Strength in Numbers – Stephanie Belcher Launches New Online ‘Business Management for Musicians’ Course

Stephanie Belcher prepares for her new online course, “Business Management for Musicians.”

With an incredible knack for numbers, Stephanie Belcher is one of the music industry’s premier economic and financial educators.

She has an innate ability to interpret and define the complex world of financial management, economics, and tax accounting for emerging and established creatives.

Belcher became fluent in the language of financial management after spending nearly two decades working in artist management, booking, promotions, and marketing. She’s also served as an accomplished business manager, marketing and economics entrepreneur, and tax accountant for 10 years.

“After moving to Michigan and regularly attending concerts, I started to hear there were musicians who needed their taxes done,” said Belcher, who’s based in Livonia, Mich. “More and more people kept coming to me for advice, and I absolutely loved helping them.”

Now, she’s ready to share her music, financial management, and economic expertise with artists, musicians, and creatives through a new online course and mastermind group.

Through the online course, interested participants can subscribe to Belcher’s content, which includes videos, chat sessions, online workshops, and other tools for those wanting to sharpen their financial, economic, and business knowledge while working in the music industry.

“I’ve come to embrace my role as an educator for financial information to creative people, and I enjoy it because it allows me to combine emerging music, financial management, and economics while connecting with people,” she said.

Continue reading “Strength in Numbers – Stephanie Belcher Launches New Online ‘Business Management for Musicians’ Course” →

‘Acoustic Introduction’ – Trey Simon Celebrates Latest EP with Friday Release Show at 20 Front Street

Trey Simon knows how to make an introduction – an acoustic one, that is.

The Rochester, Mich., soulful singer-songwriter will introduce his latest EP, “The Acoustic Introduction of Trey Simon,” to fans at 8 p.m. Friday during a special release show at Lake Orion’s 20 Front Street.

Simon will play tracks from his current EP, debut songs from his upcoming full-length album and perform with special guests Kenny Watson and Stephie James.

“We’ll have physical copies of ‘The Acoustic Introduction of Trey Simon,’ which will have bonus tracks from the full-length that’s coming out,” Simon said. “If people buy the CD, then they get the four acoustic songs, but they also get one-minute clips of these full-production songs that are coming out.”

Simon released the four-song “The Acoustic Introduction of Trey Simon” EP in July as a follow-up to his 2014 debut EP “What the Future Holds.” With “Acoustic Introduction,” Simon and Grammy Award-winning engineer and producer Quentin “QueWeezy” Dennard II opted for a simple, stripped-down sound with upbeat pop songs and romantic, soulful tunes.

“My whole vision for the EP is that I really want to build a relationship with people. I’m not looking to get rich quick, I’m not looking to become some big overnight thing,” Simon said. “I really want to build a community and movement around my music and with people. I want people to fall in love again, I want to blend cultures together, and I think the best thing to do is just give people an unfiltered, un-jazzed, unpretentious, just right-to-the-core introduction of me.”

Continue reading “‘Acoustic Introduction’ – Trey Simon Celebrates Latest EP with Friday Release Show at 20 Front Street” →

A Cut Above – Detroit’s Allye Gaietto Hosts Saturday Freight Yard Show, Brings Smart Jazzy Pop to Motor City

Allye Gaietto by Patty Rooney/Rooney and Company

For Allye Gaietto, the Dequindre Cut Freight Yard serves as the quintessential outdoor music venue for burgeoning artists.

The Detroit jazz pop singer-songwriter decided to host Saturday’s live show at the freight yard after biking through the former Grand Trunk Railroad line.

“Having a car-free greenway in Detroit is great. It’s fun to see so many people out walking, running, biking and just hanging out on any given weeknight,” Gaietto said. “When I saw the post asking for musicians to play at the Freight Yard, it felt perfect. Detroiters never have enough summer, so the chance to play outside on a Saturday afternoon is a no-brainer, and with the BUILD Market, food trucks, beer and games, it looked too fun to pass up.”

Gaietto will play her first freight yard show Saturday from 1 p.m. to 4 p.m., and perform her newest song, “Normal Stuff” as well as tracks from her 2016 debut EP, “Some Kind of Heaven,” a few covers and some deep tracks for her headlining set.

Neo-soul singer-songwriter White Bee, also known as Shannon Barnes, and pop singer-songwriter Ally Evenson will join Gaietto to round out the freight yard show.

Earlier this month, White Bee released a new video for her single, “Beat State,” while Evenson’s latest single, “All My Days and Nights,” is featured on the Detroit Institute of Music Education (DIME) Sessions Vol. 4 album, which drops today.

“I’m excited to have White Bee in the lineup for her vocal talents, guitar chops and songwriting skills. I feel lucky that she was able to hop on the bill at the last minute and bring her talents to the show,” Gaietto said.

“Ally is a student at DIME, where I work. I’ve heard her play a few times for student shows and other events, and kept thinking that she needed more attention from the Detroit music scene at large. I think all three of the songwriters on this show make music that is interesting and often challenges the listener to go a little deeper, while still being accessible ‘smart pop.’”

