Country Mile – The Whiskey Charmers Take Road Less Traveled for ‘Lost on the Range’ Album

Lawrence Daversa and Carrie Shepard of The Whiskey Charmers. Photo by Jim Cohen

The Whiskey Charmers frequently travel off the beaten path.

The Detroit alt country duo of Carrie Shepard (vocals, acoustic guitar) and Lawrence Daversa (electric guitar, harmony vocals) encounter western frontiers, far-away galaxies, budget motels, fiery gun-slinging duels, deserted highways and nightmarish monsters while getting Lost on the Range.

Their refreshing 10-track cinematic road trip serves as the ideal soundtrack for a vintage-like spaghetti western directed and musically curated by David Lynch. During Range, The Whiskey Charmers embark on several introspective journeys while tumbleweeds blow past, wildfires burn and classic country guitar tones reverberate in the distance.

“We didn’t have a plan originally of what songs were going to be on there, but we picked the ones we liked the best. We thought a lot about the order once we had all the songs, and we feel like it has a beginning and an ending the way we had it structured,” Shepard said. “The girl (Akriirose) who did the album art noticed all the words she kept hearing, and she kept getting this explorer vibe.”

Daversa quickly added, “Like Lewis and Clark.”

Getting ‘Lost on the Range’

“Lost on the Range” album artwork by Akriirose

For their third country expedition via Sweet Apple Pie Records, The Whiskey Charmers enlisted Brian Ferriby (drums), Johnny “Wolf” Abel (bass), Dan “Ozzie” Andrews (bass) and Rooftop Recording engineer and multi-instrumentalist David Roof to join the “wild west” entourage.

Together, they seamlessly blend scorching retro Americana, folk and rockabilly into timeless tales of love, revenge and self-discovery amidst vast, barren fields rolling in the mind’s eye. Their Range adventure begins amidst blazing struggles and deep space odysseys.

One of Range’s most striking tales includes “Galaxy,” a hypnotic, interstellar ode to solitary confinement in an expansive universal frontier. Intertwining melodic acoustic and electric guitar strums, vibrant glockenspiel, echoing chimes, delicate bass and light drums drift to and fro as Shepard and Daversa sing, “Well I’m lost at sea, lost in the galaxy/There’s no one else tonight, no one else but me/Still I float along, most of my hope is gone/Gotta find a rocky spot, that I can land upon.”

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For Song Sake – Motor City Artists Debut New ‘Best Guess’ Track for Tonight’s Black Crystal Studio Songwriting Challenge

Jeff Scott will perform tonight at Black Crystal Studio as part of the “For Song Sake” songwriting challenge.

Four metro Detroit area artists will demonstrate their songwriting prowess tonight at Ann Arbor’s most intimate and private music venue.

Jeff Scott, Brooke Ratliff, Kelsey Detering and Mike Gentry will participate in “For Song Sake,” a creative challenge in which songwriters compose a new tune over six weeks and debut it before a live audience at Black Crystal Studio. Songwriters apply to participate in the challenge.

All artists are given the same song title, but must write their own lyrics and music as well as determine the genre. Tonight’s song is called “Best Guess,” said Gerald Wayne “G.W.” Staton, who’s owned and operated the 44-seat Black Crystal Studio since 2007.

“I gave the artists an example of something I wrote just to show them what they might do with it. Two of them have written me and said, ‘I’m deep in the rabbit hole,’ but they’re challenged by it,” he said. “Artists always say they needed that challenge, and they needed something thrown at them to get out of a rut.”

During “For Song Sake,” audience members will rate each song from one to five based on lyrics, melody and likability. The winning songwriter will receive a prize, which could include cash, an instrument, a short trip or another item.

Staton and his Black Crystal Studio crew will record each artist’s performance of “Best Guess” and air the recording during an upcoming “For Song Sake” session on Ann Arbor Radio, one of the venue’s two online radio stations. Each artist will receive a copy of the recording.

“I’ve got four dates for ‘For Song Sake’ lined up for next year, one a quarter,” Staton said. “The audience was what impressed me. People came out that I wouldn’t have guessed would come, but they were interested in hearing about songwriting.”

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