Soulful Path – ANA Explores Self-Love, Personal Growth on ‘Fall With Me’ Single

fall w me
ANA shares her deepest emotional reflections and vulnerabilities on “Fall With Me.” Photo – Miles Marie

Filled with sensual, soulful grooves and mellow, jazzy soundscapes, ANA beautifully embarks on a newfound path of self-discovery and intimacy.

Along her transformative journey, the Detroit neo-soul singer-songwriter shares her deepest emotional reflections and vulnerabilities while poignantly embracing personal growth and exhilaration on “Fall With Me.”

“This song is a trifecta of things. A lot of it is about exploring intimacy and being open to that. But self-love was a big one, especially during the pandemic because we have spent so much time being isolated from each other. I feel like a lot of the things we desire become a lot more physical and manifest in a way of self-care while deepening the expectations we have for ourselves and the things that we love to do,” said Ana Gomulka, aka ANA.

Now available on all streaming platforms, “Fall With Me” magically transports listeners to a carefree, breezy spring day that provides instant relief and ample time to recharge. Thoughtful, enduring trumpet, delicate drums, mellifluous bass, fluttering synth and vivid electric guitar provide a mesmerizing escape into ANA’s dreamy world.

Gomulka beautifully sings, “Cause when you show up at my place/And ring my bell/I’ve been feelin’ for ya/You know very well/But if this is too much for you, yeah/We can just kick it like we used to.”

“I decided to put this song out first because I’ve been working on a lot of music that’s going to be coming out in 2021. I also wanted to make this a love song to my audience and the people who have supported me throughout the whole time I’ve been making music,” said Gomulka, who also fronts the jazz-fusion group Honey Monsoon.

“I’ve been writing songs since I was 13 years old, and this is the first time I’ve ever officially put out a single myself as a solo artist. I wanted to make this single to invite people to follow me into the joy of what I’ll be sharing. I’ve always been a really sensual, vulnerable person, and I think a lot of authenticity lies there.”

Fall With Me” also serves as ANA’s first new material since releasing Honey Monsoon’s 2019 enchanting album, Opal Soul. She invited an all-star team of collaborators to join her on the track, including Haruki Hakoyama (bass, trumpet), Sasha Kashperko (guitar), Todd Watts (drums) and Barry Chambliss (keys), and meld captivating R&B grooves with jazzy, hip-hop beats.

“This song was actually something that just came to me. I had studio time booked already for different songs, but this song was the newest and the freshest one. I had just laid down the guitar part first for the demo,” said Gomulka, who recorded the track at Fundamental Sound Co.

“I did the instrumental, and then the vocals came while the lyrics came afterward. I just reflected and manifested in feeling what I really wanted people to get out of this song. I’ve also been making a lot of electronic music, but I thought it was important to have actual instrumentation on it. I think that comes with the realness of my music, and it’s a reflection of my musical spirit.”

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On Course – Madelyn Grant Finds Motown-Inspired ‘Purpose’ on Debut EP

Madelyn Grant’s “Purpose” EP explores the challenges of reaching self-actualization during a personal transformation. Artwork – Sebi White and Quinn Faylor

Madelyn Grant elegantly charts a new creative course.

The Detroit neo-soul singer-songwriter opted for a classic Motown-inspired sound on her debut EP, Purpose, after forging an initial electronic, trip-hop pathway.

“I love the sound of Emancipator and FKJ, but after touring and performing with them, I realized I wanted to capture more of that Amy Winehouse-Sade vibe. At that moment with electronic music, I wanted to go more in an organic direction of being live with everyone in the studio, and I think these songs lend themselves to that,” Grant said.

“I’ve got this combination of songs, and they sound like Motown, Al Green, Bill Withers and Stevie Wonder. They don’t sound like sound like trip-hop, FKJ or Emancipator. The people who helped arrange these songs with me were U-M jazz school alumni, and they added some jazz influences in there.”

Grant beautifully jazzes up her nostalgic, soulful project across five introspective, fervent tracks. Out today via all streaming platforms, Purpose delves beneath the surface and explores the challenges of reaching self-actualization during a personal transformation.

“After listening back to these songs and realizing this intense process I went through creating this EP, I had this image of a butterfly that kept coming into my mind. When moths and butterflies go through this transformation and reach their final stage, they have to go through this intense cycle. It’s not always pretty, but in the end you’re left with something that’s worth waiting and being patient for,” she said.

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Mystic Mind – Rebekah Faidia Channels Jimi Hendrix’s Creative Spirit in Latest Single

Rebekah Faidia brings dream and neo soul to life in her latest single, “Mystic Mind.” Photo by Lance Marczak, Divine Life Photography

Rebekah Faidia knows how to keep the spirit of Jimi Hendrix alive.

As a dream neo soul-pop singer-songwriter, Faidia beautifully reimagines the guitar legend’s creative world from “Have You Ever Been (To Electric Ladyland)” in her latest single, “Mystic Mind (Session 2).”

“It’s about exploring things in life that are little bit more mysterious,” she said. “It’s about my music, that world and everything that I want my music to inspire and evoke in people. It’s an introduction to me and my music.”

Faidia makes a mesmerizing introduction on “Mystic Mind,” which features soft, ethereal vocals woven with vibrant, atmospheric electric guitars and deep synths – “Take a ride into my mystic mind/You’ll have the time of your life/And if you see my soul looks like it’s fool’s gold/It’s all yours/You can indulge.”

She takes listeners on a “ride into that electric sky” to open and free the mind to new possibilities. The track itself serves as a four-minute escape into a romantic realm that lies somewhere in between “Edward Scisscorhands” and “The Shape of Water.”

Interestingly, Faidia recorded two versions of the track at Metro 37 Recording Studio in Rochester Hills with producer and engineer Kevin Sharp. Both versions are similar with the exception of a newly added guitar solo from Motor City multi-genre vocalist and guitarist Kyle Mikolajczyk.

Faidia started working with Mikolajczyk earlier this year after meeting him through mutual friend and bassist Cameron Shawcross. The trio also added drummer Garrett Ramsden to the lineup.

“Kyle’s really involved in the music scene. He’s also playing with me, and as of now, we’ve done stuff in the studio,” Faidia said. “We don’t have any live performances scheduled right now because we’re in the process of doing a lot of different things.”

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