Tag: Mike Lynch

Visible Recognition — Sammie Hershock Honors Diligent Women on “Gold Sticker” Single

Sammie Hershock. Courtesy photo.

Sammie Hershock recognizes diligent women whose valuable contributions often go unnoticed on “Gold Sticker.”

The Marshall, Michigan, singer-songwriter and pianist pays tribute to women who support family, friends, and community behind the scenes on her new indie-folk single.

“That’s really where the song came from, and originally when I wrote it, I was thinking about my mom,” said Hershock, who’s also a mother of three children. “It just put it all in perspective for me, and it came from realizing how much she actually did.”

On “Gold Sticker,” she sings, “But can she get a gold sticker / Can she get a prize / Or maybe a metal around her neck to reflect the light in her eyes / It took me long enough to see / That in the race of humanity / There is no winner / But can we get a gold sticker.”

“When I play this for people, I can’t even tell you how many people come up afterward and say, ‘I needed to hear that,’” Hershock said. “I almost always play that song, and at the end, I have free gold stickers.”

“Gold Sticker” features an A-list roster of musicians, including Dominic Davis on bass, Mike Shimmin on drums, Spencer LaJoye on violin and background vocals, Kyle Joe on background vocals, and producer Chris DuPont on guitar.

“When I started working with Chris DuPont, I already had amazing musicians on it, and the skeleton of the record was perfect,” said Hershock, whose new single will appear on her upcoming album, Wings. “I loved it, but I just knew that I wanted it to be filled out a little bit more.”

Hershock also recently entered “Gold Sticker” in the Grassy Hill New Folk Competition for Emerging Songwriters, which is affiliated with the Kerrville Folk Festival in Kerrville, Texas.

She placed as one of 24 semi-finalists for the competition and is traveling to Kerrville this weekend to perform at the festival on May 24.

I recently spoke with Hershock about her background, new material, and upcoming plans.

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Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album

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The Wild Honey Collective features storied lyrics, timeless acoustic instrumentation and rootsy sensibilities on “Volume 2.” Photo – Michael Boyes

The Wild Honey Collective deeply explores countryside tales of the past and present on Volume 2.

The Lansing-Grand Rapids, Michigan Americana-folk quintet of Tommy McCord (vocals, acoustic guitar), Danielle Gyger (vocals, fiddle, acoustic guitar), Timmy Rodriguez (vocals, electric and upright bass), Dan O’Brien (vocals, electric and upright bass) and Adam Aymor (pedal steel) ventures through life’s peaks and valleys on their latest anecdotal album.

“One of the big differences between [2021’s] Volume 1 and Volume 2 is that on Volume 2 all of the original written songs were brand new when we did them,” said McCord, who also produced and released the album via GTG Records.

“That’s very much reflected in the material because that’s what was going on in our lives; some of us were getting married, and Timmy and Dan both had kids in 2020. It wasn’t on purpose, but that very much is true.”

Alongside Volume 2’s storied lyrics and bucolic setting, The Wild Honey Collective beautifully weaves timeless acoustic instrumentation with rootsy sensibilities. It’s a refreshing listen while spending time with family and friends at a lakeside cabin or trekking through hilly, sprawling landscapes.

“By Volume 2, we were a gigging band when we made the album, and I think that really shows,” McCord said. “It feels more like a band than a studio project. We’re just kind of driving forward with that now.”

The band also drives Volume 2 forward with invigorating renditions of traditional folk songs and unreleased tracks by other songwriters, including Mark Vella’s “Ode to Thor,” “Dark Hollow,” Buck Owens’ “There Goes My Love,” “Rocky Mountain Belle,” “Katie Cruel” and the Irish instrumental “Red Haired Boy.”

“When you play in punk bands, the idea of recording cover songs is very taboo unless if you’re making fun of it or something. But in the world of traditional and folk music, that’s kind of part of it … interpreting other people’s songs and the Great American Songbook,” said McCord, who also plays in Drinking Mercury and The Plurals.

“That’s something I’ve learned more as I’ve played is this idea of respecting and learning from other songwriters … it’s really important. It’s less about my ego and more about what are good songs.”

Continue reading “Countryside Tales – The Wild Honey Collective Explores Life’s Peaks and Valleys on ‘Volume 2’ Album“ →