Outside the Lines — Manchester’s Jonathan Doyle Follows His Own Creative Instincts and Is The GIG 2026 Featured Poster Artist

Jonathan Doyle with wife Brooke Doyle in 2022. Courtesy photo.

Editor’s Note: Lori Stratton is on the board of GIG: The Art of Michigan Music Foundation.

For one of his latest posters, Jonathan Doyle decided to step outside his musical realm.

The Manchester, Michigan, graphic designer and poster artist took an architectural approach and drew a picture of the Chelsea Clock Tower.

“I love that building, so I took a couple of pictures of it, and I just drew it,” said Doyle, who owns JK Doyle Art & Design and creates concert posters for the Manchester Underground Music and Art monthly concert series.

On the poster, he created a majestic blue-and-purple version of the clock tower against a light blue and white mandala background.

“I tried to keep it as fun as possible, and I didn’t want to go full psychedelic because it’s Chelsea,” Doyle said. “But at the same time, I didn’t want to go mayonnaise, so that’s where I ended up.”

Doyle’s artwork is the featured poster for GIG: The Art of Michigan Music, an annual event showcasing the creations of visual artists, graphic designers, and concert photographers who work in music.

This year’s edition of GIG takes place July 24-25 in Chelsea as part of the city’s Sounds & Sights Festival. Doyle is one of 20 artists featured at the event, which is spearheaded by Ann Arbor residents Chuck and Brenda Marshall.

“Being a musician and an artist, I have been in both realms, and it’s the only place I’ve ever seen where those two groups of people are brought together,” he said.

To support that community, GIG includes a gallery of artwork and photography by the featured artists, a music market filled with prints, photos, records, and merch, and workshops focused on mental health, websites, graphic design, and photography.

“I’m kind of a hermit, and a lot of my artist and musician friends are hermits, so there’s nowhere for us to go,” Doyle said. “The community inside the community [at GIG] is really big for me.”

I recently spoke with Doyle about his background and work as a graphic designer and poster artist.

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Lighten the Load — J. Michael & The Heavy Burden Provides a Cathartic and Emotional Outlet on “Where We Belong” Album

Shannon Lee, Andrew Pfeiffer, Hilary Finchum-Sung, Jeff Brach, Christopher Georges, David Roof, and former bassist Jamie Sass. Not pictured: current bassist Kevin Howard. Courtesy photo.

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Despite the band’s name, J. Michael & The Heavy Burden wants to lighten the emotional load for people.

The Ann Arbor-Metro Detroit band provides a cathartic outlet for processing feelings—ranging from hope to heartbreak to euphoria—on its latest album.

“A lot of the music that I write, it all comes from a very emotional place,” said Jeff “J. Michael” Brach, frontman for the Americana-jam rock band, about Where We Belong.

“When I’m at my peak creatively and writing a lot of music, which I’m actually doing more of right now, it’s when I’m going through difficult things.”

Brach examines a spectrum of emotions while rediscovering his purpose—both personally and vicariously—across eight tracks.

“Universally, the music that I love, you can identify with it, even if you’re interpreting it differently,” he said. “We all come from our perspectives, but you can universally tap into certain things that are being said.”

Brach’s relatable songwriting comes to life alongside the spirited instrumentation of The Heavy Burden, which includes lead guitarist Andrew Pfeiffer, drummer Christopher Georges, vocalist Shannon Lee, keyboardist David Roof, vocalist-violinist Hilary Finchum-Sung, and bassist Kevin Howard.

“Once I started listening and focusing on the lyrics, I [don’t] think of us as the heavy burden, but that’s the funny joke part of it,” Georges said.

“A lot of the songs have heavy, emotional tones sometimes, even though they’re light in their presentation and fun and groovy. There’s also this behind-the-scenes bit of toil and heartbreak, and that story-work in there. It’s delivered nicely and sweetly almost to the ear.”

I recently spoke to the band about its album ahead of an August 1 headlining set at the River Rhythm Music & Arts Festival in Manchester.

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DIY Approach – Manchester Underground Music and Art Supports Local Artists Through Monthly Live Shows

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“Pistol” Pete Midtgard performs with The Twistin’ Tarantulas in July 2023 at River Raisin Distillery for a Manchester Underground Music and Art show. Photo – Chuck Marshall of Life in Michigan

Editor’s Note: This article originally appeared on the Ann Arbor District Library’s Pulp blog.

Back in 1977, high school friends Steve Girbach and John Mooneyham bonded over listening to Rush, Judas Priest, and AC/DC albums after school.

Those listening sessions at Mooneyham’s house in Manchester, Mchigan eventually turned into serious discussions about forming a band and playing live shows.

It wasn’t until a few years after graduating from Manchester High School that Girbach and Mooneyham put their musical plan into action.

“Steve and I were talking and we said, ‘Why don’t we get some gear and we’ll put on shows and festivals?’ We had all these grand ideas people in their early 20s come up with,” said Mooneyham, who now co-runs the Manchester Underground Music and Art monthly concert series with Girbach.

“About a month later, Steve said, ‘I invited some guys over to your house to play some music and you’re gonna play bass.’”

Together, guitarist Girbach and bassist Mooneyham played in two cover bands, Allister and The DTs, and later hosted a music festival featuring 13 acts at a former amusement park in the Irish Hills.

Not long after that, The DTs called it quits and everyday life took over for Girbach and Mooneyham. What they didn’t realize at the time was that initial music festival helped lay the groundwork for what would become Manchester Underground Music and Art in 2019.

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