Continue reading “A Cut Above – Detroit’s Allye Gaietto Hosts Saturday Freight Yard Show, Brings Smart Jazzy Pop to Motor City” →

Riding High — The Lows Perform Saturday at Inaugural Motor City Muscle Festival

 

The Lows will play Motor City Muscle on Saturday.
The Lows will be riding high this weekend with a coveted slot at the inaugural Motor City Muscle festival.

The Detroit-based hard rock band will join more than 120 artists, including Ace Frehley, The Dead Kennedys, Belinda Carlisle and Sponge, during the free festival, which includes seven stages of music and a muscle car showcase today through Sunday in downtown Detroit.

The Lows will take the stage in Detroit’s Hart Plaza at 3:15 p.m. Saturday for their hour-long, 15-song set. Fans can expect original Lows’ tunes and covers from Detroit music legends, including Alice Cooper and The Stooges, as well as ‘90s grunge classics.

For Angelo Coppola and his Lows bandmates, the festival is an incredible chance to help revive the rock music scene in the Motor City.

“Basically, I think there’s not enough of the straight-up rock sound going on anymore,” said Coppola, frontman for The Lows. “There are some great bands like Greta Van Fleet and some others from Detroit doing it. I think the world needs more of it, and I think tons of people personally want something to change with mainstream music. We’re just trying to hopefully be part of it carrying the torch and bringing it back around.”

The Lows EP
Coppola learned his band would join the all-star rock music festival lineup after he submitted “Road Trippin’,” a track from The Lows’ 2017 self-titled debut EP for a 12-song Motor City Muscle compilation album.

“The criteria for that was the song had to be about cars, and it had to mention Detroit in the song,” he said. “I went back into the studio where I recorded the EP, and I just changed one line of the first verse with producer Chuck (Alkazian) to include a reference to Detroit in there, then I submitted it, and they picked it for the album.”

Continue reading “Riding High — The Lows Perform Saturday at Inaugural Motor City Muscle Festival” →

Jena Irene Asciutto Ascends to New Musical Heights with ‘Cold Fame’

Jena Irene Asciutto

With her rich, soulful voice, Jena Irene Asciutto sings of a life lived well beyond her 22 years.

The Ann Arbor, Mich., singer-songwriter shares tales of personal growth and self-reflection in her debut album, “Cold Fame.”

Released in June 2017 on Detroit’s Original 1265 Recordings, “Cold Fame” solidifies Asciutto as a powerhouse vocalist and composer who mixes elements of pop, rock and alternative against a cinematic backdrop.

“I wanted it to be a little bit of a story, like a complete chapter of my life,” she said. “A lot of those songs were written in the same period of time so I wanted to take the listener on a little bit of a journey when they listen to it from start to finish.”

Deconstructing ‘Cold Fame’

Hearing “Cold Fame” from start to finish allows fans to delve into Asciutto’s artistic metamorphosis from American Idol runner-up to burgeoning songstress.

“I just want to make people feel something when they listen to my music,” she said. “Some of (the lyrics) are super close-knit because you know exactly what I’m talking about, and some of it’s a little bit more generalized.”

“Cold Fame’s” 14 raw, emotional tracks propel listeners on a sonic journey through self-exploration in “Song of Myself” to the dark side of life in “Black Magic” to peppy “no f*cks given” in “White Girl Wasted.”

Continue reading “Jena Irene Asciutto Ascends to New Musical Heights with ‘Cold Fame’” →

Musical Matrimony – FeRn Whale Husband, Wife Duo Bring Meditative Folk Rock to Metro Detroit

Tom and Angela Sheppard of FeRn Whale — photo by Rose Catherine Hohl

As FeRn Whale, Tom and Angela Sheppard are married to the music – and each other.

The Ypsilanti, Mich., husband and wife indie “meditative” folk rock duo started playing together seven years ago in the metro Detroit area and have built a lasting musical and personal partnership.

“We just have totally different roles when we play together so there’s not much of any conflict,” said Tom Sheppard. “Angela does all the writing. I support her writing by coming up with parts to go with it, but she does the singing. I set everything up and carry all the stuff, which I like to do.”

Together, they carry equal parts of FeRn Whale’s musicianship, which includes writing, recording and performing their own material and playing regular gigs at local venues, including Plymouth Rock in Plymouth and Northville Winery and Brewing Company in Northville.

Musical Metamorphosis

Earlier this year, FeRn Whale released their latest single, “Cocoon,” a soothing indie folk rock anthem focused on a personal transformation coinciding with spring’s arrival. They recorded the single on reel-to-reel tape at Royal Grand Studios in Redford last year with producer and friend Mike Bush.

Continue reading “Musical Matrimony – FeRn Whale Husband, Wife Duo Bring Meditative Folk Rock to Metro Detroit” →

Family Ties – Detroit’s Brother Elsey Forges Strong Sibling Bond for Roots-oriented Rock

Brother Elsey’s Brady Stablein performs at The Blind Pig in January.
Brother Elsey’s indie folk rock roots run deep within their musical family tree.

The Detroit-based band of brothers credit their family with planting a love of music from one generation to the next.

