Tag: Techno

Escape Room — OMO x Le Dawg Create Alternate Sonic Worlds on Their Electronic Music Album

OMO, aka Javan Cain, and Le Dawg, aka Evan Haywood, in Ann Arbor. Photo – DJ Cataclysmic, aka Jacoby Simmons.

OMO x Le Dawg’s self-titled album provides a brief respite from the outside world.

On their debut release, the Ann Arbor, Michigan, electronic duo creates different vibes and sonic spaces for people needing an escape.

“I want to get into that place where I’m no longer in my consciousness, but I am depersonalized completely into the music,” said Evan Haywood, aka Le Dawg.

“When you’re in that music, it frees you from all of the other things going on: all of the bills you have to pay, all the things you have to worry about, all the craziness in the world. It’s like a place of peace, and it can sound like anything.”

Featuring six tracks, the album is a collection of minimalist, ambient techno that explores a spectrum of sounds, ranging from meditative and percussive to dreamlike and intergalactic.

The music emerged over a series of jam sessions the duo had at Haywood’s home studio.

“We met once a week for a good couple of months,” said Javan Cain, aka OMO. “It turned into a lot of different jams, and there’s going to be a lot of different projects with different sounds. We were jamming together and growing within that, seeing what we could build because it’s endless if you really think about it.”

Those jam sessions quickly reflected the different roles the duo had while making the album: OMO as the creative force and Le Dawg as the editor and observer.

“It’s great because we both have so much going on musically, especially me with my studio work and Javan with all of his live performances that he’s been doing,” Haywood said. “It’s like we’re both bringing those skills and bringing those sensibilities into the process.”

To learn more, I spoke to OMO x Le Dawg about the creative process for the album.

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Techno Tribute – Doogatron Honors Andrew Weatherall’s Artistic Legacy on New ‘Audrey Witherspoon’ Single

Doogatron’s latest single wraps fuzzy shoegaze guitars, scratchy hip-hop sensibilities, jazzy sax solos and cosmic, reverby vocals into a nonstop club jam. Artwork – Rachel Maitland

Doogatron brilliantly channels the artistic spirit and creative legacy of the late Andrew Weatherall.

The Ypsilanti techno duo of Stevie Tee and Kyle (and occasional trio with Michael) seamlessly stitches midtempo acid house, breakbeat techno and dreamy shoegaze into their latest interstellar Weatherall tribute single, “Audrey Witherspoon.”

Out now via all streaming platforms, “Audrey Witherspoon” beautifully celebrates Weatherall’s illustrious career as an acclaimed U.K.-based DJ, producer and artist who remixed tracks by Happy Mondays, New Order, Björk and My Bloody Valentine. He also added samples, loops and mixes on Primal Scream’s 1991 Mercury Prize-winning album, Screamadelica.

“It’s named ‘Audrey Witherspoon’ based on a pen name he used for gig reviews he wrote prior to his production career. The sequenced acid house bassline coupled with the big shoegaze fuzz guitar and midtempo swagger reminded me a lot of the late ‘80s, early ‘90s second summer of love, ‘Madchester’ sound, so when Andrew passed, it felt right,” Tee said.

Together, Doogatron injects the right amount of high-frequency, intergalactic beats and pulsating bass into the energetic, frenzied techno world of “Audrey Witherspoon.”

The nine-minute astral track also beautifully wraps fuzzy shoegaze guitars, scratchy hip-hop sensibilities, jazzy sax solos from Jamie Goldsmith and cosmic, reverby vocals into a nonstop club jam. (Tee also created a groovy “Gazing at Shoes” mix of music inspired by and taken from outtakes while recording “Audrey Witherspoon.”)

“‘Audrey Witherspoon’ was more in the moment with the two of us getting into a new workflow and trying to fill out as much sound as possible. Instead of Kyle just doing the drum machine or drum programming, he was also doing the bassline sequencing, and that freed me up to start playing guitar and getting into some tones,” said Tee, who also did the vocals for the track.

Continue reading “Techno Tribute – Doogatron Honors Andrew Weatherall’s Artistic Legacy on New ‘Audrey Witherspoon’ Single” →

Jam On – Ypsilanti’s Doogatron Drops Self-titled Debut Album, Hosts Release Party Tonight at Ziggy’s

Doogatron’s self-titled album is out today.

With an electrifying new album and turbo-charged release party, Doogatron doesn’t miss a beat.

The Ypsilanti techno trio is celebrating a jam-packed day with the arrival of their self-titled debut album and an 8 p.m. release party tonight at Ziggy’s.

DoogaTron’s Stevie Tee and Kyle will perform together and host separate DJ sets while two of Yspilanti’s finest producers and DJs, Jason Hogans aka :brownstudy and Sleezy Hamilton, and DJ Sean Brocash will round out the release party.

Tonight’s release party serves as the ideal environment for hearing and experiencing Doogatron’s debut album live through a robust sound system built on a mix of analog and digital synthesizers and technology. Their techno sound encompasses heady machine-funk combined with synth freak-outs.

“We’re getting to a point where we can open up the idea of what we’re doing with DJing and playing our stuff. We can do a whole night like that,” Tee said. “We’re going to do the first couple of hours, and then we’re going to turn it over to our friends and have fun and party with people afterward.”

Today’s album drop and release party have been nearly four years in the making. Together, Tee (bass synths, additional textures, samples and occasional vocals) and Kyle (drum machines/samples) DJed as Doogatron for about two years before switching to a live PA setup. At the same time, Tee recorded techno music with Mike (lead/synth pads) as part of a separate project called Chill Spector.

Continue reading “Jam On – Ypsilanti’s Doogatron Drops Self-titled Debut Album, Hosts Release Party Tonight at Ziggy’s” →

Saturday’s Detroit LIVE at The Heidelberg Celebrates Motor City Music

For three Detroit-based artists, the Motor City brings a promising musical future backed by a powerful legacy.

Clear Soul Forces, John Jammin Collins and Rah the Son will represent some of the city’s best musical talent and lead the inaugural Detroit LIVE at The Heidelberg Project Saturday.

Together, they’ll showcase emerging and established hip-hop, techno and other music during the free block party hosted by POWER Entertainment and The Heidelberg Project.

From noon to 8 p.m. Saturday at 3600 Heidelberg St. in Detroit’s McDougall-Hunt community, attendees will hear seven other rising musical acts as part of the Detroit LIVE. There also will be an open mic session for other performers interested in demonstrating their talents.

“We want to build a sense of community while featuring Detroit talent and celebrating The Heidelberg Project’s 30th anniversary,” said Donna Kassab, a POWER Entertainment owner and Detroit LIVE creator.

Kassab is hosting the event in conjunction with Jenenne Whitfield, CEO of The Heidelberg Project, near the city’s iconic outdoor art installation. Detroit LIVE is part of Thirty Months of Heidelberg, a series of special programming in conjunction with the 30th anniversary of The Heidelberg Project.

The Stratton Setlist recently spoke with Clear Soul Forces, John Jammin Collins and Rah the Son to learn more about their music and upcoming performances at Detroit LIVE.

Continue reading “Saturday’s Detroit LIVE at The Heidelberg Celebrates Motor City Music” →