lot of people say it’s heart-on-your-sleeve. I think that’s true and it’s always how I’ve kinda written. This album came from the more reflective side of things, and you have to embrace the vulnerability to write an honest song,” said James, who plays guitar, piano, organ, and synth on his fourth full-length release.

“Sometimes those tropes can express really true feelings … and sometimes when you’re being honest, a song is easier to write. It comes out more like a diary … and you’re staring at it thinking, ‘Now that it came out of me, that’s the song—it’s done.’”

On See Right Through, James reveals a gamut of emotions ranging from gratitude to joy to grief to hopelessness across seven tracks. Those raw feelings come to life through the album’s personal lyrics, heartfelt roots-rock instrumentation, and dreamy synth and horn textures.

“Those were personal songs that I waited until I had [them], and it made more sense after I had the love songs to counter the sad songs. I thought, ‘Now the whole album can have an arc of not just being a sad story,’” he said.

“Because [the songs] are more personal, they’re also more universal and timeless … Those themes I’m trying to deal with are ones that everyone [experiences].”

Continue reading “Clear and Present – Darrin James Looks at Marriage, Family and Loss on ‘See Right Through’” →

All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album

frontier-ruckus
David Jones, Matthew Milia, and Zachary Nichols of Frontier Ruckus. Photo – John Mark Hanson.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

For Frontier Ruckus, aging represents a mixture of nostalgia, fear, and hope.

The Detroit-Ypsilanti folk-rock trio of Matthew Milia, David Jones, and Zachary Nichols explores those feelings alongside the passage of time on its new album, On the Northline.

“The main soundbite that Matt has been saying about the record is that half of the songs were written before he met his wife, Lauren,” said Nichols, who plays trumpet, musical saw, melodica, and air organ on the album.

“He said half of the songs are angsty and half of them are happy. I hear a lot in the lyrics about getting older, looking back, and thinking about the future. I think we all feel a little bit middle-aged now.”

As part of that reflection, Frontier Ruckus engages in deep soul-searching across On the Northline’s dozen tracks. Contemplative lyrics, vivid suburban imagery, and wistful Americana, country, and jazz-inspired instrumentation encourage listeners to ponder their life trajectories.

“The feelings and the ruminations on aging and getting to the point that we’re at in our lives … they’re probably a little conflicted because it’s conflicting for all of us,” said Jones, the band’s banjoist-vocalist. “To a certain extent in Matt’s songs, there’s always a lot of nostalgia in a way that’s positive, but sad as well.”

Despite those conflicting thoughts, Frontier Ruckus forges ahead and finds some solace while revisiting hometown landmarks, adapting to everyday surroundings, and welcoming unexpected changes.

“There’s a certain amount of happiness to be where we are now and be past the turbulent days of our youth when we were in the van all the time,” Jones said. “There’s a level of contentment with being in this place that we’ve all settled in that feels good and more comfortable.”

I recently spoke with Jones and Nichols about waiting seven years between releases, dissecting the album’s introspective themes and tracks, writing and recording the album, preparing for two celebratory shows, and going back out on the road.

Continue reading “All The Time – Frontier Ruckus Explores The Past, Present and Future on New Album” →