Together, twins Brady Stablein (vocals, guitar) and Beau Stablein (harmonies, bass), both 21, and their 23-year-old older brother, Jack Stablein (harmonies, guitar), changed their band name from Fifth and Main to Brother Elsey last year to pay homage to their great-grandparents, Elsey and Mary Prater. They also thought the new moniker would resonate more with fans.

“Everyone in that family respected Mary and Elsey on a very deep level, and they really loved who they were,” Brady Stablein said. “Our grandfather, Elsey’s son, he got us into music. He was in a country band for a long time, and growing up around him, he always had us playing guitar, singing old country songs and stuff like that.”

The Stablein brothers’ love of music also grew while spending time with their father. Known for his eclectic music taste, the senior Stablein played everything from America to Enrique Iglesias to 50 Cent to musical theater for his sons.

“There were more genres such as folk or stuff that I don’t think a lot people got into as kids like we did,” Beau Stablein said. “That kinda pointed us in the direction that we’re in now.”

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Science for Sociopaths — Detroit’s Maggie Cocco Gets Personal on Upcoming ‘Love & Life’ Double EP

 

 

 

 

 

 

 

DETROIT – For Science for Sociopaths, writing and singing about romance and growth is a labor of love.

The Motor City indie pop-rock singer-songwriter, aka Maggie Cocco, digs deep and gets personal on her new nine-song double EP, “Love & Life,” which drops June 1.

On “Love & Life,” Cocco’s inspirational lyrics and soulful, powerhouse voice are reminiscent of Carole King, Patti Smith, Kelly Clarkson and Emmylou Harris rolled into one. Her richly-layered songs unravel relatable situations for fans who have experienced the trials and tribulations of life and love.

Cocco is releasing her first single, “I See You,” today from her upcoming double EP. “I See You” brings an acoustic foot-stompin’, finger-snappin’ tale of an unexpected love facing personal triumph despite life’s ongoing challenges.

“‘Love’s four heartfelt songs explore infatuation, confidence, insecurity, frustration, anger and loss as it pertains to romantic love. I was inspired to draw personally from my own love life and pulled a ‘Taylor Swift’ of sorts,” said Maggie Cocco, who formed Science for Sociopaths in 2016. With ‘Life,’ I dealt with the deep stuff bordering on existential. Everything from self-love and being our best selves to life’s toughest questions and big decisions. It’s real, and so sometimes it’s dark, but it’s always hopeful.”

Continue reading “Science for Sociopaths — Detroit’s Maggie Cocco Gets Personal on Upcoming ‘Love & Life’ Double EP” →

Buzzworthy — Honey Monsoon Drenches Detroit in Jazz-inspired Indie Rock

Honey Monsoon at Ann Arbor’s Om of Medicine in February. Top row from left: Taylor Greenhields, Ana Gomulka and Ian Griffiths. Bottom row from left: Andrea Holther-Cruz and Leo James Willer.

For Honey Monsoon, the sweet sounds of jazz-inspired indie rock, neo soul and funk are dripping heavily throughout metro Detroit’s music scene.

The Detroit-based quintet are spreading the nectar of the Motor City’s burgeoning jazz indie rock scene at clubs like The Blind Pig and Om of Medicine in Ann Arbor, The Loving Touch in Ferndale, the Plymouth Roc in Plymouth, the Tangent Gallery in Detroit and The Loft in Lansing.

Together, Ana Gomulka (music, lyrics, vocals, guitar and keys), Taylor Greenshields (drums and percussion), Ian Griffiths (bass and vocals), Andrea Holther-Cruz (keys and vocals) and Leo James Willer (live painting) are introducing their talents to a growing Motor City audience.

Gomulka attributes the band’s smooth sound to their longtime love of past and present jazz, soul and funk singers and musicians, including Esperanza Spalding, Sharon Jones, Kneebody and Hiatus Kaiyote.

“When we first started this band, I don’t think any of us were like let’s make jazzy music. When I was young, I grew up listening to Ella Fitzgerald and Sarah Vaughan because that’s what my parents played,” she said. “So when I sang people would be like, ‘Oh you sound like Sarah Vaughan or something like that.’ I was like, ‘Oh, I wasn’t even trying to sound like her.’ I think that’s where our jazzy sound comes from. It’s just what comes out.”

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Selling England by the Pound — The Musical Box Covers Peter Gabriel-era Genesis in Detroit

The Musical Box performs Genesis’ “Watch of the Skies” at Motor City Casino’s Sound Board in Detroit.

French-Canadian Genesis tribute band, The Musical Box, covered the prog quintet’s famous 1973 “Selling England by the Pound” tour Sunday at Motor City Casino’s Sound Board in Detroit.

The two-hour show celebrated the best of Peter Gabriel-era Genesis with “Firth of Fifth,” “Watcher of the Skies,” “Dancing with the Moonlit Knight,” “I Know What I Like (In Your Wardrobe),” “The Knife” and other favorites.

The Musical Box singer Denis Gagné wore memorable and colorful Peter Gabriel-inspired costumes from the era — Bat Wings, Britannia, the Old Man, The Reverend, The Flower Mask and Magog.

It was like stepping back in a 1970s British prog rock time machine and never wanting to come back. At least I didn’t.